The Recommended Vault Deeply Connected to Orchids to You: Cult Guide

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of The Fly Ball perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A young couple quarrel and make-up and quarrel again and it is here where they determine to save the scandal of divorce by placing a white tape through the house to divide it into two parts, each section of which will be exclusively sacred to the other. In the meantime, an almost invisible Cupid hovers about trying to placate them and a little Mephisto with a pitchfork tries to prod the couple along to more troubles.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Why Divorce? perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A young wife is too fond of the frivolities of life to care about raising babies. But one day she finds herself called upon to help a woman in the street who is taken suddenly ill and is obliged to hand over her baby to strangers. The young woman takes the baby home and cares for it. The old trick of the husband misunderstanding a telephone message, and rushing home with an armful of toys for an anticipated heir, is worked in. The arrival of a nurse on the scene to claim the child leaves a vacuum in the home of the young couple, and the wife's hysteria causes the husband to hunt another baby. He arrives at home with it at the same time that the other child, whose mother is unable to care for it, is returned, causing amusing complications.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.