Editor's Top Picks Sharing the Atmosphere of Paying His Debt: Cult ...

Dir: Clifford Smith

"One Shot" Ross, who has brought law and order to the town of Painted Gulch, decides to hang up his six-shooters when he sees the daughter of one of his victims sobbing over her dead father's body. While traveling East, Ross's stagecoach is held up and Ross, knocked unconscious, is taken to a nearby cabin owned by the Sheridans. After Mr. Sheridan is killed when he inadvertently stumbles upon Jim Butler and his gang dividing up the spoils from the stage robbery, Ross takes pity on Nan, the old man's daughter, and decides to bring the outlaws to justice. Feigning feeble-mindedness, Ross obtains a job on Butler's ranch and uncovers evidence which proves that Butler is the leader of the outlaws. Heading the posse, Ross captures Butler's gang and then rides off to the Sheridan cabin where, in a shootout, he rescues Nan from Butler.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Law's Outlaw perfectly mirrors the editorial trajectory of our deep dive.

Charles Easton returns to his ranch to find his property in a shambles and his chances of marrying politician Oscar Davison's daughter Rose extremely slim, after losing the election for sheriff of Pyramid County to Ethan Ransford. However, Rose appears and begs him to find the man who robbed and beat her father. Charles rides into the desert with Ethan but quarrels with his rival and shoots him. With a price on his head, Charles takes refuge at Hawk's Nest, a seemingly invulnerable retreat for bandits, and soon gains the outlaws' respect and confidence. Later he rides into town leading the two guilty men in handcuffs and explains that Ethan's shooting was merely a ploy to gain entrance into the outlaws' stronghold. Ethan appears, confirming the story, and turns his office over to Charles, while Rose gladly accepts the new sheriff's proposal of marriage.

Dir: Clifford Smith

Texas Ranger Jack Keith, is instructed to track down a gang called the Border Wolves, whose brutal raids have terrorized the countryside. When several members of the gang murder a band of squatters, Black Bart, the head outlaw, has Keith arrested for the crime, but the ranger escapes and flees to a lonely cabin. There he meets Hope Waite, who has come to the Southwest to meet her father, General Waite, and look for her long lost sister. Keith takes her to a boarding-house and places her in the care of Mrs. Murphy, but Bart, having met the girl earlier, discovers her whereabouts. The crook asks her to cash a check for him without revealing that he stole it from General Waite, whom he believes he murdered with the gang of squatters. General Waite arrives in town unharmed, followed by Christie McClaire, his missing daughter. After the family is reunited, Keith rounds up the Wolves and returns the general's check to Hope.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Keith of the Border perfectly mirrors the editorial trajectory of our deep dive.

Driven to desperation by the cattle rustlers who have nearly ruined him, ranch owner Jim Carson appeals to the Texas Rangers for help, and soon afterward he hires a cowpuncher named Bob Gordon. The handsome young rider quickly develops an attachment to Jim's pretty daughter Jean, which incurs the enmity of ranch foreman Dave Merrill, who is also in love with the girl. Shortly after Bob's arrival, he catches Dave branding a calf and hints to Jean and her father that the foreman may be one of the cattle rustlers. To save himself, Dave tries to cast suspicion on Bob, but the plan backfires. Cornered, Dave abducts Jean into the hills, but Bob, who is actually a Texas Ranger, locates the hideout, kicks in the door and kills the outlaw.

Dir: Clifford Smith

Bosom friends Jeff Flagg and Jim Lee launch a cattle-raising business, but their prospects are so seriously threatened by Ed Crane and his nearby copper mining operations that Jim moves to another town. Crane tries to assault Jeff's sweetheart, Helen Dryer, and in the attempt is shot and killed by her brother Vic. Jeff, accused of the murder, leaves town closely pursued by Sheriff Sol Durkee, who hopes to identify Jeff by the scar on his left arm. In a faraway town, Jeff meets up with his old friend Jim, who, in a poker game brawl, shoots the scar away from Jeff's arm. The two return home, and when Vic finally confesses that he killed Crane to preserve his sister's honor, Jeff is exonerated. Jeff and Jim discover rich copper deposits on their ranch, and Jeff, now a wealthy man, proposes to Helen.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Silent Rider perfectly mirrors the editorial trajectory of our deep dive.

Old-fashioned rancher Joe Warner is suspicious of the modern methods employed by his new neighbor, George Merritt, but when Joe's villainous foreman, Pete Wright, suggests that George is a thief, Joe's dislike turns to hostility. Furious over pretty Ruth Warner's love for George, the jealous Pete joins forces with a bandit named José Mardones to run cattle off of Joe's ranch while blaming George for the thefts. Finally, Pete and José stage a major raid on Joe's ranch, and Joe's cowboys, imagining that they are fighting George's men, are losing the battle until George arrives to help drive off the real bandits. During the shootout, Pete kidnaps Ruth, but George pursues them and rescues her. Joe then happily accepts George as a son-in-law and as his new partner.

Dir: Clifford Smith

On the Mexican border, Jim Jason forms a partnership with Don Felipe Arrello although he is troubled by a clause in their contract which states that if one of the partners dies, the other will inherit their ranch. When the ranch begins to prove profitable, Felipe hires an assassin to kill Jim, but the cowboy discovers the plan and gives the killer a sound beating. Jim's sweetheart, Ruth Allen, who has come to the area with her father to restore the old Spanish architecture, sees the fight and assumes that he is mistreating his men, but his concern for little Carmelita, who is suffering from typhoid fever, convinces Ruth of Jim's kindness. Felipe tries once again to kill Jim, who leads his cowboys in pursuit of the villain, but upon reaching Felipe's hideout, they learn that Dolores, his betrayed lover, has already killed him.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Faith Endurin' perfectly mirrors the editorial trajectory of our deep dive.

Meg Carter is the daughter of the man who runs the "Hell's Agony" saloon. He is killed in a row, and Meg takes it upon herself to keep the business going. This requires her to mix in and put a stop to any and all fights, which she does with the assistance of her constant companions, her two revolvers. Brian McTavish, who is supposed to help maintain law and order in the town, tries to take advantage of Meg, and a man by the name of Bad Lands O'Connor prevents him. For this McTavish determines to get even. A number of murders have been committed near O'Connor's cabin, and McTavish fastens them on his rival by lying. The crowd is about to hang the innocent man when Meg effects his rescue. She gets McTavish to consent to a test of marksmanship with her and defeats him, the life of O'Connor being her prize. There is a wedding in town shortly and Meg and O'Connor are the principals.

Dir: Clifford Smith

Bashful ranch hand Aleck is in love. To help him get his girl, Red Saunders goes to town and convinces Lindy, whom Red thinks is the object of Aleck's affections, to come to the ranch. Meanwhile, Ah Sing, "the ranch Chinaman," steals the cowboys' clothes and pawns them. Red and Lindy meet with Ah Sing and the pursuing, half-clad cowboys at a gambling hall and regain the lost clothing. Red discovers he has brought the wrong girl, but the situation brightens when she consents to his proposal.

Dir: Clifford Smith

Jim Benton has been too busy making money to learn to read and write, but he persuades Evelyn Hastings to open school on his ranch and he is her most devoted pupil. The sheepmen carry out their threat to cut off Benton's water supply and Evelyn makes him promise to shoot only in self-defense. He keeps his promise, but still he has to kill, and a packed jury of sheepmen bring in a death verdict. The cattlemen attempt a rescue, but it is Evelyn who saves the day.