Must-Watch List Comparable to the Style of Merely Mary Ann: Cult Guide

Dir: John G. Adolfi

Stephen Field, a Jewish financier, takes great pleasure in philanthropic work at a community service center in the U.S. His daughter Esther devotes her time to entertaining returning soldiers in a canteen. When he reads in a newspaper about massacres of Jews and Armenians in Europe, and the suffering and starvation among other peoples there, Stephen remembers having lost his own wife and young son in a massacre years earlier. At the canteen, Esther meets Robert Graham, who suffers from fainting spells, the result of a war wound. Graham falls in love with Esther, much to the chagrin of his anti-Semitic father. Esther is also courted by the brilliant Jewish surgeon, William Morris. Esther's affection for Morris leads the jealous Graham to lash out at his rival with anti-Semitic invective even though Esther gently refuses Morris' marriage proposal. Graham loses control of his high-powered car due to a fainting spell, and the car goes over a precipice and turns over on top of him. Morris is the only person who can save his life, but the surgeon hesitates, fearing that failure would be interpreted as jealousy and thus compromise his professional integrity. Esther pleads with Morris to perform the operation, and he finally consents, sacrificing his own happiness for the woman he loves. The operation is proclaimed a surgical miracle, and Esther chooses to marry the man who performed that miracle.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of The Ragged Princess perfectly mirrors the editorial trajectory of our deep dive.

After running away from an orphanage, young Alicia Jones disguises herself as a boy and gets a job on a farm. She falls in love with Harry Deigan, a farmhand who knows her secret, but when the farm's owner finds out, he fires her. Alicia is forced to return to the city, where she meets a wealthy man who adopts her. He turns out to be Thomas Deigan, the half-brother of Alicia's love Harry Deigan. Harry finds out that Thomas is his half-brother, but also finds out something that could change his, Thomas', and Alicia's lives forever.

Dir: John G. Adolfi

Dana Thornton's niece Eleanor is friendly with Cynthia Carew, a Senator's daughter. After a ball one night, Cynthia finds her father dead in their automobile. While the ball was in progress Cynthia was with naval officer Lieutenant Lane; he asks her father for her hand, is refused, and a quarrel ensued. It later transpires that before going to the ball, Carew wrote a letter to the Secretary of State saying he knows a certain American who is selling his country's secrets in South America. The letter goes on to say that the name of the spy cannot be divulged yet. Immediately following the writing of this letter the old man was found dead, showing that someone thought him dangerous. Cynthia is prostrate and Eleanor Thornton and her uncle come over, the man to take charge of Carew's affairs and the girl to comfort her friend. Eleanor has a mysterious maid who is acting the part of the spy. Douglas Hunter, a secret service agent, is sent to help Detective Brett on the Carew case. The lieutenant who quarreled with Carew is under suspicion and Cynthia feels that he must be guilty and refuses to see him. Carew's nephew, Phil, is also suspected, because he had been seen quarreling with the Senator. Then the Stranger appears. He is Harry Thornton, brother of Dana, and his exact counterpart. Harry visits the Secretary of State, learns of Carew's death and has an attack of vertigo. When the Secretary goes to get him a drink he rushes down the hall. Later Dana visits the Secretary, steals the important papers and the stranger, who rushed away, is suspected. Eleanor sees Barry shrinking in the grounds and aiming a gun at the window. This is during a visit of the whole party as the guests of Dana. Phil is seized with illness. It transpires that Cynthia and Eleanor have identical kimonas. One of them, or so it seems, visits Phil and gives him medicine and he, in delirium, tells where the missing plans are. She goes downstairs and finds them and tears her kimona. Hunter, the detective, sees her as she goes upstairs. The girl's kimonas are examined next day, but no trace of the tear can be found. Consequently it was not one of the girls that was downstairs the night before. Brett and Hunter search the maid's room. There is found the torn kimona and they believe that she was the mysterious girl of the night before. The doctor discovers that Phil is being systematically poisoned. Lieutenant Lane, Cynthia's sweetheart, is arrested for Carew's murder. Dana sees Eleanor's maid listening at the door and finds her stealing papers in the library. That night Harry Thornton comes into the Thornton house and secrets himself in an untenanted room. No one sees him or knows he is there but an old colored servant. Cynthia tells Eleanor of a dream wherein she sees a door with panels in the shape of a cross. She goes to the door and tries to get out but cannot. She awakens screaming in terror. She also tells Cynthia that when she has this dream something terrible always follows. The mysterious maid lies down for a sleep and an arm reaches through the wall and extinguishes her light, leaving the gas on. She dies. Cynthia, coming down, passes the door and seeing the panels in the shape of a cross, screams and several men, to quiet her, force the door open and the body of the maid is found. In the girl's closet is the torn kimona and the missing plans which she stole on the night Hunter saw her. The maid was a secret service spy. All gather in the drawing room. Phil rushes in and accuses Eleanor of the murder of Carew and of poisoning him. He tells how he saw her go down to the machine on the night of the murder and return to the house frightened. She did this because she saw Dana, her uncle. commit the crime. A letter to the Secretary of State is found in a book. It was written by Carew before his death and forgotten. This is sent to the conference in the drawing room, where it is opened and the name of Dana Thornton is found therein. He is the spy. He jumps into a car and is followed by Detectives Brett and Hunter in another car. Dana jumps out of the car and hides, while the car then goes over a cliff. He rushes home and comes face to face with Barry. Barry gives him a gun and tells him it is the only honorable way. Dana shoots himself and falls dead. The crowd rushes in and Barry says: "He has paid the penalty." Eleanor recognizes Barry as her long-lost father and rushes to his arms. Barry tells about the time, years before, when he and Dana were in Panama, he followed him to a saloon where friends of Dana's hit him on the head, and he is sent to jail. He is offered his freedom by soldiers of the small republic for certain secret codes in his possession, but he refuses. He escapes by changing clothes with the guard of the jail. Then he goes to his own country to be revenged on his brother. Hunter and Brett arrive and they learn that Dana did not go over the cliff in the machine, but that he lies dead in the drawing room. Cynthia and Lieutenant Lane are brought together and Hunter and Eleanor have fallen in love, and the long-lost father gives his blessing to their union.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of The Man Inside perfectly mirrors the editorial trajectory of our deep dive.

