Hidden Genre Gems for Fans of Racing Romance: Cult Guide

Dir: Fred J. Balshofer

Greek Conniston, after living a life of ease and comfort, is forced by his millionaire father to get a job and earn his own living. While traveling West with his friend Roger Hapgood, Greek meets Argyl Crawford and, entranced by the girl, takes a job on her father's ranch. Greek's defeat of Brayley, the bully of the ranch, gains him the respect of the men. Crawford is about to erect a dam, an enterprise which will reclaim all of the land in the region, and Greek is given the chance to assist the foreman, Bat Truxton. Hapgood in the meantime works for the opposition which is trying to prevent the dam from being completed. Truxton is bought off and Greek takes over the job. He overcomes all obstacles and continues to work for the benefit of Crawford, even against his own father. As a last effort, the opposition blows up the dam, but Greek continues to work night and day, finishes the dam and wins Argyl's hand in marriage.

Dir: Fred J. Balshofer

A visual fragment from the archive: The thematic resonance of Rosemary perfectly mirrors the editorial trajectory of our deep dive.

Dorothy Cruickshank is secretly in love with Captain Westwood, whom her parents have never seen, and they plan to elope. Her father, an old sea captain, has quarreled with a Professor Jogram, following a public denunciation of a book Jogram has written on navigation. Professor Jogram lives with Sir Jasper Thorndyke, who sympathizes with him about the criticism but secretly considers the matter lightly. Dorothy and Captain Westwood elope during a storm, but their chaise is overturned near the home of Sir Jasper, where they apply for shelter and are taken in. Dorothy's parents pursue her, but they, too, meet with an accident and bring up at Sir Jasper's home. Dorothy and Captain Westwood are in their rooms when the girl's parents arrive. Sir Jasper and Cruickshank sit up late, Cruickshank drinking heavily, and his host, learning who he is, as a joke, puts him to bed with Professor Jogram. The next morning Dorothy arises early, and while gathering flowers in the garden, encounters Sir Jasper. Sir Jasper falls in love with her, and gives her a bunch of rosemary which she pins to her gown. At breakfast all are present, save Dorothy, and Sir Jasper takes this opportunity to gain her parents' consent to her marriage with Captain Westwood. A journey to London with a happy wedding is planned. At an inn in London Dorothy goes to the stable to give some sugar to Sir Jasper's favorite mare. The stable catches fire and Dorothy is trapped in the loft. Sir Jasper, who has been showing her much attention, rushes through the flames and rescues her. He is badly burned, and during the days that follow Dorothy insists on attending him. One day Westwood demands to see a page Dorothy has just written in her diary. She refuses, tears out the page and gives it to Sir Jasper. It is an artless confession of her high regard for Sir Jasper and he is elated. He is on the point of confessing his love for her when Professor Jogram stops him. Jogram tells him he is about to ruin the lives of two people he had never seen until a few days before. Realizing the truth of this Sir Jasper places the diary page in a broken panel in the wall, buys the inn and goes away to leave the lovers in happiness. Many years later, while Dorothy and Westwood are happy with their family, Sir Jasper makes a pilgrimage to the inn. He finds the page, together with the rosemary, and muses over them as he remembers Dorothy's little speech when she gave it to him. "Rosemary, that's for remembrance."

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Fred J. Balshofer

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

When Richard Hudson receives a pair of silk pajamas from a friend in China, he is unaware that they are bewitched and that whoever wears them will be transformed into someone else. Richard puts them on and is transformed into a fierce Chinese warrior, causing his butler Jenkins to quit drinking. The next night, Richard's close friend Jack Billings sends his brother Francis to spend the night, and upon donning the pajamas, Francis becomes Jack's sweetheart, Frances Kirkland, giving Richard a series of shocks. Next, Jack becomes a victim of the pajamas, is locked up as a burglar, and is given a black eye by his own father for "impersonating his son." Complications pile up until Colonel Kirkland, the friend who sent the pajamas, arrives from China and clears up the mystery.

