Summary
An unflinching, didactic odyssey into the visceral anxieties of the early 20th century, Fit to Win functions as a cinematic prophylactic, commissioned by the United States War Department to mitigate the biological erosion of its infantry. Edward H. Griffith directs a cautionary triptych where the virility of the American doughboy is pitted against the insidious, invisible specter of 'social diseases.' Through the divergent paths of five recruits—ranging from the disciplined to the dissolute—the film transmutes clinical warnings into a melodramatic tapestry of consequence. Utilizing Paul Kelly and Raymond McKee to illustrate the fragility of the human vessel, the narrative navigates the temptations of the urban sprawl and the devastating negligence of the uninformed, ultimately serving as a stark intersection between state-sponsored propaganda and the burgeoning realism of silent-era social hygiene cinema.
Synopsis
A film on venereal disease made by the United States government.
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