An English aristocrat visiting Norway falls in love with Thelma, daughter of a Viking-like Norse landowner, and this first part is an idyllic story. He marries her and takes her to England. Society women, one of whom has been infatuated with the young man, are disappointed, because Thelma is not only beautiful but has pretty manners and is popular. There is a very melodramatic conspiracy to break her heart by making her suspect her husband. It works and she runs away back to her Norway home. Her husband follows and the happy ending unites the two in the old Norse homestead.

Dir: John G. Adolfi

Elaine Brooks marries Robert Ames, a member of the United States Department of Justice. The Germans, who are anxious to secure some papers that Robert possesses, employ Viola Durand to get to Robert through Elaine. Viola tricks Elaine into giving her the papers and also procures a letter that seems to establish Elaine as the traitor. George Blair, an official at the Department of Justice, finally tricks Viola into confessing her guilt, thus clearing Elaine's name.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of A Modern Thelma perfectly mirrors the editorial trajectory of our deep dive.

June, a country girl, comes to New York to take care of her aunt's little girl Jane. In a squalid First Avenue tenement, she meets Frank, her old sweetheart from back home who had come to the city to make good. In the same house lives a band of thieves who steal a jewel and hide it in a slipper belonging to Mame, one of the members of the gang. One day Jane finds the shoe and begins to play with it. When she accidentally tears off the heel, the gem falls to the floor. Frank, recognizing it as the stolen jewel, rushes off to get the police. Meanwhile, the crooks discover the loss of the slipper and Mame learns that June has it. They all converge upon June just as the police arrive. The crooks are arrested, and June and Frank return home for their honeymoon.

Dir: John G. Adolfi

Unable to tolerate city life, Sadie Barker leaves her husband Max and with her baby, returns to her birth village; afraid to tell her father that she plans to raise a baby without a father, she pretends that she is still childless and asks Lucy White to look after the infant for a few months. Lucy quickly agrees; hoping to preserve Sadie's secret, she claims that the child is really her own, and even conceals the truth from her sweetheart, Dave Allen. Risking the condemnation of the community, which has already ostracized Lucy for having a baby out of wedlock, Dave decides to stand by his sweetheart. He marries her after Max and Sadie are reunited and take back their child.

Dir: John G. Adolfi

A visual fragment from the archive: The thematic resonance of The Burden of Proof perfectly mirrors the editorial trajectory of our deep dive.

While vacationing at a hunting lodge, Ralph Strong, a recent medical school graduate, meets Anitra Frane. Their courtship is interrupted when the United States enters World War I and Ralph offers his medical assistance. Anitra, who has not been able to develop her beautiful singing voice in the country, goes with Ralph's father John to the city as his mistress so that she can pursue a singing career. After John refuses to marry her and sends her a check, Anitra becomes known as the seductress "The Flame," and decides to build a free clinic for children with money she gets from ultra-rich men. When Ralph's dissolute friend, Gaston Duval, kills himself because Anitra will not marry him, Ralph vengefully vows to find "The Flame." After Anitra convinces him instead to enter politics to cleanse the city of sin, Ralph is elected mayor. When he introduces his father to Anitra, she faints. After John has a heart attack and dies, Anitra confesses that she is "The Flame." Ralph says that he loves her and that they should strive together for a better future.

Dir: John G. Adolfi

Unbekownst to each other, Charles Macklin and his widowed father Arthur are having an affair with an exotic dancer called The Sphinx. When both come to see her at the same time, Charles gets upset, denounces the Sphinx, and is knocked out by Arthur. Arthur then decides to marry the Sphinx, while Charles then resumes his affair with Frances, to whom he was engaged before he met the Sphinx.

Dir: John G. Adolfi

Schoolteacher Frances Angel finds herself attracted to wealthy rancher Jim McPherson but finds his rough-hewn ways objectionable, so when he proposes marriage she rejects him. Her father asks her to return to his home in the East, where her former boyfriend Chet Condon now holds the mortgage on the family home and is threatening to foreclose on it unless Frances marries him. When she also learns that her recently-widowed sister Jane is also moving back east with her newborn, Frances is torn between her duty to her family and her love for Jim.