The Cult Collection Comparable to the Style of Life's Mockery: Cult Guide

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Robert F. Hill

A visual fragment from the archive: The thematic resonance of The Virgin of Stamboul perfectly mirrors the editorial trajectory of our deep dive.

Jim Crosby has shifted for himself since his early childhood. He has become a gangster, feared by all his companions because of his strength. In a fight, which he enters for his sister's sake, he is arrested and sent to jail for a term of months. In the meantime Ann Payton, a society girl, has rented a saloon which she has turned into a mission. She is engaged to be married to Temple Vaughn, her father's young secretary, but decides to wait a year before marrying. The day that Jim is released from prison he gets mixed up in a brawl, and knowing that the police are just waiting a chance to arrest him again, he seeks refuge in the old saloon, a former hangout. Ann takes him in and shelters him from the police. Vaughn has been leading a fast life and has become involved with a woman by the name of Costello and a gambler called Johnson. He loses heavily, and to pay the debt forges a check. Jim, who has been given a position in the bank, recognizes Johnson when he comes to cash the check. He discovers that Vaughn is not able to meet the check, and in lieu of settlement Johnson forces Vaughn to invite a number of his wealthy friends to his house for a game of cards. Jim overhears the two planning the card party and, knowing Ann's love for Vaughn, he decides to get the check and so prevent any further blackmail. At the party Vaughn stands seeing his friends fleeced as long as he can and then accuses Johnson of cheating. Then a figure appears at the door, holding a pistol. He rifles all their pockets, taking the money on the table and the forged check. But in robbing Vaughn, Jim slips in his pocket the forged check. Jim is caught while trying to make his escape and is sentenced to a term in prison. Some time later Vaughn finds in his pocket the forged check and realizes that Jim has committed the crime only to save him. He offers to take all the blame, but Jim will not listen. After his marriage Vaughn again gets connected with Johnson and his mistress. There is a quarrel and Johnson is arrested for running a gambling house. In prison he meets Jim and tells him that the first thing he does upon his release from prison will be to kill Vaughn. Later they are both released on the same day. Jim goes at once to warn Vaughn who arrives a few moments after and who accuses Jim of paying attention to his wife. Jim tries to warn him, but Johnson steps out from behind a screen and shoots him through the heart. In the last scene Jim and Ann are seen together, establishing another mission in the Bowery. It is left to the spectator whether or not Jim will ever succeed in overcoming the great social gap which lies between them.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.