Recommendations
Senior Film Conservator

As a cultural touchstone of United States, Next Time We Love resonates with its nuanced performance, audiences who connected with its message often look for similar thematic gravity. We've assembled a sequence of films that complement the tone of Next Time We Love perfectly.
For many, the first encounter with Next Time We Love is to establish Edward H. Griffith as a true visionary of the 1936s.
A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.
Based on the unique nuanced performance of Next Time We Love, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
Dir: Edward H. Griffith
A hot young rookie pitcher on the New York Giants baseball team is having personal problems that are affecting his game. His father disapproves of both his career choice and the woman he recently married and has basically disowned him.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
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Dir: Edward H. Griffith
A beautiful and intelligent horse is carried off North after his master, a Confederate soldier, is shot and left for dead. After many unusual and cruel adventures, Beauty is discovered by his former master and returned home to the South.
Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Edward H. Griffith
A film on venereal disease made by the United States government.
Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
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Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
View DetailsAnalysis relative to Next Time We Love
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Man's Plaything | Surreal | High | 98% Match |
| The Night Riders | Ethereal | High | 96% Match |
| One Touch of Nature | Tense | Layered | 98% Match |
| In the River | Gritty | High | 92% Match |
| The Great Shadow | Gothic | High | 94% Match |
This guide was algorithmically generated using the cinematic metadata of Edward H. Griffith's archive. Last updated: 6/21/2026.
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