Underground Favorites Parallel to the Artistry of Overture: Tannhäu...

Dir: Claude Friese-Greene

A fascinating piece of cinema that shares thematic elements.

Dir: Frederick J. Ireland

A visual fragment from the archive: The thematic resonance of Cinderella Cinders perfectly mirrors the editorial trajectory of our deep dive.

An unemployed cook takes her shot at working for an upper class family. When none of their fancy guests show up to a party, she and the butler impersonate them.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Ralph Ince

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Land of Opportunity perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Mason N. Litson

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

Dir: Victor Heerman

A visual fragment from the archive: The thematic resonance of A Fitting Gift perfectly mirrors the editorial trajectory of our deep dive.

The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.

Dir: Alfred J. Goulding

Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.