The Auteur's Selection Complementing the Tone of Secrets of the Fre...

Dir: Joseph Henabery

When respectable Lloyd Norwood becomes infatuated with moll Goldie Lewis, he falls into a life of debasement that results in his being accused of the murder of gangland henchman Joe the Swell. Norwood's wife Mary, convinced of her husband's innocence, determines to clear his name. Disguising herself as a vamp and infiltrating the underworld, Mary extracts a confession from the real murderer, Pussyfoot Connor, whom she dupes into believing that he sees the ghost of the murdered man. Later, to have witnesses to the story, Mary takes a midnight dinner with gang leader Jack Frost, arousing the jealousy of Connor, who enters and accuses Frost of instigating the murder. The police, alerted to the scheme, rush in and arrest the criminals. Finally, a phone call to the prison warden results in Norwood's release as a wiser man.

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

A visual fragment from the archive: The thematic resonance of A Manhattan Knight perfectly mirrors the editorial trajectory of our deep dive.

Dir: Raoul Walsh

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Paul Powell

Laura, a blind girl, has been cared for since infancy by Mike, Whitey, and Sal, three crooks who have kept her ignorant of her true surroundings. After an operation restores her sight, Laura is disillusioned and embittered by the sordidness of her environment. She falls under the evil influence of the gang's leader, Dennis Sullivan, who teaches her the art of safecracking. Just as Laura is about to perform her first job, her three benefactors are released from jail because of insufficient evidence and rush to the scene of the robbery to prevent Laura's corruption. The owner of the safe gives the four a ranch in reward for thwarting the robbery, and they all start a new life in the West.

A visual fragment from the archive: The thematic resonance of From Now On perfectly mirrors the editorial trajectory of our deep dive.

Dir: Jack Conway

Lucy Hegan, the proprietor of a settlement house for the poor, is engaged to Hugh Gordon, the head of a large pharmaceutical and chemical firm who, unknown to Lucy, is also the ringleader of a powerful drug and white slave operation in the Chinese quarter. While conducting an investigation into illicit drug traffic for his paper, newspaper reporter Allan Martin meets Lucy and falls in love with her. In the course of her work, Lucy has befriended reformed crook Monk Mullen and his mother, and when Monk learns that she is to marry Gordon, the ex-crook provides Allan with proof of Gordon's underworld drug trafficking. Armed with his information, Allan leads a raid on Gordon's headquarters, and in the ensuing battle, the drug king is killed by his henchman, Ling Choo Fang, thus freeing Lucy to marry her young reporter.

Dir: Charles Raymond

A magician helps outwit a Chinaman's gang.

A visual fragment from the archive: The thematic resonance of Eyes of the Heart perfectly mirrors the editorial trajectory of our deep dive.

Dir: George D. Baker

A prison inmate obtains his release from prison in order to rescue his daughter from the clutches of her unscrupulous mother's plot to implicate the girl in a blackmail scheme.

Dir: Charles Brabin

Three short stories with the same cast in each: "Out of the Night," in which a woman is saved from a bigamous dilemma by a burglar; "The Great White Way," in which a couple of con men pull their con on the wrong man; and "A Tragedy of the East Side," in which a man who cannot speak or move is the only witness to his son's murder.

A visual fragment from the archive: The thematic resonance of The Money Changers perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry Southwell

A fascinating piece of cinema that shares thematic elements.

Dir: Jack Conway

A young soldier returns from the war to find his western homeland despoiled by conflict between the wheat farmers and a crooked lawyer.