Top-Tier Alternatives In the Shadow of Maharadjahens yndlingshustru I: Cult Guide

Dir: Robert Dinesen

On a sailing trip, Missy Helweg loses her oars and ends up in distress at sea. Her cry for help is heard by Teggy Hamilton, who lives alone on an island. He saves Missy and they become good friends. But the family is worried about her absence.

Dir: Robert Dinesen

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Gar el Hama V perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Dinesen

A fascinating piece of cinema that shares thematic elements.

Dir: Robert Dinesen

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Luksuschaufføren perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Dinesen

A fascinating piece of cinema that shares thematic elements.

Dir: Robert Dinesen

The young widow Louise von Winge and her mother-in-law are obsessed with hatred and revenge because the husband and son von Winge, the famous army aviator, were killed in air combat with the enemy's most feared aviator, August Ferrer.

A visual fragment from the archive: The thematic resonance of Ariadne in Hoppegarten perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Dinesen

The rich banker Collin has lost one of his favorite daughters. He is unrestrained by grief. His other daughter is happily engaged and can not disperse the father's darkness. He drops deeper and deeper.

Dir: Robert Dinesen

Jane Bernard, a woman whose husband has divorced her through no fault of her own, leaves her home for the seashore in order to forget the past. She meets Robert White, a wealthy young man, who can judge the true qualities of a woman. They are mutually attracted to each other, and agree to meet again at the seaside resort. Upon her arrival at the fashionable hotel, Jane unwittingly attracts the attention of David Lennox, a man of means, who passes most of his time with the young women who throng the promenade. Lennox is puzzled in his endeavor to recollect where he has seen Jane in the past, and finally solves the mystery when he finds her picture in an illustrated weekly, which printed the news of her divorce and hints that she is leading the life of an adventuress. After being repulsed in his attentions, Lennox informs the hotel management that Jane is not a desirable guest, and in consequence she is requested to settle her account on the following day. In order to meet this obligation she is obliged to sell her jewels, and, being aware of this, Lennox again presses his attentions upon her. In the meantime, Mr. White has arrived at the hotel and is welcomed by Jane. While seated in the dining room of the hotel brooding over the future she picks up a diamond brooch from the floor, and in her financial extremity disposes of this in order to realize money. Then, swayed by an impulse which she cannot resist, she visits the gambling casino with other guests, and is winning heavily when White appears upon the scene and dissuades her from tempting Dame Fortune any further. On the following morning she attempts to redeem the jewels which she had sold, and learns that they have been sent to the auction room. Upon her arrival there she finds that the only bidder against her is Lennox, and when she has exhausted the last of her money in bidding, a voice on the outskirts of the crowd proceeds to outbid Lennox. Robert White is the successful bidder, and restores the jewels to Jane, who at once gives back to its rightful owner the diamond brooch which had been dropped on the floor of the dining room and picked up by Jane. The ending of the photoplay is a happy one, but there are many interesting situations before the climax.

A visual fragment from the archive: The thematic resonance of Thamar, das Kind der Berge perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert Dinesen

A fascinating piece of cinema that shares thematic elements.

Dir: Robert Dinesen

A fascinating piece of cinema that shares thematic elements.