Curated Recommendations Seeking the Same Brilliance as Out of the Fog: Cult Guide

Dir: Albert Capellani

A crook bungles his biggest job, and when the police are put on his trail, he becomes hopelessly lost and commits suicide.

Dir: Albert Capellani

Jean Valjean, guilty of a minor theft of food, is pursued and hounded for years by a relentless lawman, Javert.

A visual fragment from the archive: The thematic resonance of Les Misérables, Part 2: Fantine perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

Paul Capellani, the famous star, plays the part of "Karloo." which gives him a chance to show his remarkable ability. This is a picturization of the play "Patrie," written by Victorien Sardou, the famous French dramatist. The author was noted for being a master of stage effect, and the film follows closely the stage production. "Pro Patria" deals with the efforts of the people of the Netherlands to throw off the iron rule of Spain, and the plots and intrigues which were perpetrated at that time. It was staged in Louvain, Belgium, that beautiful city which has since been ruined beyond redemption by German shells. The costuming, arms, customs and properties are absolutely accurate, and the whole production is most lavish. The acting is truly great and the entire six reels grip from start to finish.

Dir: Albert Capellani

Laura Murdock is a young actress. Her husband, a drunkard, is killed by a fall. Laura goes to New York to get an engagement, and finds herself blocked at every turn by the petty jealousies and politics of the profession. Willard Brockton, a wealthy broker, has been asked to finance a production and has refused. He meets Laura and becomes interested, furnishes the producer with money, demanding in return that Laura be given the best role in the piece. Eventually Brockton claims the customary reward of such assistance, although Laura holds out as long as possible. The following summer she goes to Denver for a stock engagement, and falls in love with John Madison, a newspaper writer. He cannot afford to marry, and Brockton, who comes west to take Laura back with him, sneers at the idea of his marrying the luxury-loving Laura. Laura promises to wait, however, and Brockton promises Madison that if Laura returns to him he will let Madison know. Laura returns to New York, and Brockton's influence prevents her from getting an engagement. She reaches the end of her resources, and not hearing from Madison submits to what she regards the only course open, a renewal of her relations with Brockton. Brockton dictates a letter to Madison which Laura promises to mail, but she burns it instead. Madison finds gold and hurries to New York to marry Laura. He discovers the facts of the situation, and Laura confesses that she burned the letter Brockton had promised to send. Deserted by both men she becomes desperate, and tries to fling herself into the dissipations of the night life of Broadway. She is disgusted, however, and attempts to end her life in the river. She is rescued and taken to a hospital. Madison is notified, and learns also of the fight she made to remain true to him. He hurries to her side just in time to let her know he understands and forgives, and she dies in his arms.

A visual fragment from the archive: The thematic resonance of Pro Patria perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

Sir Anthony Gregson, Bart., a wealthy mine owner, is unpopular with his employees, because of his unreasonable temper and lack of sympathy. Sir Anthony has one son, Aubrey, a lovable young man, who has angered his father by refusing to follow the latter's dictation in the matter of his marriage. Sir Anthony also has a twin brother, whom he has not seen for years. The brother, who has humble associates, is known among them as "Blink." Blink is married to a gypsy girl, known as "The Tearer." Sir Anthony makes a sea trip to benefit his health. By chance the yacht anchors off the coast where Blink has his hut. Sir Anthony accepts his brother's invitation to call on him, and while at Blink's hut he has a stroke of paralysis, and dies. Blink changes clothes with Sir Anthony, and taking advantage of his striking likeness to the other man, impersonates him. He proceeds to the yacht, taking "The Tearer" with him, pretending she is Miss Gibson, his trained nurse. Blink, as Sir Anthony, sails homeward with his "trained nurse." The first thing he does is to call on Mary Priestly with Miss Gibson. Miss Gibson tells Mary that she wishes to marry Sir Anthony, but will not take this step without first getting the consent of Aubrey. Sir Anthony (Blink) is apparently reconciled to his son and gives him his consent to marry Mary. Aubrey, of course, gives his consent in return. The troubles in the mines have reached a climax. The men have struck because of small wages and unsafe equipment. The men are enraged against Sir Anthony. To quell the disturbance, Blink, as Sir Anthony, agrees to look over the mines and investigate. This he does, taking Aubrey and Miss Gibson with him. After he investigates, he orders that new and safe equipment shall be bought, and that the miners' wages shall be raised. All this while Gouger, the friend of Blink in his former life, has been trying to see the man he thinks is Sir Anthony. Having found Sir Anthony dead in Blink's hut, he thinks that Sir Anthony has killed Blink and eloped with "The Tearer." Gouger is eager for revenge. He finds "The Tearer" and says that he wishes to have an interview with Sir Anthony. "The Tearer" (Miss Gibson), frightened for Blink's life, keeps putting Gouger off. At last, however, Blink (Sir Anthony) agrees to see him. Aubrey, Mary and Miss Gibson are in the room. To satisfy Gouger it is necessary for Blink to disclose his identity before Aubrey. This, of course, satisfies Gouger. Aubrey does not mind, as he has grown to love Blink. Blink again marries "The Tearer" for appearance's sake, and Aubrey marries Mary Priestly.

