Deep Archive Finds Movies That Echo the Spirit of My Lady's Latchke...

Dir: Edwin Carewe

As Danny Rowland, a tramp, and his partner Dominie, an ex-minister, trudge wearily past the Winnicrest mansion in Tennessee, an old servant called Uncle Alex rushes up to Danny and welcomes him home as his long-lost employer, Richard Castleman. Amused, Danny assumes the role, and he and Dominie are clothed, fed, and generally treated like royalty. The beautiful Jean Logan, who had believed with the rest of the neighborhood that Richard was lost at sea, greets her returning sweetheart with a passionate embrace, and Danny soon falls in love with her. Dr. Harry Chilton, Richard's cousin and rival in love, maintains that Danny is an impostor, but Danny defeats him in a fight and banishes him from the estate. When Danny announces his intention to marry Jean, Dominie is shocked and tells her everything. Forced to confess to the sheriff, "Danny" reveals that he is indeed Richard, earlier robbed of his clothing and money by a crook named Danny Rowland, who died on a voyage to Australia. Relieved, all of the parties--with the exception of the jealous doctor--are reunited.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Voice of Conscience perfectly mirrors the editorial trajectory of our deep dive.

A daughter is grief-stricken by the loss of her father. His male friend becomes her guardian, and she is taken to live with the friend's mother. Time passes and romance blossoms in the girl's heart for her guardian. However, a love rival arrives from the city and catches his eye, and the drama unfolds.

Dir: Edwin Carewe

In the House of Tears, there lived Robert Collingwood, his wife, Alice Collingwood, and their baby girl, Gail. In the courts Robert has been granted a decree of divorce and the custody of little Gail, upon evidence that Mrs. Collingwood has been found in a compromising situation with Henry Thorne, and her subsequent admissions. Once free, Mrs. Collingwood openly accepts the attention of Thorne, and they soon marry and go west to live. Thorne takes up the life of a prospector in a mining community, and his consistent failure proves a source of discouragement to him and unhappiness to the woman. Collingwood, his mind upset by domestic troubles, loses his fortune in Wall Street manipulation, and becomes a raving maniac. He drives his employees out of the office, and then goes to his home intending to kill his little daughter. In a chase up a staircase, he falls and is killed. An annuity he had settled on the baby when she was born, and which has been saved from the financial wreck, is the means of her education. Fifteen years later Thorne, who has been plodding along in the west, meeting with little success, wins $15,000 at faro in a desperate plunge one night. He has become tired of the woman he won by intrigue and his sudden prosperity turns his head. He arranges to go back to Wall Street to flirt with fortune, and he tells his wife he will not take her along, but will leave enough money for her to live on. She is horrified at the prospects of his desertion, and at the point of a revolver, demands his money. In a struggle which ensues, she is seriously wounded. Thorne leaves, believing his wife dead by the shot from her own hand. Back in Wall Street, Thorne electrifies other operators by his phenomenal rise to affluence, and he becomes the elegant man of wealth he aspired to be. Gail Collingwood, who has now grown to womanhood, is known under the name of Alice Gail, and employed as a reporter on the Evening News. She is sent to interview Thorne, who is now known as "Edward North." They become very friendly and their acquaintance soon ripens into love. In due time their betrothal is announced. Out in the mining town Thorne's wife has recovered, and she resolves to come back to the scenes of her youth. She is seeking Thorne in the great city, when Gail, who is riding in an automobile loaned her by her fiancé, runs down her mother, a poor, ill-clad, wandering woman. The mother is slightly injured, and she recognizes her daughter. They plan to make "North" face his past. Gail sends word for "North" to come to her home, as she is in trouble. When he arrives he is brought face to face with his wife, whom he believed to be dead. "North" becomes frenzied from fear, as he thinks the sad faced woman is an apparition, and he flees from the house. The apparition continues to haunt him, and in a half-crazed mood he drives his automobile blindly through the streets, ending by running off a bridge when he is hurled to death. Mother and daughter, re-united, then seek a happier existence.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The House of Tears perfectly mirrors the editorial trajectory of our deep dive.

