Top-Tier Alternatives Exploring the Legacy of One Dollar Bid: Cult Guide

Dir: Ernest C. Warde

A murderer is driven slowly insane by a sequence of coincidences and suggestive events which will not allow him to escape his own sense of guilt for his crime.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of The False Code perfectly mirrors the editorial trajectory of our deep dive.

John Benton is the head of a company that makes parts for ships. He is a fair and honorable man, but his partner Henry Vance is not. Vance and employee Daniel Grey sign Benton's name to orders for boilers they know to be defective. Their partners in the scheme, which involve installing the boilers in the ship so it will sink at sea and they can collect the insurance, are the agent who carries the ship's insurance and a government inspector. After the ship sinks, the conspirators hire a safecracker to plant money in Benton's safe to make it look like it was he alone who profited from the scheme. Benton is sentenced to prison. He serves 12 years and is released, and when he gets out he finds out what really happened, but the men who were responsible for it are now wealthy and have become powers in city politics. Determined to clear his name, he comes up with a plan to expose the crooks by using their tactics against them.

Dir: Ernest C. Warde

Although John Lynch owns a ranch, he earns his living gambling in the mining town of El Monte, California. His father Elias, a Virginia gentleman chagrined by his son's gambling, leaves to live outside the town in a cabin with his friend "Twisted" Tuttle. 'Bige Rivers, a road agent who looks like John, abuses his lover Nita, a dance hall girl, who then is cared for by John and his daughter Mary. Rivers and his band rob the midnight stage of gold and kill all the passengers at the same time that John is in the vicinity to visit his father. Rivers and his gang divide the money at Tuttle's cabin where he shoots Elias. Before he dies, Elias accuses John of the shooting. Nita's screams upon discovering Rivers hiding, bring the mob, about to lynch John, too late to save her. John shoots Rivers and is then released.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of The Midnight Stage perfectly mirrors the editorial trajectory of our deep dive.

Burke Harlan an artist, saves Anne Warren from auto thieves, but he is wrongfully arrested and accused of stealing her car. The girl's father is a criminologist and has Harlan released into his custody as he would like to try to reform the young man. Harlan finds this highly amusing and goes along with the idea, mainly because it will allow him to be nearer lovely Anne. He does his best at convincing he is a delinquent, however Anne has a beau who is the police commissioner. But the clever Harlan outwits everyone and elopes with Anne before revealing his true identity.

Dir: Ernest C. Warde

Lear is an old man blind to his weaknesses. He decides to divide his kingdom among his three daughters according to who recites the best declaration of love. Goneril and Regan pretend to love him but treat him cruelly. Cordelia is loyal but, confusing honesty with insolence, he disowns her.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of The Joyous Liar perfectly mirrors the editorial trajectory of our deep dive.

Dr. Primrose, the vicar of Wakefield, enjoys life with his wife and five children. His two daughters, Olivia and Sophia, are courted by two apparent gentlemen, Mr. Burchell and Squire Thornhill, who is Dr. Primrose's landlord. But when Mr. Burchell is supposed to have seduced and abandoned Olivia, the Primrose family finds its fortunes dwindling in every sense. It is learned that Burchell is innocent of the seduction, and the real villain is unmasked, but not before Primrose and his family come very near disaster.

Dir: Ernest C. Warde

"In Hidden Valley," Valkyrien is a white goddess who has been captured by savage blacks in South Africa. She is found by a young missionary, played by Boyd Marshall, and rescued from a sacrificial altar. Valkyrien was selected as the most perfectly formed girl in Denmark in a competition conducted by the government. The dance of the white goddess before the natives is one of the most beautiful scenes in the production. The Moving Picture World, August 5, 1916.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of King Lear perfectly mirrors the editorial trajectory of our deep dive.

Lemuel Deering's son Harvey graduates from college at the top of his class, then returns home to become a partner in his father's steel business. Because Harvey appears to be an exemplary young man who neither drinks nor smokes, when bills from liquor dealers, tobacconists, and billiard emporia pour in, the proud father is mystified. Harvey stoutly denies having contracted the bills, including one for $25,000, and Lemuel, though puzzled, believes him until the workers threaten to strike and the bank places an attachment on the mill. Lemuel is about to disown his son when Harold Morrowton, Harvey's college roommate, confesses that he forged Harvey's name to the bills because his own father refused to give him spending money, and Harvey adds that because the two were fraternity brothers, he could not betray Harold's trust. Exasperated, Lemuel orders both young men to pay their debts through hard labor in the mill.

Dir: Ernest C. Warde

A pro at the shell game, Jim Blake practices his skills at country fairs, circuses, and carnivals until he becomes "J. Hatfield Blake," the promoter of phony stock and land deals which provide his beloved daughter Margaret with luxuries. Margaret falls in love with Dick Wilbur, who leaves her because Blake swindles his father out of $100,000 and Margaret sides with Blake. When Margaret meets a poor widow with starving babies to whom Blake sold some worthless desert land, she leaves him, saying she will not return until he rectifies his wrongdoings. She marries Dick, while Blake, shaken by her words, repays everyone who suffered from his dishonesty after he legitimately strikes oil. Alone on Christmas Eve, Blake invites some barroom characters to his mansion for a drunken dinner, after which, at his urging, they take his silverware and paintings. Blake continues to drink and when Margaret and Dick arrive to surprise him, they find him dead.

Dir: Ernest C. Warde

When the circus comes to town, a mild-mannered man, whose good nature is viewed as weakness by wife, has the chance to prove himself when a lion escapes.