Hidden Genre Gems for Fans of Racing Romance: Cult Guide

Dir: Fred J. Balshofer

When Richard Hudson receives a pair of silk pajamas from a friend in China, he is unaware that they are bewitched and that whoever wears them will be transformed into someone else. Richard puts them on and is transformed into a fierce Chinese warrior, causing his butler Jenkins to quit drinking. The next night, Richard's close friend Jack Billings sends his brother Francis to spend the night, and upon donning the pajamas, Francis becomes Jack's sweetheart, Frances Kirkland, giving Richard a series of shocks. Next, Jack becomes a victim of the pajamas, is locked up as a burglar, and is given a black eye by his own father for "impersonating his son." Complications pile up until Colonel Kirkland, the friend who sent the pajamas, arrives from China and clears up the mystery.

Dir: Fred J. Balshofer

A visual fragment from the archive: The thematic resonance of Broadway Bill perfectly mirrors the editorial trajectory of our deep dive.

"Broadway Bill" Clayton, a New York playboy and heavy drinker, takes a job at the Maine lumber camp of John Underwood hoping to reform himself and regain the affections of Muriel Latham. Foreman Buck Hardigan, who has been stealing and selling Underwood's maple syrup, suspects that Bill has been sent as a spy and decides to get rid of him. Bill survives several plots on his life and finally defeats Buck in a fight and is elected foreman. His struggle with alcohol is nearly won, but when he reads a newspaper item erroneously stating that Muriel is engaged to another, he decides to drink again. Muriel visits the camp with Underwood, and everything is cleared up after Bill rescues her brother Jack in a snow storm.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Fred J. Balshofer

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Randall Ridgeway. a lumber king, learns that one of his contracting companies in northern Maine is carrying on crooked transactions. His son, Burt, overhears his father discussing the matter and asks if he might go and investigate. His father refuses, thinking his son too young and not strong enough physically to deal with the woodsmen. Mac Heberton, who controls the camp in Maine, hears of Ridgeway's suspicions. He compels his bookkeeper to arrange a double set of books, under penalty of exposing him for a murder he saw him commit. Burt Ridgeway falls in with a fast crowd and meets a professional dancer named Lotus de Valois. Under the spell of the girl, and the direction of her unscrupulous chaperon, Burt becomes involved financially. He goes to his father for more money. His father, fearful that his son is not improving his time, puts him to a test. He gives him $25,000 with the understanding that every time he adds another thousand to the amount he will present him with an additional $5,000. With more funds at his disposal Burt strikes a faster pace. Lotus sees a lavaliere, valued at $14,500, which she induces Burt to buy for her. The elder Ridgeway becomes discouraged when he does not see any business activity on the part of his son. Hoping to interest and assist him he takes a three days' option on some real estate where there is a chance to make a big coup. The boy confesses that he cannot cover the option, as he has but $5,000 left in the bank. That night Burt returns home intoxicated. He has words with his father, who has lost faith in him for the first time. In a rage his father orders him from home, telling him he is not "worth his salt." Burt leaves and makes straight for the lumber camp in Maine, where he hopes to rejuvenate himself. Arrived there, after many severe trials, he meets Patta Heberton, a pretty girl of the woods, and the ward of Mac Heberton. They become interested in each other, at their first meeting, and are engaged in pleasant conversation, when "Bully Bill," a camp foreman, observes them. "Bully Bill" is all his sobriquet implies, and he is madly in love with Patta. He challenges the stranger's right to talk to the girl, which results in a fight. The dissipated young man from the city is like a child in the woodman's hands, and h« is knocked cold with two sharp blows. Burt takes his beating with chagrin, but decides to remain, and obtains a position as checker. He plans to regain his strength and prowess if proper training will do it. He leaves off cigarettes and whiskey, and exercises in the open at every opportunity. On a holiday, soon afterward, when the woodsmen are gathered for a day of sports, Burt has another encounter with "Bully Bill." He dispatches the bully with ease. For this Burt wins the admiration of the crowd and the lasting friendship of "Bully Bill." The following day Burt is passing the office of Mac Heberton, when a draft of wind carries a check out of the window, and at his feet picking it up he finds it is from a rival concern. Burt hurries inside, and backing the spineless bookkeeper up in a corner, he threatens to kill him if he does not tell him the whole truth. For the first time in the camp he discloses his identity. The bookkeeper weakens and confesses that Heberton has been cheating his father out of thousands of dollars. Heberton comes in the door unseen, as the bookkeeper makes this statement, and with uplifted axe is about to strike Burt, when "Bully Bill" rushes in and stays his hand. In a subsequent investigation Burt finds a will left by Patta's grandfather, in which she is named sole beneficiary of his estate on her eighteenth birthday. Heberton has kept her in ignorance of this situation, and has taken over the estate himself. Burt's father is overjoyed beyond expression when his son comes back, a new man, with the story of the arrest of Heberton and a vivid description of the girl in the woods, who is to join him soon in New York, as his life's partner.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Fred J. Balshofer

On a treasure hunt in the tropics, adventurer Mortimer Gregg discovers beautiful Horse Island, and upon his return to New York, forms a partnership with Christopher Beaumont, allegedly to develop the island's resources. Just before his death, however, Gregg reveals to his assistant manager, David Smith, that the Tropical Products Company was formed for the sole purpose of swindling the stockholders. A highly principled man who believes in the island's potential, David refuses to tamper with the company's financial reports, which so angers Beaumont that he visits Horse Island to deliver David an ultimatum. When the young man learns that he is about to be fired for his persistent honesty, he refuses to allow Beaumont and his daughter Christabel to leave the island. Caught in a tropical storm one afternoon, David and Christabel take refuge in a cave, where they fall in love and, incidentally, uncover a store of pirates' gold. After the Beaumonts have departed for New York, David invests the treasure in Tropical Products stock under Christabel's name, whereupon old Beaumont, finally beaten, agrees to run the company honestly as the partner of his future son-in-law.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.