Masterpiece Selection that Capture the Essence of Pep of the Lazy J...

Dir: Harris Gordon

A man named Chandler, claiming to be a novelist in search of local color, arrives at a town near the Mexican border, where he makes advances toward Jo, a girl living a solitary life on a desert ranch. Manning, a cowboy, suspects Chandler's motives, and his suspicions are strengthened when Chandler is caught cheating at cards. Following a gang of Mexicans to their mountain retreat, Manning learns that Chandler and the Mexicans are smuggling opium across the border. Two gang members are killed in the ensuing fight, but Chandler, wounded by Manning after a chase on the cliffs, escapes to Jo's home, where he denounces Manning as a smuggler. Manning arrives and dispels Jo's misgivings about him by revealing that he is a Texas Ranger, sworn to secrecy. Chandler is allowed to escape, and Manning and Joe are united.

Dir: Edward Sloman

When Wid Gardner, a friend of the "Sagebrusher" Sim Gage in Montana, advertises for a wife for Sim, he finds Mary Warren. Mary, who has recently lost her shop job in Cleveland, goes West under the impression that she is to be a housekeeper. By the time she arrives, she has become blind and cannot see the ugliness of the poor but honest Sim, who realizes that Mary is too refined for him. After some complications involving Frederick Waldhorn, who recognizes Mary as the girl whose legacy he has stolen, and Big Aleck, Mary and Sim are married. The young, handsome Dr. Barnes, who is working to restore Mary's sight, has also fallen in love with her. Eventually, Sim gives his life in rescuing Mary from a flood. Mary's sight then is restored and she confesses her love for Dr. Barnes. Finally, Mary's friend, Annie Squires, who accompanied her from Cleveland, becomes engaged to Wid.

A visual fragment from the archive: The thematic resonance of The Sagebrusher perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Mason N. Litson

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Bud Fisher

Mutt and Jeff go on strike and make their own film.

A visual fragment from the archive: The thematic resonance of Get-Rich-Quick Edgar perfectly mirrors the editorial trajectory of our deep dive.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.