When her mother, the operatic idol of Paris, takes her to the United States and dies, Cora goes to live with Marie, a model for artist George Garnier. Although George is engaged to wealthy Helen Van Brooks, who is in love with Carl Wilson, a club-man, George and Cora fall in love. When Cora discovers the engagement, however, she leaves and becomes an opera star. Years later, after breaking his engagement, George visits Cora again, causing Mrs. Van Brooks to entreat Cora to give up George. At a wild party, Cora allows Jose, her long-time admirer, to make love to her, which provokes George's disgust until Marie explains Cora's behavior. When Jose, alone with Cora, attacks her, George and Marie burst in to see Jose, hit by a wine cooler hurled by Cora, fall backward through a window, fall to the street and die. After they learn that Helen and Wilson have eloped, Cora and George are able to marry.

Dir: Edwin Carewe

Corporal Blake is sent to apprehend the murderer of François Breault. All evidence points to Jan Thoreau as the guilty man. Blake arrives at Thoreau's cabin while he is away and is greeted by his wife Marie. Posing as a friend of her husband, Blake learns that Thoreau and Breault had quarreled shortly before the murder. This, together with Breault's dying accusation that Thoreau was his murderer, seems undeniable evidence. Blake, fascinated by Marie, agrees to let Thoreau escape, providing that she become his mistress. After much anguish, she consents. When Thoreau arrives, Blake arrests him, but during the night Marie helps him escape. Blake goes in pursuit. Meanwhile, officers at the post have received the dying confession of Pastamoo that he committed the murder. They hurry to Thoreau's cabin where the chase has led pursuer and pursued around in a circle and back to the cabin. Blake mistakes another officer for Thoreau and fires at him. The officer returns the shot, killing Blake. Thoreau and Marie then learn that they are free from suspicion.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of Cora perfectly mirrors the editorial trajectory of our deep dive.

Margaret Primrose is not permitted to see Ted North, who loves her, by her father, whom Ted's father ruined. To spite Ted, Primrose forces Margaret to marry Weston, a dissolute young millionaire, and Ted, heartbroken, goes West. Weston neglects Margaret and continues drinking. Seven years later, the Westons move West on the advice of his doctor to improve his health. Ted, meanwhile, has adopted the small daughter of a cattle rustler who was lynched by Ted's cowboys. When he spots a runaway horse and lassoes its rider, Margaret, they embrace, but realizing the impropriety, they bid each other goodbye. Weston resumes drinking and takes an interest in Molly, the proprietress of a dance hall. When Molly's sweetheart, "Quick Foot Jim" learns that Molly and Weston are planning to elope, he kills Weston. After Ted is convicted of the murder, based on circumstantial evidence, Jim abducts Molly. When Margaret learns the truth, a posse is organized to find Jim. No information has been located concerning the film's ending.

