The Recommended Vault Parallel to the Artistry of No Defense: Cult ...

Dir: William Duncan

To escape the pain of a failed love affair, Jim goes to Wolfville, a rough Western town populated by gamblers and Indians. Shortly after he meets Cynthia, a sweet-natured local girl, Ellen, his former lover, arrives from the East and flirts with an Indian to make him jealous. The Indian, who takes Ellen's attentions seriously, sends her some ponies, which she accepts unwittingly as a gift. When she discovers that by Indian custom her acceptance amounts to a marriage agreement, she turns to Jim, promising to marry him in exchange for a way out. Jim kills the Indian in a duel, but Ellen reneges on the deal and jilts him once again. In the gambling saloon, "Smiling Jack" Douglas plots to kill Jim, but Cynthia intercedes by replacing his gun's bullets with blanks. To "Smiling Jack's" surprise, Jim resists his shots and charges him, eventually driving him from the town. His courage proven, the tenderfoot wins the heart and hand of Cynthia.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: William Duncan

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William Duncan

A film serial with 15 episodes.

Dir: William Duncan

Intent upon ridding his town of crime, Dead Shot Baker, the beloved sheriff of Wolfville, drives a band of outlaws to the outskirts, where they hold up the stagecoach and carry two girls away to the hills. Baker and his posse overtake the bandits and rescue the girls, one of whom is the beautiful and willful Evelyn Baldwin, the daughter of a once wealthy miner who is now a penniless drunkard. Old Baldwin is killed in the battle and Evelyn, although penniless, refuses to work. Baker comes to her rescue and marries the girl, who then snubs him for the new postmaster. Feeling inferior to his wife, Baker invites death so that she may be free to marry the postmaster. Heading a posse against a band of notorious rustlers, Baker falls to his apparent death from a cliff. When news of her husband's death reaches Evelyn, she heads a posse back into the hills, routs the outlaws, finds her husband and nurses him back to health, thus winning the respect of the townspeople.