Must-Watch List Comparable to the Style of Milady o' the Beanstalk: Cult Guide

Dir: William Bertram

Blossom Ruggles, the fiercely independent daughter of Arizona cattleman Hank Ruggles, loves neighboring rancher Asa Harris. To pique Asa, however, she flirts with mining engineer Frank Stimpson, who unknown to her, has deceived pretty half-wit Amelia Young. While riding the range, Blossom is attacked by a Mexican bandit, but manages to overpower him, and deliver him to Asa and the cowboys, who throw him from a cliff. Later, the bandit is found unconscious by the sheriff and taken to jail. Learning of the half-wit's plight, Blossom mounts a posse, apprehends Frank, and forces him at gunpoint to marry Amelia. After the ceremony, Asa and Blossom are also wed.

Dir: William Bertram

A visual fragment from the archive: The thematic resonance of Ghost City perfectly mirrors the editorial trajectory of our deep dive.

Nada Mayhew persuades her sick father to spend a few months in the mountains, where they are mistakenly suspected as being federal agents by bootleggers Bob Clark and Jim Hendricks. Using a map that Nada found, she and her father set out in search of a hidden vein of silver, but they must make a wild ride to Ghost City to escape the gang, who also wish to find the silver. When surveyor Dick Carroll finds Nada in his cabin, Nada assumes that he is one of the gang and ties him up. Jim Hendricks arrives and captures Nada. Realizing her mistake, Nada gnaws at Dick's bonds while Hendricks searches for the map, accidentally drinks poison, and causes a fire in his agony. All three escape. Dick overcomes Hendricks, and Nada and Dick start out in search of the vein.

Dir: William Bertram

Instilled with the spirit of patriotism after her teacher reads to her the story of Joan of Arc, Marie Yarbell goes home, persuades her father to enlist and then organizes a "military company" comprised of her playmates. Wealthy old Nathan Mulhouser, who is financing the development of a torpedo, is so touched by the children's patriotism that he buys them a flag. Marie's mother rents out a vacant room to Hertz, a stranger, who instructs her to see that no one enters his room because he is working on an important invention for the government. Curious, Marie follows Hertz as he leaves the house carrying a suitcase. He goes to a building that houses Mulhouser's laboratory, tosses in a bomb and runs away. Marie disposes of the bomb in time, but is stunned by the explosion. Mulhouser finds Marie in a state of shock and takes her to his home. Meanwhile, Mr. Yarbell has returned home at his wife's alarm and finds Marie's soldiers holding the spies prisoner. Mulhouser finally ascertains Marie's identity, discovering that she is his granddaughter, and all ends happily.

Dir: William Bertram

A visual fragment from the archive: The thematic resonance of The Little Patriot perfectly mirrors the editorial trajectory of our deep dive.

Sally Lou, the small daughter of village blacksmith Jim Davis, uses her sawdust doll to take the place of a real mother. Her father proposes to Rose Budd, a beauty expert who has been stranded in the town. Rose marries Jim in order to have a home, and shows no love to her new stepdaughter. Jim enlists in the army, thinking Rose will care for Sally Lou, but instead Rose plans to elope with the local druggist Raynor. Sally Lou learns Raynor is really a German spy who plans to wreck the troop train carrying Jim. Sally Lou tells Rose and the two rush to the rescue. Sally Lou sets fire to her sawdust doll and uses it as a torchlight to warn the oncoming train. The train is saved, and Rose resolves to be a good mother to their stepchild.

Dir: William Bertram

After he finds his wife Stella in the arms of ne'er-do-well Allan Standish, Ralph Gordon takes his daughter June out West, where he has extensive mining interests. The inhabitants of Hell's Gulch, who lately have been terrorized by "Rawhide" Pete and his gang of outlaws, elect Ralph sheriff. Standish, whose desertion of Stella has caused her death, arrives in Hell's Gulch and allies himself with Rawhide Pete, while competing with Ralph for the affections of June's governess, Sarah Malcomb. June assists in capturing Rawhide Pete, but Standish escapes and Sarah, moved by pity, agrees to conceal him. Assuming that Standish has again beaten him in love, Ralph catches a train East, but Sarah follows him and becomes June's new mother.

Dir: William Bertram

A visual fragment from the archive: The thematic resonance of The Sawdust Doll perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William Bertram

A rancher stands up for an employee unjustly accused of cattle rustling.

Dir: William Bertram

A visual fragment from the archive: The thematic resonance of A Daughter of the West perfectly mirrors the editorial trajectory of our deep dive.

Undercover Texas Ranger takes ranch job.

Dir: William Bertram

Secret service man, posing as crook in order to capture counterfeiter, rescues girl from death in stream, but grandfather, recognizing the man as one whom he believes a crook, orders him not to try to see girl again. Crooks steal gold from mine of grandfather and are aided, apparently, by secret service man who desires to learn their secrets. Secret service man finally brings about capture of crooks, making a thrilling jump from cliff into automobile, driven by girl he loves, who is threatened by crook in car with her, in capturing the last of the crooks and recovering the grand- father's gold.

Dir: William Bertram

The usual ranger played by Maloney, and he has the usual old mother that he takes care of. The girl is the daughter of the impoverished and aged prospector, who still holds faith in a hole in the ground that he has dug. The bold, bad heavy is the general storekeeper, whose advances have been repulsed by the girl. To get even he first tries to blow up the old man and fasten a murder on the favored suitor, who is the ranger. There is the regulation stuff that has its horse features, its automobiles ... and the heroine making her way down a log chute to be in at the death. ... At the finish is the usual fade-out with the hero clasping the heroine to his manly bosom.