Recommendations
Senior Film Conservator

If the cinematic excellence of Lawrence C. Windom's work in Nothing But Lies left an impression, the juxtaposition of cinematic excellence and narrative makes it a Comedy outlier. Experience the United States influence in these recommendations that echo Nothing But Lies.
By merging cinematic excellence with Comedy tropes, it to elevate Comedy to the level of high art.
George Cross, a junior partner in the advertising agency of Nigh and Cross, goes to his office one evening to get a plate for a newspaper and surprises Allan Nigh, his partner's son, who has been distributing a leaflet exposing the lies of the advertising firm. Rosie, a member of the "Truth Society" to which Allan belongs, is hiding in the next room. George sends Allan to the newspaper office and then discovers Rosie. Shortly thereafter, Nigh and his daughter Ann, who is also Allan's sweetheart, arrive and George lies his way out of a compromising situation. Soon after, a detective arrives to investigate a front-page exposé on the circulars that Allan has written. When the advertisers realize that the exposé is actually the best campaign ever conceived, the supposed detective offers Allan a tremendous salary to write ads for him, Rosie reveals herself as a reporter from the Journal and Allan and Ann reconcile.
Based on the unique cinematic excellence of Nothing But Lies, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Lawrence C. Windom
Robert Hervey Randolph receives $10,000 a year because of the inability to locate the rightful heir of a will, who would receive the money if she could be found. Madge Van Tillier jilts Robert because he does not have enough money. While riding in a taxi, Robert rescues chorus girl Imogene Pamela Thorton from her companion Duke Beamer, and takes her home. Pam turns out to be the missing heir, and Robert loses his inheritance. He then gets a job as a taxi driver. Pam receives a large portion of her inheritance from the Ajax Taxi Company. Beamer tries to ruin Ajax, but Robert foils him, becomes vice-president of the company, and wins Pam's love.
Dir: Lawrence C. Windom
When her two roommates, Maude Raynes and Helen Bartlett, become engaged, Darcy Cole invents a titled fiancé of her own, in part to ward off her friends' nasty remarks about her untidy appearance. Darcy's friend Gloria Green lends a photograph of her cousin, Jack Remsen, made up as a lord for a college play, then transforms Darcy into a stylish beauty. As a practical joke, Gloria's fiancé Tom Harmon agrees to lend his bungalow to each couple for their honeymoon. Darcy pretends to elope with her imaginary lord, played by Jack. The real and pretended honeymooners arrive in succession and are assigned bedrooms by housekeeper Veronica. When Veronica sees Jack remove his makeup, she is certain he is Gentleman Jack, the burglar she has been reading about. Finally, Gloria and Tom arrive and straighten matters out, and Darcy and Jack decide to become real honeymooners.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
Dir: Lawrence C. Windom
Lord Dawlish is made the heir of an eccentric English millionaire, who cuts off a nephew and niece, living in America. Dawlish is engaged to Claire Edmont, an actress. Dawlish offers half his inheritance to the niece, and when she refuses to accept he goes to America to persuade her. Claire follows, but not having received the letter regarding the inheritance she marries a man she meets on the boat. Dawlish meets Elizabeth as Bill Chalmers, his family name, and as Bill she learns to love him, but she discovers his identity, and things work to a rapid conclusion.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
Dir: Lawrence C. Windom
Orlando Winthrop, the studious son of a wealthy Bostonian, distresses his father by pursuing an interest in insects. Inspired by a book advising one to "get the drop on the other fellow," Orlando travels to the family sheep ranch in Wyoming to investigate negative rumors concerning foreman William Cogney. Inappropriately dressed and carrying golf clubs, Orlando is paraded through the town by the ranch cowboys. To their chagrin, Orlando bluffs them in poker, out-drinks them, and rides a bucking bronco. During a hunting expedition, the cowboys attempt to scare Orlando with a stuffed bear. Orlando nonchalantly emerges from the woods followed by a live bear, neglecting to inform them that it is trained. Orlando then frustrates William's plan to destroy a portion of the flock and defeats him in a fight. Mr. Winthrop arrives from the East with Orlando's fiancée, who breaks the engagement upon seeing her betrothed chew tobacco. Orlando is delighted, as he and the town's schoolteacher have fallen in love.
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Dir: Lawrence C. Windom
Coaxed by sharpers, who seek to profit by his rustic innocence, the boy from the small town goes to the city with them and become, innocently enough, a successful swindler, but he learns of the deception and returns home, too ashamed to seek his old sweetheart. The crooks return to try a blackmail game, but Ernie's eyes are opened now. He cleans up in whirlwind fashion.
View DetailsAnalysis relative to Nothing But Lies
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| Taxi | Gothic | Layered | 86% Match |
| Wanted: A Husband | Ethereal | Abstract | 93% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| Uneasy Money | Gothic | Abstract | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Lawrence C. Windom's archive. Last updated: 6/27/2026.
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