Underground Favorites Parallel to the Artistry of Mary Moreland: Cu...

Dir: Frank Powell

Hedda Gabler, the degenerate daughter of a drunken, dueling father, has just returned with her husband, George Tesman, from their honeymoon. Hedda, who possesses an uncanny affection for her father's pistols, lives in jealous watchfulness over Ejlert Lovberg, a former lover whom she often pictures in Tesman's place, in her imagination. Lovberg, while under the positive influence of Thea Elvsted, has written an important book, and Hedda, learning this, sets out to recapture Lovberg's affection, whereupon he takes to drinking, loses the manuscript, and is cast into despair. Tesman finds the manuscript, which Hedda then obtains from him. Lovberg then breaks with Thea and goes to Hedda. She shows him her pistols; he takes one and goes to Thea's home where, in her arms, he shoots himself. Hedda, after burning the manuscript that she regards as the child of Lovberg and Thea, shoots herself as well.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of Charity perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Frank Powell

Dr. Fernandez is believed by Mendoza, the military governor of Mexico, to possess hypnotic powers. Mendoza is in love with Dr. Fernandez's daughter Zora. When Zora displays no love for him, Mendoza assumes that the father is responsible for the failure of his suit. So great becomes the hatred between the two that when a faction of insurrectionists arises, the doctor places himself at its head and leads it against the Government. Dr. Fernandez is killed in battle. Meanwhile, the Governor's daughter Dolores suffers from somnambulism. While she is anxious to be cure, she dislikes to inform her father or her lover that she is so afflicted. Finally her old nurse makes the fact known to Zora, who possesses the hypnotic power that was her father's. Dolores submits to treatment at Zora's hands and is cured, Zora unaware that Dolores is engaged to Riques--Zora's sweetheart. When she does learn that the wedding day is set, she goes into a rage and contrives to get into the palace by night and hypnotizes Dolores. Shortly thereafter, Zora is denounced as a witch and carried away by an angry mob to be burned at the stake. Just before the torch is applied, the old nurse makes known to the Governor that his daughter has the habit of sleepwalking and is in a trance from which she cannot be roused. She also informs him that only person who can cure Dolores is Zora. At the last instant, the Governor stays the burning of Zora and promises her freedom if she will bring Dolores from her lethargic state. Zora, believing that the Governor is acting in good faith, goes to the palace and awakens Dolores. When she is found to be safe, the Governor goes back on his word and commits Zora to prison. She escapes, however, and Riques, who realizes that he loves Zora more than Dolores, runs away with her. The two are captured after a fight, and in the end Zora is put to death.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of The Witch perfectly mirrors the editorial trajectory of our deep dive.

Princess Fedora Romanoff, a wealthy, beautiful St. Petersburg widow, is betrothed to Vladimir Boroff, a young man of high social position in the Russian capital. On the eve of their wedding, Vladimir is murdered and Princess Fedora, transformed by the tragedy from a gentle, loving woman into a tigress, vows to devote her life to finding and punishing the slayer of her beloved. Her quest takes her to New York City.

