Hand-Picked Alternatives for Fans of Roulette: Cult Guide

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Stanner E.V. Taylor

A visual fragment from the archive: The thematic resonance of The Seed of the Fathers perfectly mirrors the editorial trajectory of our deep dive.

A woman realizes that her son is following the same path of corruption pursued by her father, a Civil War traitor, and her husband, an embezzler.

Dir: Stanner E.V. Taylor

Susan, a young girl, the support of her old uncle, earns her living in Madame Millet's fashionable shop. She almost loses her position through her rebuff of the advances of Madame's son, but the arrival of a rich customer renders he services as model necessary. The customer, Mrs. Luckett, a parvenu, struggling desperately to get into society, is struck by Susan's beauty and ladylike bearing, and when a Countess, whom she intended to use as an entering wedge into society, fails to appear, she prevails upon Susan to assume the role of Countess for a night. Susan is a great success and society goes mad over the titled lady. Mrs. Luckett is delighted and insists that Susan continue to play the role. At first Susan refuses, but Mrs. Luckett's pleas and the sudden death of her uncle cause her to change her mind, and she decided to go through with the part. As the Countess, Susan wins the heart of Clavering Gordon, a wealthy and attractive young bachelor. Mrs. Luckett had hoped to "land" Gordon as husband for her daughter, Ninon, and she resents Susan's rivalry. She tells Susan that the disappointment of losing Gordon is killing Ninon, and urges her to go away. Though now deeply in love with Gordon, Susan decides to sacrifice her own feelings to save Ninon. She is about to leave when La Salle, Mrs. Luckett's scheming social secretary, tells her that Ninon is a confirmed drug fiend, and would only ruin Gordon's life. He persuades Susan that she owes it to Gordon to marry him, and save him from Ninon and at last Susan is won over by his arguments. Just before the marriage ceremony, the scheming secretary reveals his true motives. He demands a large sum of money from Susan on penalty that, if she refuses, he will reveal to the assembled wedding guests that she is not a Countess, but a poor working girl and an impostor. Susan is dismayed. Determining that she will go no further with the deception, and scorning the secretary, she rushes into the midst of the wedding party and confesses all. Before the astonished Gordon or any of the other guests can stop her, she disappears. Seeking to forget he sorrow and unhappiness, Susan becomes a nurse and by her sweet unselfishness, wins the love of all whom she meets. After Susan disappeared, Gordon searched in vain, and finally despairing over the results and giving up all hopes of ever finding her, her marries Ninon, in the hope of reforming her. His hopes are vain, for with the years Ninon has grown continually worse, until she has become a shattered wreck. Susan is called upon to nurse her, and though town with conflicting emotions, when she learns that Ninon is the wife of Gordon, the man she loves, Susan tries desperately to save the drug-crazed woman. After a fierce struggle, the maddened Ninon succeeds in blinding Susan with a pair of scissors and then flings herself from the window to her death in the court below. Gordon meets the blinded Susan, and after a brief courtship, the two are married. In their great love they are rendered doubly happy by indications that Susan's sight is about to be restored.

Dir: Stanner E.V. Taylor

A visual fragment from the archive: The thematic resonance of The Rise of Susan perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Stanner E.V. Taylor

A prologue shows United States Food Administrator Herbert Hoover in his office and gives excerpts from Mr. Hoover's speeches. The story begins in the country as young farmer Robert Merritt is unable to make a profit because of the low prices offered by the food trust. At the suggestion of his wife Marion, he organizes a society of farmers to fight the trust, but finally sells out to the trust's representative, David Higgins. Disgusted, Marion leaves him and journeys to the city where she undertakes a fight against John Black, the head of the trust and an old suitor. Marion is successful in introducing a bill in the state senate that would make all food distribution centers state controlled, but political boss Bill Garvin inserts a clause that would defeat the bill. Black, experiencing a change of heart, joins forces with Robert to prevent a vote on the false bill, substituting the original one in its stead. Her duty done, Marion is reconciled with Robert.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Dead Secret perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of Public Be Damned perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Stanner E.V. Taylor

A fascinating piece of cinema that shares thematic elements.