Dir: Fred J. Balshofer

The Earl of Gilleigh, whose dyspepsia has been severely aggravated by the news that his ill-tempered wife Sophronia is due to arrive from abroad, is startled by the noise of a burglar and enters the room to find his long-lost brother, Warren Ellis, voraciously helping himself to a meal. Warren accepts the Earl's proposal that the two trade identities, and while he remains in Gilleigh, the Earl retreats to his country estate. After meeting Sophronia, however, Warren quickly follows his brother to the country, where he is entranced by a lovely shepherdess named Rosalind. Sophronia also travels to the estate, and mistaking the lovesick Warren for her husband, believes that she has lost the Earl's love. Through her change of disposition, she regains her husband's affections, while Warren wins Rosalind.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Haunted Pajamas perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Fred J. Balshofer

A visual fragment from the archive: The thematic resonance of Lend Me Your Name perfectly mirrors the editorial trajectory of our deep dive.

Bruce Edmunds takes a place in the revenue service to help rout the moonshiners in the hills of North Carolina and to avenge the murder of his brother, George Edmunds. George, who was a landscape painter, had selected the picturesque locale in the south for his work, and while there became infatuated with Jill Jamison, a mountain girl, and daughter of Jimmy Jamison, owner of the Bat Cave Hotel. The friendship between the girl and George aroused the enmity of Squid Archer, boss of the moonshining gang. On two occasions Squid and George quarrel over the girl. George is found dead with a bullet wound in his head and his body buried in the mountains. Bruce arrives at Bat Cave disguised as a parson. Jill's father is away, when Bruce arrives and the mountaineers headed by Squid are taking advantage of his absence. Bruce quells a disturbance they have started and immediately wins the respect and favor of Jill. After that Jill and Bruce are often seen together. Squid only hides his anger at this situation because of Bruce's ministerial garb. The following day Jill takes Bruce for a walk, during which he learns much of his brother's life there. He does not disclose his identity and has difficulty in controlling his emotions. One night, soon afterwards, the moonshiners are startled by the appearance of a mysterious masked rider, dressed in a white buckskin suit and riding a white horse. By his actions the moonshiners know he is not a bandit. They fire at him and give chase, but he eludes them. While Jill is riding near a mountain stream she surprises the masked rider who is watering his horse. The masked rider is so startled that he covers her with his revolver before he realizes who she is. Recovering quickly he bows and profusely begs her pardon. Jill's fears are allayed, and she smiles when she finds the terrible masked rider so gallant. Touching her golden curls Bruce tells her she can have her freedom for one curl. The next day Jill learns the parson and masked rider are the same person, when she finds her lock of hair in the parson's room behind his mother's picture. That night Bruce leads a group of government agents in the moonshining district. The illicit distillers take refuge under ground through secret passages. They are driven out when Bruce explodes a heavy charge of dynamite, blowing up their catacomb. Squid manages to escape. He hurries to the Jamison Hotel, the proprietor and attempts to force Jill to accompany him in his escape. Bruce arrives in time to prevent him and a terrific struggle between Bruce and Squid follows. They roll down a flight of stairs and Bruce loses his revolver. Squid, retreating toward the door, fires at Bruce, who is prostrated upon the floor. The bullet enters his right shoulder and disables him. As Squid starts to fire a second time Jill crashes a chair over his head and sends him unconscious to the floor. The moonshiners are made prisoners and Jill nurses Bruce until he recovers sufficiently to accompany her to a real parson.

Dir: Fred J. Balshofer

Multimillionaire Billy Van Dyke, pursued by fortune-hunting women, longs to meet someone who will love him for himself alone. When social climber Mrs. Pugfeather moves to town with her daughter Celia and penniless ward Beatrice, she begins a campaign to marry her shallow daughter to the millionaire. Beatrice is sent to town to hire a chauffeur and when Billy sees her, he immediately falls in love. Donning his chauffeur's uniform, Billy applies for the position and is hired. Beatrice falls in love with him, too, and later, when Billy quits over the Pugfeathers' mistreatment of Beatrice, the girl offers him her meager savings. Realizing that he has finally found a girl who loves him for himself, Billy proposes. Returning home to hear Celia accusing her parents of sheltering a pauper, Beatrice resolves to run away. As she is about to leave, Mr. Pugfeather informs her that she has inherited a fortune from her father. When, after her marriage, Billy informs Beatrice that he is also a multimillionaire, the last laugh is on Mrs. Pugfeather and Celia when they pay a visit to Mr. Van Dyke and discover their former chauffeur and his new bride.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.