Must-Watch List Comparable to the Style of Phantom Fortunes: Cult G...

Dir: Paul Scardon

At a reception given for the vacationing Prince Zarl of Zorania, secretly the emissary of Zorania set on negotiating a treaty with the United States, Geoffrey Wynne, apparently a society dandy, but in reality a secret service agent, meets the prince. During the reception, Wynne is summoned to Washington where he learns that the treaty has been stolen and is being held for $15,000,000 ransom. Discovering that one of the thieves is an Italian named Farnelli, Wynne enlists the aid of his fiancée, Irene Mitchell, in apprehending the thief. Irene meets the Italian who offers to accompany her to New York. En route, Wynne overtakes them, chloroforms Farnelli and rips off his disguise to reveal Prince Zarl. Zarl then admits that he has stolen the treaty in order to cover his gambling debts.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of Transgression perfectly mirrors the editorial trajectory of our deep dive.

Hal Page, the weakling brother of Stephen Page, the town mayor, falls in love with Carline Shrefton, who throws over Burt Staley to entangle Hal in her self-serving schemes. Furious over her abrupt departure, Staley shows up at Carline's, and a jealous fight with Hal ensues in which Staley is shot and killed with Carline's gun. After Hal confesses to the deed, Stephen quietly sends him off to Spain. One year later, Stephen announces his engagement to Marion Hayward, the daughter of the district attorney, who is pressing charges against James Reed, a corrupt politician and Carline's new husband. To save Reed, Carline threatens Stephen with exposure, but he refuses to bend to her demands. Just days before Carline is to reveal her story about Staley, Hal appears and confesses to Hayward that Carline is the true killer. After verifying Hal's story, Hayward grills Carline, who finally admits her guilt. A matured Hal is restored to his family and Reed is sent away for his crimes.

Dir: Paul Scardon

The Hawk, Count George De Dazetta, preys upon society with the aid of his beautiful wife. She seems to be in love with a young French nobleman, who is the real aggressor in this triangle. De Dazetta finds that the young nobleman's love for his wife is changing her for the better, that she begins to abhor his gambling profession and his inroads upon society. However, he continues to use her beauty as a lure to his gaming tables and wins heavily. In the meantime the nobleman breaks with a young woman aristocrat whom his mother wishes him to wed. During a transaction with an American from whom he borrows money to repay his gaming losses to De Dazetta the nobleman learns of the Hawk's love for his wife, and that she is helping her husband to win. Marina, the wife, washes her hands of the whole earning enterprise and is accused of infidelity by her husband, who tried to kill the nobleman. Failing, he leaves, and the nobleman protects the wife while attempting to locate the gambler and get his consent to a divorce. Finally this is effected, and Marina herself pleads for the divorce, that is until she learns that De Dazetta is now penniless, having lavished his every cent upon her and really loves her, and has consented to give her up only because he thinks it best for her future welfare. Her womanhood comes to the surface and she goes to him, renouncing the nobleman, her love for the latter having been without sin throughout.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of The Hawk perfectly mirrors the editorial trajectory of our deep dive.

Jimmie Hallet is walking through a heavy fog one night when, seemingly out of nowhere, a girl appears, shoves a bundle of papers and a slip of paper with an address on it into Jimmie's hands, then disappears. Intrigued, he goes to the address on the paper, and is promptly knocked out by a blackjack. When he wakes up the next morning he discovers the dead body of a man named Greye-Stratton and learns that the "mystery girl" was Stratton's daughter Peggy. Jimmie soon finds himself questioned by the police about her father/s murder and mixed up with a gang of thieves and killers led by a mysterious thug named Ling.

Dir: Paul Scardon

John Olsen, the foreman in an iron foundry, is persuaded by two of the workmen to rob the company safe, an operation so successful that the three decide to embark on a career of safe cracking. While pulling a job, John breaks his leg and is forced to take refuge in the home of Belle Foliot, whose husband is serving a life sentence. As she tends John's injured leg, Belle falls in love with him and decides to join the gang, and when she becomes trapped during a robbery, John remains at the scene of the crime so that she can escape. Following his five year prison term, John declares that he is going straight, whereupon Belle leaves him. John marries and buys a farm, but one day his arresting officer, Lieut. Reilly, appears and reveals his past to his wife and the townspeople. As a result, the farmers shun him and his wife divorces him. He is about to break into the bank when Belle and Reilly arrive. Promising to go straight, Belle accompanies John out West to a new life.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of The Maelstrom perfectly mirrors the editorial trajectory of our deep dive.

Mr. Curtis returns to his Alma mater and regales students with stories about the Civil War, which ended fifty years before. He tells them about his college friends, Dick Randolph and Watkins, who were at first rivals for Marian - who far preferred Dick - and then rivals on the battlefield. Watkins, a Union officer, captured Dick, a Confederate, but Marian helped her sweetheart escape. Watkins and Dick were then wounded in the same battle and died in each other's arms after asserting their friendship and forgetting their past differences. Back in the present, an aged Marian joins the group. She dies while listening to Mr. Curtis, and fifty years after she and Dick had been lovers in the flesh, her spirit goes to join his.

