Hidden Genre Gems In Alignment with the style of Memory Lane: Cult ...

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Victor Heerman

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: John M. Stahl

After a foreword introduces the question of whether women are temperamentally suited for jury duty, young shipping clerk Jim O'Neil is found holding a revolver over his dead employer, Edward Knox. Celebrated novelist Grace Norton, selected to be on the jury at Jim's trial, becomes New York's first female juror. Although Jim pleads innocence, he refuses to elaborate until his sweetheart Helen testifies that Knox raped her when she pleaded for Jim, who was fired unjustly, to be reinstated. Jim testifies that he intended to kill Knox but found him dead already. During an angry all-night deliberation, the jury remains deadlocked 11-to-1, with Grace voting against a guilty verdict. In the morning, when she learns that her sister Edith has died, Grace confesses to killing Knox for seducing Edith and failing to honor his promise of marriage. After the foreman reminds the jury of their oath to keep their proceedings secret, they agree not to reveal Grace's story, and vote to acquit Jim.

Dir: John M. Stahl

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of The Woman Under Oath perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: John M. Stahl

A man brings up, on Long Island, the illegitimate daughter of a deceased woman who'd been an art student in love with a married Parisian. Is a French man the daughter, now grown up, attracted to a descendant of that same Parisian as well?