Dir: Frank Powell

Driven from Russia by the persecution of the police, who had caused the death of his wife, was Ivan Pavloff, a Nihilist, accompanied by his two infant twin daughters Olga and Nina, en route to America in search of freedom. During the voyage Pavloff becomes acquainted with Mr. and Mrs. Victor Karenin, wealthy Russians returning from a tour of the Continent, and who had lost their only child while abroad. Mrs. Karenin becomes devoted to Pavloff's little daughter, Nina, and offers to help Pavloff when they arrive in America if he is unable to secure work. After becoming located in America, Pavloff finds that he cannot obtain employment, and goes to the Karenins to seek their aid. He consents to their proposition that they adopt Nina as their own child. Twenty years pass. Pavloff, now an American leader of the Nihilists, has won fame as a writer on Nihilism. His daughter, Olga, now educated, assists him in his work. Olga, through a newspaper discovers that her sister, Nina, is soon to marry John Huntington, connected with the State Department at Washington. As time passes Olga's father is induced to return to Russia and assist in the destruction of Savaroff, Chief of Police. The following day Olga and her father take solemn oath to revenge the death of her mother, and in order that they may not be discovered, or in case of arrest, that one or the other may reach Russia, and thus escape to fulfill their oath, they travel over different routes. They meet in Russia at the appointed time and place and become affiliated with the Nihilists. Back in America John Huntington has received an appointment to the diplomatic post in Warsaw. He pleads with Mr. Karenin to permit the marriage of his adopted daughter, Nina, to himself before he departs for Warsaw. Karenin objects, saying that he has arranged for Mrs. Karenin to tour Europe for the sake of her health, and he wishes Nina to accompany her. But upon their return he will consent to their marriage. A few weeks after Mrs. Karenin has sailed, Huntington receives final notice of his appointment and sails for Warsaw. At a meeting of the Nihilists, held at their headquarters in the Lamond Chateau, final arrangements are made for the killing of the chief. One of Savaroff's spies learns of the meeting and notifies him. The soldiers make a raid on the chateau. Pavloff and Olga are captured. Savaroff tries to secure the secrets of the Nihilists by torturing Pavloff with the horrible death rays. Pavloff refuses to reveal the secrets. Savaroff attracted by Olga's beauty agrees to save her father if she will give herself to him for the night. She finally consents and Pavloff is rewarded. Olga goes to Savaroff's home and awaits his arrival. While there she overhears a conversation between Savaroff's secretary and the Assistant Prefect of Police, and learns that her father has died. Savaroff enters, and she asks him what has become of her father. He tells her that he has recovered. During a struggle in which she pretends to appreciate his embrace, she slabs him to death with a knife. Savaroff having previously given instruction to the guards to permit Olga to leave the palace unmolested, she escapes easily. She goes to the Bristol restaurant, the rendezvous of the Nihilists, to meet Gaganov, a comrade. The same evening, John Huntington, having arrived in Warsaw to undertake his duties at the American Consulate, goes forth on pleasure bent, and drops in at the Bristol restaurant for refreshments. He is recognized by Olga as her sister's fiancé. It immediately occurs to her that if she can convince him of her peril he will aid her to escape to America. Huntington sees her, and knowing that Nina is in Europe, mistakes her for his sweetheart and rushes over to greet her. Instantly she conceives of a scheme to get out of the country without trouble, and permits Huntington to believe that she is Nina. Through this misidentification they escape to America. Meanwhile in Paris, Nina and her mother having failed to locate Huntington, decide to return to America before the holidays. In Warsaw the police are making every effort to locate Olga and send detectives, one to Hamburg and one to Paris. Petrovitch, the spy of the Russian police, on arrival in Paris, mistakes Nina for Olga. He determines to follow her to America and avenge the death of his cousin Savaroff. Amazov, the Hamburg detective, having lost the trail, proceeds to America in the hope of doing his duty after locating Olga. As the story ends the real destroyer of Savaroff pays the penalty, while Nina and her sweetheart are reunited in eternal happiness.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of Princess Romanoff perfectly mirrors the editorial trajectory of our deep dive.

Blanche Merrill, the handsome wife of a young artist who is seeking his way to fame, is surprised when her husband Bob, seeing her standing before a mirror, insists upon painting her portrait. The painting is exhibited and attracts the attention of Boyd, a theatrical manager and playboy who seeks Blanche out and entices her to leave her husband with promises of a theatrical career. Blanche leads a life of indulgence with Boyd until, feeling the pangs of dissolution, she awakens in her husband's arms to discover that it was all a dream.

Dir: Frank Powell

The husband and wife of a typical American family read the story of Albert and Louise, European peasants. Albert, called to war, is able to come home but once during the conflict. The captain of the enemy takes up his headquarters in Albert's house and forces his attention upon Louise. War over, Albert returns home rejoicing in the news of the birth of a son. He is told Louise has never looked at or touched the baby. Demanding an explanation Louise tells of the visit of the captain. Albert would kill the child, but Louise's motherhood asserts itself and she saves its life. The American family rejoice on completing the story that America is at peace.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of The Scarlet Oath perfectly mirrors the editorial trajectory of our deep dive.

Nell Loring, a Texas sheep rancher's daughter, stops a fight between her father and his neighbor John Corliss, a cattleman, who have feuded for years. Although John loves Nell, he keeps it secret when she promises to marry his errant brother Billy if he stops drinking. After John rescues Nell from a runaway horse, though, she confesses that she really loves him. Worried about the feud, Nell makes John promise never to kill anyone. After Billy is wounded in a barroom brawl, John refuses him money until he reforms. Angered, Billy plots with Fadeaway, a cowboy John dismissed, to rob John's safe. John remembers his promise during his subsequent fight with Fadeaway and only punches him soundly. After Fadeaway is killed by the sister of a woman he betrayed, John, believing that Nell killed him, plants evidence to convict himself. Although Billy, now reformed, tries to take the blame, the murderer's written confession frees John to marry Nell.