Dir: Paul Scardon

Stanley Ormsby, a dramatic critic, runs foul of an author and dramatic company who have just put on a new play which he announces as "rotten." On his way home from the play, after waiving aside the author's pleas for a merciful criticism, his adventures begin. He interferes between a couple quarreling on the street and is rebuffed. Later he gets an assignment from his editor to go to a certain apartment house to interview a singer. Entering the place he is diverted from his mission by a woman falling apparently dead at his feet, before the door of Apartment 29. Carrying her inside he finds her to be the woman of the quarrel, and there finds also her husband shot. There alone, he realizes suddenly that circumstances are against him and wishes to flee. The playwright, who lives in the same building, offers refuge, but in return asks a large sum of money, which Ormsby is only too glad to give. A girl in the playwright's apartment hides him while the police search the place. He has a dozen hairbreadth escapes and is finally shocked as the playwright demands a bribe to keep him hidden. Finally Ormsby escapes from the house with the girl, only to run into a nest of thugs, who attack him. He is then rescued by the very police, who then charge him with murder, after which...well, it winds up all right, but it was a hair-raising experience, mates.

Dir: Paul Scardon

A visual fragment from the archive: The thematic resonance of All Man perfectly mirrors the editorial trajectory of our deep dive.

After landing a big "haul," Dave Darcey, a crook, decides to spend part of his booty by holding a dance for his followers. Paddy Burns, leader of a rival faction, decides to settle an old score with Dave by breaking up the affair. On the night of the dance he goes at the head of his gang with the avowed intention to "get" Dave. In the struggle, Dave shoots Paddy and makes good his escape. He is seen by Phillip Brenton, the son of the owner of the steel works, who thinks he is there to rob the house and demands an explanation, Dave explains the whole affair to him, and Phillip gives him a chance to make good by giving him a job in the steel plant. Phillip's father is not so sure of Dave's reformation, and tests him by leaving a large roll of bills exposed. Dave sees the money and a struggle with his other self follows. The new Dave comes out the winner and he returns the money. The Baroness Von Ehrenstein, a secret agent for a foreign government, learns that the Benton Steel Works have accepted a huge war order for a nation hostile to her own. She gets permission from Phillip to visit the plant on the pretext of getting local color for a novel she is writing. Phillip personally guides her and her accomplices through the plant and they make a thorough study of the place. Phillip has become greatly interested in the Baroness and is neglecting his fiancée, Grace. The latter notices his continued absence and asks Dave the cause. The latter, in order to protect Phillip, tells her that it is business. Dave, suspicious of the Baroness, warns Phillip of her and his young employer resents his interference and discharges him. While Phillip is in a drunken stupor, the Baroness steals his office keys from him and gives them to her confederates who hasten to the steel works. Suspicious of their actions, Dave follows them and sees them plant bombs in the factory. He tries to foil them and a fight follows. Dave is finally subdued and is left, bound hand and foot, by the burning bombs. He rolls himself over to a saw and works frantically till he severs his bonds. He then starts to stamp out the fuses of the bombs, but one of them explodes and he is caught in the wreckage. The watchman, having seen part of the struggle, follows the conspirators. The police arrive at the scene and are closely followed by Phillip and his father. The latter accuses Dave of attempting to destroy his plant, and also charges him with the murder of Paddy Burns. The watchman returns with the real culprits and tells the true story, thus clearing Dave of guilt. One of the policemen then tell Dave that he need not fear of trial for murder, as Paddy is still alive, having been only slightly injured by the shot. Dave is acquitted of the charge of assault which he had to answer to for the shooting and returns to a better job with the Benton Steel Works. Phillip and Grace are reunited.

Dir: Paul Scardon

Famous architect Harrison Stuart is taken over with alcoholism and begins living in flop houses, he is saved by Billy Lane, a young architect who has always admired the older man. Lane reunites Harrison with his family and falls in love with Harrison's daughter. After announcing his engagement to her, however, Lane himself becomes an alcoholic when another woman, jealous of his fiancée, spikes his punch and tricks him into heavy drinking. Then Harrison gives in to his old habit but before submitting completely, he kills himself. The suicide brings Lane to his senses; he swears off drinking and returns to Harrison's daughter.

Dir: Paul Scardon

Young Hugh Jordan, the nephew of the man who robbed the Winthrop children, is earning his living out west when he comes into the millions of his thieving old uncle. Hugh goes east and settles down to a life of ease and enjoyment. He is entertaining a stag party at his home when the butler announces the arrival of the Misses Winthrop. A letter left by their father told them to go to Hugh Jordon, as he held a mining claim in trust for them. Penelope, the oldest girl, shows the letter to Hugh and he invites the orphans to remain until he has investigated the matter. It is all plain sailing after that, and Hugh marries Penelope and the fortune is kept in the family. There is a slight underplot involving a handsome widow, who tries to capture Hugh, and a most despicable specimen of the wealthy class who tries to ruin Penelope.