Dir: Edwin Carewe

John Wheeler, a traction magnate, becomes heavily involved and is obliged to sell a large timber tract he owns in the Hudson Bay district. He owns the property jointly with Henri Corteau, and the deed is filed in the office of Magistrate Le Blanc, at Chalet. Bruce Mitchell, a wealthy young man about town, who is infatuated with Lois Wheeler, the madcap daughter of Wheeler, readily agrees to take over the property. In the northland the elder Corteau has died suddenly, and the Magistrate's office, together with the Wheeler-Corteau deed, is destroyed by fire. The Magistrate receives word of the transfer between Wheeler and Mitchell and he sends for Jean Corteau, the son and heir of the late Henri Corteau, and asks him for the deed his father held, telling him he wishes to make a copy of it. When he adds that it is the only copy in existence, Jean walks out, saying he intends to keep the land himself. Meantime Mitchell has pressed his suit for the hand of Lois, and she takes a violent dislike to him. She resents it because he tries to make plain that her father is under obligations to him. Soon afterward Mitchell goes to Wheeler and wants to know why the deed has not arrived. Wheeler hopelessly shows him a letter from the Magistrate, telling of Jean's action. Mitchell threatens to jail Wheeler, accusing him of obtaining money under false pretenses. Lois overhears the threat and also Mitchell's offer to let the matter drop if Lois will marry him. Lois agrees to this proposal providing her father's innocence cannot be proved. Lois goes to the northland and seeks out Jean. He will not see her, saying he will not have any dealings with women. The next day she sets out, dressed in boy's clothes, on a dog sled for Jean's home in the forest. Pierre, a guide, accompanies her. They arrive in sight of Jean's cabin at nightfall, when Pierre attempts to force his attentions upon Lois. She flees and seeks refuge in Jean's cabin, stumbling in his door in a faint. Later, she tells Jean she has become lest from a lumber camp, and asks if she may remain a while with him. He tells her he has always wanted a boy companion and helper, and that since she came like a "wounded snowbird" to his cabin, she may stay. Although Jean is brutal and primitive in many ways Lois soon finds he has a gentle nature. The next day Jean discovers Lois is a girl, when her fair falls out from under her cap. She confesses her identity and he is angry. But he consents to her remaining, and he fetches some of his mother's clothes for her. Her one desire to get the deed is realized when she is dressing and finds the document hidden away behind a small mirror on the wall. That night she urges Jean to drink heavily, hoping to get away. He becomes fascinated with her and tells her he is going to save her father. He reaches for the deed and finds it gone. Her manner betrays Lois, and she confesses having the paper. Meanwhile Mitchell and Wheeler have come north in search of Lois. Pierre tells Mitchell she is living with Jean. In a jealous rage he goes to seek out Lois. He has Wheeler arrested and then sets out for Jean's cabin. Arrived there he sarcastically accuses Lois of a common liaison with Jean. Jean demands that Mitchell apologize. He refuses and they fight. Both are seriously wounded. Mitchell staggers out of the cabin in the snow. Lois, left with the unconscious Jean, decides to steal the deed and leave. On the edge of a cliff Lois sees Mitchell fall to his death. Then a vision of Jean left alone in his helpless condition comes to her. She turns back and joins Jean. She nurses him back to strength and they go to the aid of Wheeler, intending to marry and live in New York. But after they are wed they hearken to the call of the north, and go back to the life where their love was born.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of Her Fighting Chance perfectly mirrors the editorial trajectory of our deep dive.

Unnerved by the superiority of John Cook, the new president of the Securities Company, Wall Street business leader Amos Merrill begins to speculate with the trust funds in his control, ultimately losing all the funds. Amos, faced with discovery and disgrace, lies to his daughter Hope that Cook has ruined him; soon after, Hope meets Cook and conceives a plot for revenge. In the meantime, Cook has protected the frail Merrill from prosecution and paid back his debt after sending him away on a vacation to recover his health. Hope, knowing nothing of this, marries Cook and makes his life unbearable, finally conspiring with his business rival Gerald Hastings to ruin her husband and gain control of his funds. When Amos returns from his vacation, he is stunned at what Hope has done and reveals that his lie has resulted in a terrible mistake. Hope begs forgiveness from Cook and they go West together to begin a new life.

Dir: Edwin Carewe

Actress Jane Carleson has three admirers: Henry Strong (a millionaire), Hamilton Ross (a chemist), and Murray Campbell (a district attorney). When Jane weds Campbell, Ross writes an anonymous letter to Campbell, warning him that Strong is after his wife. Ross smears the flap of the envelope with poison. However, Strong is the one who opens the envelope, and dies from the poison. Since Campbell and Strong had quarreled just before the arrival of the letter, Campbell is convicted of the murder. Jane must expose the true murderer and save her husband.

Dir: Edwin Carewe

One day Coventry Petmore leaves his wife and child to go out in the world and fight the social evils of divorce and loveless marriage. Circumstances lead him to the home of Judge Mitchell, where the judge's son, a minister, and his wife Beatrice reside. The minister does not believe in expressing affection to his wife, and Beatrice becomes enamored of her chauffeur Larry Price. Petmore encourages Beatrice to tell the minister that she is running away with Price, then surreptitiously coaches the minister to give a response that Petmore believes will win Beatrice back. The plan backfires, however, and only a rainstorm and car trouble prevent Beatrice and Price from running off. Getting wind of Petmore's role in the affair, the judge has him ejected from the household, and Petmore returns home to discover that his wife has run away with her chauffeur. Petmore's conviction in his theories remains unshaken, however.