Recommendations
Senior Film Conservator

Exploring the cult status in Mary Regan is a journey into United States cinema, the thematic layers of this 1919 classic invite a wider exploration of the genre. If the cast impressed you, these next recommendations will too.
With Lois Weber at the helm, Mary Regan became to reinvent the tropes of cult cinema for a global audience.
Mary Regan, the child of an heiress who married a handsome thief hoping to reform him, then died when he went to prison, refuses to marry New York District Attorney Robert Clifford because she fears that the family's past will hurt his career. After refusing to cooperate with her father's gang members, Jim Bradley and Peter Loveman, Mary goes to the mountains. Bradley and Loveman get Jack Morton, a dissolute youth from a wealthy family, involved with Nina Cordova, an adventuress. After winning the trust of Morton's father, Loveman takes Morton to the mountains, supposedly to get him away from Nina, but really to involve him with Mary. Morton falls in love with Mary, and she marries him hoping to effect his reform. After Morton tries to hide the marriage from his father, the gang tries to blackmail Morton, Sr., but Mary contacts Robert, and after Morton is killed in a fight, the gang is arrested. Robert then convinces Mary to be true to her heart and marry him.
Mary Regan was a significant production in United States, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique cult status of Mary Regan, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Lois Weber
Hi Judd, poet, postmaster and philosopher, is the sunshine of the village, a veritable doctor of happiness. His right arm the little world of the village leans on, the kind words he scatters broadcast reap their harvest of love for the old postmaster and the verses he writes (sometimes when he should be working) proclaims him the wit of the village. And because of the verse writing Mrs. Judd is often discouraged. Hi confides in his daughter, Bess, that he often stands in awe of Mrs. Judd when she catches him pencil in hand, with the woodpile untouched and the chores not done. But Bess is consoling and when Hi is not around she makes a collection of the verses and sends them on to a great newspaper. Theirs is a peaceful life that must have its dramatic climax and it all descends upon them at once. Jim Skinner, an unscrupulous, grasping old miser, holds the mortgage on the house and also has designs upon Hi's position as postmaster. Then the bank fails and shadows hang low. In the meantime drama is stirring within their home. Bess who had thought she cared for Hal, the station master is under the spell of Sam who has come from the city to be the new ticket agent. Hi, dubious of his character and regretting his daughter's change of heart, before it is too late, finds a picture of Sam, his wife and their baby. Hi recognizes in the wife, Belle, the long-missing daughter of Mother Wilkins, a widow of the village whose home has burned and who would have suffered privation had it not been for the generosity of Hi. He sends for Belle, making her believe the money and message come from Sam and when Sam is confronted with the wife and baby he sees there is nothing to be done but face the unexpected situation. The mortgage is due. Heartbroken, they are preparing to leave the little home when word comes from the newspaper: "Verses accepted, send them as fast as you can write them." Thus ends the story. Hi, with his $500 check from the newspaper pays off the mortgage, the future holds its promise; Mother Wilkins is happy with her daughter and the little baby, and Hal and Bess are engaged to be married.
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Dir: Lois Weber
Plantation owner William Hawkes (David Newell) doesn't approve of the fact that most of the white men on the island have married, or are living with native girls. He doesn't approve of mixed marriages and is equally opposed to accepting the "gifts of love" offered to him by the native girls. One night, after several hours of hard drinking, he sees Leilani (Mona Maris) bathing on the beach, and he watches her until he can resist his craving no longer. He catches her in his arms and she willingly accepts his embraces. She comes to live with him and waits on him hand and foot. Hawkes goes to San Francisco for a planter's convention and, when he returns, brings back society girl Lucille Cheney (Virginia Cherrill) as his wife. Leilana is heart-broken, while Lucille becomes quickly bored with her husband and Hawaii. Her boredom ends when Chandler Morris (Hardie Albright) sails into port on his yacht and he and Lucille begin an affair. Hawks drinks to forget. He catches Lucille and Chandler together and a fight ensues, Lucille, in an effort, to save her lover throws a kerosene lamp into the ripe sugar cane and fire spreads in all directions.
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Dir: Lois Weber
Ray Sturgis, leader of the fashionable Long Island jazz set, is engaged to "Egypt" Hagen, an up-to-date girl in every respect. Egypt is arrested at a roadhouse raid, and at her mother's bidding, the Reverend Norman Lodge arranges for her freedom. At a fancy-dress ball, when Ray wears a costume made of newspaper headlines concerning her arrest, Egypt is offended. Seen constantly in the company of Reverend Lodge, her reputation causes church people to take up the matter with the bishop. Leaving the country club, Egypt goes to the Lodge home and hides behind the door when the bishop arrives; Reverend Lodge wants to marry her, and they admit their love; but humiliation causes her to leave with Sturgis that night. Their yacht is wrecked, but Lodge and the bishop follow and rescue Egypt, though Sturgis is drowned. The bishop, realizing the depth of their love, consents to marry them.
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Dir: Lois Weber
A seductive "vampire" leads otherwise decent men, and women as well, astray.
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Dir: Lois Weber
Carillo and his wife Selma are devoted to each other. As a sculptor, Carillo has achieved the qualities of honor and love until the Devil seeks to overturn these accomplishments by sending his imps Lust, Drink and Self Pity to the artist's home. Carillo succumbs to lust and sells his honor to the Devil. When he loses love, he finally crumbles until Loyalty regenerates him when Selma carves Repentance under the shadow of the cross. This causes Satan to recoil, and the couple start a new life without Youth and Honor, but enriched by Wisdom and Experience.
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Dir: Lois Weber
A young woman grows tired of providing for her family.
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Dir: Lois Weber
Jewel stays with her grizzled, angry grandfather while her parents are overseas on business. Family squabbling is brought to heel through love and understanding from Jewel's pure love for others and trust in Divine Love
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Dir: Lois Weber
Babe Scott, a cabaret dancer who is constantly searching for sensational material to shock her customers, thinks up burlesquing a Salvation Army girl and attends mission meetings on the East Side for atmosphere. There she meets Jerry Wilson, an honest truck driver and friend of the Army captain. Although the act is a success, Babe is disillusioned to find Lonnie, a fellow worker who has been romancing her, stealing her money and making overtures to Big Bertha, the hard-boiled club hostess.
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Dir: Lois Weber
An insecure wife fears her husband may be straying back to an old flame.
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Dir: Lois Weber
The parallel stories of a modern preacher and a medieval monk, Gabriel the Ascetic, who is killed by an ignorant mob for making a nude statue representing Truth, which is also represented by a ghostly naked girl who flits throughout the film.
View DetailsAnalysis relative to Mary Regan
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| It's No Laughing Matter | Gothic | Layered | 92% Match |
| White Heat | Tense | High | 86% Match |
| Sensation Seekers | Gritty | Linear | 85% Match |
| To Please One Woman | Tense | High | 88% Match |
| Even As You and I | Ethereal | High | 91% Match |
This guide was algorithmically generated using the cinematic metadata of Lois Weber's archive. Last updated: 6/22/2026.
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