Underground Favorites Parallel to the Artistry of Make a Wish: Cult...

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Malcolm St. Clair

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

A dancing instructor gets involved with a newly rich family.

Dir: Jacques Jaccard

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Under Northern Lights perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of Homer Comes Home perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Roy Clements

A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.