Dir: Albert Capellani

The mechanic Etienne Lantier is a competent workman out of a job, whose tempestuous disposition is more than atoned for by a good heart. With bundle in hand he looks for work from town to town and in vain until he comes to the coal mines of Montsou. Luckily for him there is a vacancy because of a workman being absent, and the foreman, Maheu, hires him at the suggestion of his daughter, Catherine, who dressed as a man is wont to work like a man in the mine. Lantier creates an impression on her and she takes his part much to the chagrin of her accepted lover, Chaval, an unworthy and violent man. Lantier fails to recognize her as a woman until after sharing her lunch with him in the depths of the mine, her hair falls from under her miner's headgear. From that moment he devotes his whole heart to her. At the end of the day's labor Lantier, who has excited a fierce jealousy in Chaval, is invited by Maheu to become a boarder at his house and he joyfully accepts. The engineer, Negrel, making his daily descent into the mine finds the shoring timbers holding up the earth in a bad state and ready to fall. He makes a report recommending that the woodwork he immediately and properly repaired so as to avoid accident. The company, however, posts a notice saying that because the woodwork has to be repaired the price received by the miners per car of coal mined will be decreased. This arbitrary and unfair notice causes much discontent and anger among the miners. A mass meeting is called for at the Cabaret Rasseneur; Souvarine, an anarchistic workman, advocates violent measures. Lantier opposes this and suggests concerted action. The anger of the workmen breaks out afresh when they begin to receive their reduced wages and urged on by Lantier, whose influence is growing, they vote to strike. In the meantime Catherine, though in love with Lantier, dares not go back on her word to Chaval and marries him. Chaval treacherously carries full information of the strike proceedings to Mr. Hennebeau, the chief director of the company, and accepts pay for being a spy. The strike is now on amid general enthusiasm. In the meantime, Negrel, the engineer, who is in love with Hennebeau's daughter, pleads with Hennebeau to answer the miners' requests. Miss Hennebeau also pleads with her father, but in vain. The stores refuse to extend credit to the striking workmen and famine soon stalks among them. Lantier discovers to his surprise that Chaval is an exception and that he has plenty of food and money. As yet he has not discovered that Chaval is the paid spy of the company. Catherine brings secretly to her starving relative food and money. Chaval follows her, drives her from the house and strikes her. Lantier seeing it interferes in her behalf, and being attacked by Chaval thoroughly thrashes him. Chaval, taking advantage of the growing misery among the miners, urges some of them back to work. While they are in the mines the other strikers cut the elevator ropes. There is a panic in the mine depths. The imprisoned miners finally escape by ladders, but have to run the gauntlet of the enraged strikers, who still hold out. When Chaval is dragged from the mine Lantier rashes at him, but Catherine steps in between and prevents harm being done to her husband. Blinded by hatred Chaval goes to Hennebeau and denounces the miners' leaders, especially Lantier. The police are called upon to arrest him, but warned in time he escapes to the abandoned shaft of Voroux. The strike becomes violent and the troops are called in to reinforce the police. In the absence of Lantier, Souvarine is called in to head the strikers. Hennebeau's house is attacked and stoned. Seeing the soldiers preparing to fire on the mob, the director's daughter rushes from the house to try and avert the coming calamity. She is caught in the storm of bullets and dies together with many of the miners and their wives, among them Catherine's father. This crushes the strikers' movement and instigated by Chaval they vote to resume work. Lantier, emerged from his refuge, tries in vain to dissuade them, but his influence is gone and bowing to the majority he also goes back to work. Souvarine, alone implacable, determines upon desperate measures. He releases the bolts binding the barriers that hold back water from flooding the mine and the flood breaks loose. He is drowned in the cataclysm that follows. The miners, caught like rats in a trap, run madly hither and thither. Some escape, others, among them Lantier, Catherine and Chaval, are caught. These latter three find themselves imprisoned in an abandoned working pit, where they sit in despair with the water up to their knees. They have little food and when after long hours Catherine attempts to give a little of her lunch to Lantier. Chaval furiously opposes. Chaval finally attempts to deprive his wife by force of her morsel of food. In righteous rage Lantier strikes him and kills him. His dead body, floating on the water, haunts them. Forgetting their animosities, directors and workmen unite in the work of rescue. Through an abandoned pit they come near to Catherine and Lantier. Their signals being answered by the prisoners they redouble their exertions. By imprudence, however, an explosion takes place, which kills many of the rescuers and sets back the work. Among those killed is Catherine's brother. When the workers finally pierce the intervening walls they find only Lantier alive, for Catherine lies dead in his arms. When the unconscious man is brought into the daylight and at last opens his eyes it is the bereaved Negrel who, with a heart of sympathy, comforts him in his grief when he sees the body of his dead sweetheart. Broken in spirit he sees injustice rule and the poor pay the piper.

