Rare Cinematic Gems Sharing the Atmosphere of Next Time We Love: Cu...

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Edward H. Griffith

Childhood friends Mary Lee and Vera receive two different versions of the 'birds and the bees' from their mothers: Mary Lee gets the facts; Vera gets a prudish fairytale version. Their lives separate after graduation, Mary Lee becomes a nurse who falls in proper love with a Doctor, whereas Vera follows her mother's advice and seeks to marry a rich man, but falls for the unlawful, syphilitic charms of a wealthy cad. Mary Lee and her Doctor rescue Vera and help her get proper care after a series of revelations showing actual patients of the loathsome disease. Finally, Mary Lee and her new husband volunteer to help our boys fighting the Huns in France.

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The End of the Road perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Edward H. Griffith

Ruth Hoagland grows up on an island off the Massachusetts coast with no companion other than her father, a half-witted fisherman who spends most of his time hunting for buried treasure. Vacationing yachtsman Bob Winthrop and Ruth fall in love, but Winthrop returns to New York, and after a year, has forgotten Ruth. After finding two chests in a cave, Ruth locates her father unconscious from a fall. She goes to the mainland for help, but returns with the Reverend Josiah Arbuthnot and Dr. William Strong, to find her father dead. Strong, out of kindness, offers to marry her, but Ruth declines, sure that Winthrop will return. She offers to divide the chests with Strong and Arbuthnot, but after Strong discovers they are worthless, he withdraws his savings, and gives Ruth money to develop her voice in New York, saying that it came from selling the chests' contents. After Ruth learns of Winthrop's affair with a musical comedy star, she returns to the island to prepare for her Broadway debut, where she discovers Strong's sacrifice.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward H. Griffith

A beautiful and intelligent horse is carried off North after his master, a Confederate soldier, is shot and left for dead. After many unusual and cruel adventures, Beauty is discovered by his former master and returned home to the South.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.