The Definitive Guide Inspired by the Vision of Queenie of Hollywood...

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Roscoe 'Fatty' Arbuckle

The Sheriff is a "desert hero," so lucky as never to get a scratch amid all the shooting, such a remarkable shot himself that he hits the cuckoo in a clock and causes it to drop into a glass of beer below, converting it to a cocktail. He thwarts all the villains, foils all the plots, rescues the persecuted maiden, destroys the bar, closes the dance hall, and is instrumental in converting a long line of hardened gunmen to lives of usefulness as members of the Salvation Army.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of A Desert Hero perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Roscoe 'Fatty' Arbuckle

Working their fingers to the bone to prepare the set for an upcoming performance, the enthusiastic stagehands, Roscoe and Buster, find themselves on stage when the cast quits. However, is will alone enough to earn a big round of applause?

Dir: Roscoe 'Fatty' Arbuckle

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

A farm boy must rescue his sweetheart from being married off to someone she does not love.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of Back Stage perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.