A visual fragment from the archive: The thematic resonance of The Easiest Way perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

Aurora Fernandez, a poor Cuban girl, is persuaded against her will to become betrothed to Don Armada, a wealthy Cuban. She loves Pedro, a young fisherman, who lives with his uncle, Father Venture, and his sister Celida, who has been secretly stealing to Don Armada's villa, but is cast off by him on his engagement to Aurora. Longing for a sight of Pedro, disguised as a dancing girl, Aurora goes to an inn where Pedro comes with other fishermen for a nights revelry. He does not recognize her as his "Lady of the Lily" as he calls her, but falls a victim to the charms of the dancing girl. Celida, dying of a broken heart, confesses to Pedro and Father Venture, and Pedro, to avenge Celida, summons all the fishermen in the village and leads them against Armada in whose villa the wedding feast is being held. The guests fly in terror and Armada is wounded. Aurora alone remains undaunted, and Pedro, finding her, recognizes not only his love of the tavern, but Aurora, and that she is the wife of Armada. Notwithstanding her pleadings not to kill her husband, he is about to strike when he sees that Don Armada is blind. This awakens his pity and he leaves the house. Don Armada has an operation performed on his eyes which proves successful, but the physicians warn him that any shock may result in blindness for life. Aurora, in the meantime, has been carrying on clandestine meetings with Pedro and Armada, hoping to find out who Aurora's lover is, tells her that the operation has been a failure. He intercepts a note from Pedro and, locking Aurora in her room, stabs Pedro. He then returns to Aurora and she discovers he has tricked her. He tells her what he has done, but the shock kills him. Aurora escapes and finds Pedro still alive. She takes him home where she watches over him; and the crisis over, the lovers are reunited.

Dir: Albert Capellani

The scene takes place in Paris in March 1793 during the Reign of Terror. The Knight of Maison-Rouge, posing as Citizen Morand, is organizing the escape of Queen Marie-Antoinette. He is assisted in his undertaking by Dixmer, a master tanner who passes himself off as an ardent revolutionary and his wife Geneviève, who also happens to be the Knight's sister. While on mission with her brother, she is saved from arrest thanks to the intervention of Lieutenant Maurice Lindey. Geneviève, who is married without love to Dixmer, falls for the young man, who requites her love. A tunnel is dug between a house rented by Dixmer and the Tower of the Temple but the various attempts to rescue the queen attempts fail. Marie-Antoinette risks the guillotine. Lindey finds himself involved in the plot.

A visual fragment from the archive: The thematic resonance of The Impostor perfectly mirrors the editorial trajectory of our deep dive.

Dir: Albert Capellani

During the latter part of the reign of Louis XVIII, in France, Ambrose, an aristocrat, loves Jeanne Mailloche, a peasant girl, but is compelled to marry his cousin, Alice de Fontelles, to preserve their respective estates. Jeanne dies soon after, leaving a son, who is kidnapped and raised by a band of ruffians. Alice's son, receiving every advantage, is raised as an aristocrat. Twenty years later, at the time Napoleon was in exile, the young aristocrat, Victor by name, becomes a captain in the King's army. His half-brother, Rabat, son of Jeanne, has degenerated into a criminal, with a price on his head. Strangely enough, they look exactly alike, though neither knows of the whereabouts of the other. In fact, Rabat is ignorant of Victor's existence. The young Captain is told of Rabat's existence by his father when the latter is on his death bed. Victor is engaged to Lucille, the niece of Munier, who is Victor's father's secretary. Munier becomes associated with the conspirators, who are seeking to place Napoleon on the throne of France. In Munier's endeavor to steal the funds of the conspirators, he becomes associated with Rabat, the criminal. Victor is called to the army, and arranges with Lucile for their final adieu at the diligence office. Being unaware of the existence of Rabat. Lucile believes her lover guilty of the murder which she sees Rabat commit at the meeting place appointed by Victor. Rabat's face in the moonlight almost causes Lucile to abandon all faith in Victor. Victor is arrested for the murder, but before his execution, Lucile learns the truth concerning Rabat and forces her uncle, who has acknowledged his connection with the murder committed by Rabat, to intercede. This stays Victor's execution as a murderer, but as Napoleon has returned to power. Victor is arrested as a political prisoner, and ordered to be shot. Victor's release as the murderer has caused the arrest of Rabat for that offense. He is to be beheaded. Both Rabat and Victor's executions are scheduled for the same day. Lucile, knowing of her uncle's part in the actual murder, forces him to intercede with Napoleon, thus saving the life of Victor. Later, Victor meets Rabat, his half-brother, for the first time, and inspires him with the necessary confidence to face his death. Munier escapes from the country and with Napoleon's pardon for his political offenses, Victor and Lucile are happily married.

Dir: Albert Capellani

Lily Bart loves Lawrence Selden, a lawyer of moderate means, but she is also pursued by Simon Rosedale, a wealthy businessman, and Augustus Trenor-Dorset, a married man. When Dorset's wife Bertha announces that she is going to the country (although she really plans to meet Ned Silverton, with whom she is having an affair), Dorset asks Lily to dine at his home. Alone with him at the house, she rejects his advances, but when Mrs. Dorset returns, she publicly insults Lily, forcing her to move to another town. Lily's aunt dies and leaves her penniless, whereupon she reluctantly begins to seek employment. She is about to kill herself when Selden, who has never stopped loving her, enters the room and convinces her to marry him.