Visionary Picks In Alignment with the style of My Old Dutch: Cult Guide

Dir: Laurence Trimble

A wealthy businessman proudly watches as his son begins his own business, a shoe store. However, things start to take a turn for the worst when the father's estranged wife inserts herself into her son's life and a seductive gold-digger tries to get her hooks into the young man. His father must stand helplessly by and hope his son makes the right decisions.

Dir: Laurence Trimble

A visual fragment from the archive: The thematic resonance of Grim Justice perfectly mirrors the editorial trajectory of our deep dive.

A rich man pretends his injured son's marriage is illegal and makes his wife marry a drunken wastrel.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Laurence Trimble

Sadie Sullivan leaves Ireland to live with her married sister in New York. Troubled by her worthless brother-in-law, discouraged with her low-paying five-and-dime-store job, Sadie reads a story about a chorus girl who married a millionaire, she decides to join a musical-comedy company. Having befriended mission clergyman Reverend John Page, Sadie reads a Bible backstage and is surprised at the other girls' loose morals. Her "saintly" reputation among the others inspires press agent Jack Mills, looking for a new angle, to devise a routine built around Sadie, now billed as "The Saintly Show Girl." After millionaire Dick Carrington switches his attentions from leading lady Dollie Delmar to Sadie, their subsequent engagement arouses Dollie to attempt to tarnish Sadie's image. Dollie sends Sadie a letter, supposedly from a friend, to meet her at a roadhouse that Dollie knows will be raided, but after Reverend Page explains Sadie's presence there satisfactorily to the police and Dick, Dick marries her.

Dir: Laurence Trimble

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

Marshall Strong and John Moore, partners in a western gold mine, both fall in love with schoolteacher Constance Harvey, but she marries Moore, even though she is attracted to the shy Strong, because Moore convinces her that Strong loves someone else. After they strike ore, Moore is killed in a barroom brawl and Strong is accused of murder. He hides out and sends for Constance, but when Lilas Niles, a squatter's daughter who wants Strong's money, deceitfully tells him that Constance is sending the police, Strong leaves, embittered, and marries Lilas. Years later, Strong, now known as Mark Smith, is a wealthy mine owner. Constance lives with her son David who loves Strong's daughter Nancy and works in Strong's mine. After Strong refuses demands for safety precautions, an explosion traps David underground. When Strong discovers that David is Constance's son, he rushes into the burning mine to save him. Strong then promises safer conditions, and David marries Nancy.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Laurence Trimble

A visual fragment from the archive: The thematic resonance of Spotlight Sadie perfectly mirrors the editorial trajectory of our deep dive.

A crook tries to make a thief of a boss's son and ties a flower girl to the lock gates of a canal.

Dir: Laurence Trimble

Georgina asks permission from her old aunt, Patricia Mercer Vanderpyl, to marry Capt. Nugent before his departure for France. Patricia refuses and, in reply to Georgina's questioning, gives her a diary from her own girlhood to read. The diary unfolds the story of Patricia's marriage to soldier Anthony Vanderpyl. Returning on furlough after the outbreak of the Civil War, Anthony suddenly leaves Patricia to visit Mrs. Le Roy, an old flame, and is killed by her jealous husband. Positive that Anthony had been unfaithful to her, Patricia refuses to open the letter that her husband sent her on the day of his death. Georgina now opens it and discovers that Anthony had gone to Mrs. Le Roy to end the affair that his brother Bentley was having with her. With this revelation, Patricia sanctions her niece's marriage, then dies, joining Anthony in "the spreading dawn".

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.