Dir: Frank Powell

Alaire Austin runs a cattle ranch along the Texas-Mexican border with her corrupt husband Ed. After Texas ranger Dave Law saves her from dying of thirst in the desert, the two fall in love. Mexican bandit Longorio, who longs to possess the beautiful Alaire, orders his men to kill her husband and take control of the ranch. The bandit captures Alaire and forces an old priest to marry them, but before the ceremony can be performed, Dave arrives and secretly marries her himself. The couple escapes and seeks refuge in a little house just inside the Mexican border, but Longorio's men pursue them and set the building on fire. Just in time, a force of United States cavalrymen arrives and conducts the couple across the Rio Grande to safety.

Dir: Frank Powell

Travers Gladwin, a young millionaire, returns incognito from abroad with his Japanese servant, Bateato, after cabling his chum Whitney Barnes to meet him that evening at the Gladwin mansion. Al Wilson, a picture thief, arrives from Europe the same afternoon. He has obtained keys to the Gladwin mansion from a dismissed servant of Gladwin's and, parading under the other's name, wins the love of romantic Helen Burton with whom he plans to elope at ten thirty that night. Bateato goes to the mansion at once and excites the suspicions of Phelan, "Officer 666," whom he finally satisfies as to his identity. A few minutes later Whitney Barnes reaches the home, followed shortly after by Travers. This visit is interrupted by the arrival of Helen Burton and her friend, Sadie Small, and Helen explains that she intends that evening to elope with her sweetheart, Travers Gladwin. Amazed at first, Travers scents trouble and then pretends an intimate friendship with Gladwin. Barnes, under the influence of a brilliant idea, takes Sadie aside and advises that she tell her aunt of the proposed elopement. Both girls leave, promising to return at 10:30. Gladwin at once determines upon a plan, brings in "Officer 666," borrows his uniform and, sending Phelan to the kitchen with Bateato, goes into the street, where he purchases a false mustache and returns. Sadie and her aunt call and Gladwin hides, leaving Phelan and Barnes to face the music. After threatening to have them arrested, the two women leave in high dudgeon, the house is darkened and Barnes and Phelan go into the kitchen to entertain themselves in anticipation of Wilson's visit. Promptly at ten, Wilson slips into the house and begins cutting valuable oil paintings from their frames. He is surprised by the sudden appearance of Gladwin in Phelan's uniform and immediately puts the pseudo-policeman to work helping him pack the canvases. Helen arrives and does not recognize Gladwin in his false mustache and policeman's uniform, but when Wilson goes upstairs for a moment, Travers quickly explains the situation, advising Helen to be quiet to avoid scandal. In the meantime the excitable Japanese, Bateato, alarmed at the strange doings, brings a captain and two patrolmen toward the house. Phelan enters the parlor and demands the return of his uniform, explaining the matter to Wilson. Travers dares not tell the truth for fear of implicating Helen for whom he has already formed a strong attachment. Thus Wilson easily brands Gladwin as the real thief. Meantime at Phelan's approach, Helen hides herself in the hallway clothes closet. At this juncture the police enter with the Japanese and Phelan denounces Gladwin. The captain praised Phelan and sends him on his beat. The Japanese, seeing a door partly open, reaches in and drags Helen into the parlor. Barnes, attracted by the noise, enters from the kitchen and a patrolman promptly claps the handcuffs on that unfortunate gentleman, much to his subsequent misery and woe. Helen takes advantage of the confusion to slip into the closet. The situation is further complicated by the arrival of Sadie and her aunt with a half dozen policemen. One of them takes a long look at Wilson, recognizes him as an old offender and steps forward to arrest him. Instantly Wilson throws the room into darkness and jumps unseen into a large chest. The police scamper in all directions, leaving Gladwin alone in the parlor. A moment later Wilson emerges, revolver in hand, and exchanges some pleasantries with Gladwin, who for Helen's sake is anxious that the thief should escape. A fresh wagonload of police arrive and among them Phelan, who, seeing Galdwin at liberty in the parlor, promptly leaps upon him. The captain enters and upbraids Phelan and leaves with Gladwin to search the roof. Wilson takes advantage of the opportunity to step from behind the portieres, chloroform Phelan, don his uniform and toss him into the big chest. Then he calmly walks into the street, informs the wagon-driver that he is wanted inside by the captain, and coolly makes his escape on the driver's seat of the empty patrol. Meanwhile in the library Barnes, still handcuffed, after failing in his desperate effort to embrace Sadie, brings her into the parlor where Travers and Helen are engaged in rescuing the unhappy Phelan. And when Sadie makes a promise to Barnes and Helen to Travers, that wealthy young gentlemen makes another to Phelan, that uniform or no uniform there will always be a job waiting for "666."