The Auteur's Selection Complementing the Tone of Penny Wise: Cult G...

Dir: Al Christie

Bobby had been instrumental in having Dorothy Invited to a weekend party that he might propose to her in ideal surroundings. There were other chaps in the competition, however, and Dorothy was a bit coy when Bobby tried to monopolize her society. In fact, she seemed more than willing to have the other fellows do the monopolizing. Sympathetic girl friends of Bobby told him that the slogan of the tanks, "Treat 'Em Rough," was the proper rule in love making - and so Bobby tried it. He kidnapped Dorothy in a motor, drove her to the mountains and forced her by wielding the "cave man's club" to don tiger skins as dress and submit to his commands. That Dorothy liked the idea was evident when the entire weekend delegation followed them forthwith to the mountain cave, bringing along a minister to tie the knot.

Dir: Al Christie

Jay made the fatal error of trying to make his wife believe that he had all the money in the world.

A visual fragment from the archive: The thematic resonance of Tell Your Wife Everything perfectly mirrors the editorial trajectory of our deep dive.

Dir: Al Christie

On the strength of father's promise of a $10,000 check to the happy bride and groom, a truckload of furniture arrives with which newlywed Mary desired to furnish a city flat.

Dir: Al Christie

Bobby, a clerk, is sent on a hurry trip by his boss to deliver a $5,000 check to Mr. Brown. Bobby meets a girl while on the train. At the junction they miss another train, wait three hours, arrive at the home of Brown - and then the plot deepens when another plot in the making makes it appear that the girl is Brown's wife.

A visual fragment from the archive: The thematic resonance of Mary Moves In perfectly mirrors the editorial trajectory of our deep dive.

Dir: Al Christie

A fascinating piece of cinema that shares thematic elements.

Dir: Al Christie

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Three Hours Late perfectly mirrors the editorial trajectory of our deep dive.

Dir: Al Christie

At a choir festival, country girl Sally is kidded by traveling show people into believing that she has a grand opera career. The twist to the story of the ambitious girl going to the city and getting into the chorus comes when she proves to be a "boob," gets ejected from the theater, and is returned to the cows and chickens far from Broadway.

Dir: Al Christie

After Eddie Plum discovers oil on the family ranch, he and his widowed mother move to the city where they meet Lord Burlington, a British fortune hunter. Burlington introduces the Plums to two socialites, Mrs. Van Zant and Betty, her daughter, and while Burlington woos Mrs. Plum, Eddie falls in love with Betty. A double wedding is arranged, but on the day of the ceremony, Mrs. Plum announces that the deed to her land has been stolen and without it she has no claim. Devastated by the news, Burlington requests a postponement and leaves. In spite of the apparent disaster, Eddie and Betty elope while Mrs. Plum, hurt by the Lord's sudden departure, plans to return to the country. Realizing that his affections for the widow are genuine, Burlington asks for her forgiveness and insists on the marriage. Her faith restored, Mrs. Plum reveals that the stolen documents were fakes, and that her oil millions are safe.

A visual fragment from the archive: The thematic resonance of A Flirt There Was perfectly mirrors the editorial trajectory of our deep dive.

Dir: Al Christie

A company of barnstormers goes on strike in the middle of a performance and a number of local amateurs are prevailed upon to furnish the show, which they do in more ways than one.

Dir: Al Christie

Ann is one tough cowgirl. After she beats up Hank, her parents send her East to college, hoping she'll come back a lady.