Rare Cinematic Gems Exploring the Legacy of Ship of Souls: Cult Guide

Dir: Charles Miller

A homely young girl, lonely and unhappy because she alone of all the girls in her town does not have a soldier sweetheart, pretends to be the fiancée of a famous combat aviator. When the flyer's mother learns of the "engagement," she accepts the girl as her future daughter-in-law, just in time for complications to arise in the form of the truth.

Dir: Charles Miller

A visual fragment from the archive: The thematic resonance of Plain Jane perfectly mirrors the editorial trajectory of our deep dive.

John Adams is working his way through college. Jane is the little slavey in his boarding house. John at first has no idea of falling in love with Jane, but she is completely gone on him from the beginning. In fact, he has his eyes on Ethelda Rathbone, a young college girl. There came a time when John wanted to attend a ball at which Ethelda was to be present, but he hadn't a dress suit. Jane chanced to become aware of this, and with her scanty savings rented him one. Of course she couldn't tell him she did that, but she pretends that it was left there by a former boarder. So he goes to the ball. But boys will be boys, and his classmates rip the coat up his back, and he is compelled to come home without having seen Ethelda at all. Jane takes the suit back to the dealer, unaware that it is ruined. When the dealer discovers it, he demands payment. There follows a scene in the street in which she is humiliated. It was then that old Frederick Verstner, the town photographer and a man of considerable means, came to the crowd. Hearing her pitiful story, he made good the amount to the dealer. Shortly after this, Jane went to Verstner's to have her picture taken that she might give it to John. A newspaper in New York was offering a prize for the most beautiful photograph of a college girl, and Verstner's was crowded with girls from the school. Verstner took a picture of Jane, and, by loosening out her tresses and placing something filmy about her shoulders, he made her look beautiful. Through a course of circumstances, and without Jane's knowledge, this photograph is sent along with the others to the paper. And it wins the prize. Jane is, of course, as much surprised as the rest. And so is John. Verstner adopts the girl, educates her and makes her the most popular girl in the place. And then comes a great awakening for John.

Dir: Charles Miller

Sylvia Maynard is a stenographer for a theatrical producer and tries to prove to her boss, that she can act by posing as a society woman at a lavish house party. Don Meredith, the struggling playwright who wrote the work in which Sylvia wishes to star, also masquerades as a famous writer at the party in order to prove that the central thesis of his play is valid: that one can pose in any role in high society and get away with it. Sylvia, introduced as the widow of Captain Milton Brown, falls in love with Don, but her joy turns to panic when her supposedly dead husband suddenly appears. The amused captain allows Sylvia to continue her impersonation for a time but advises her to leave the party. Don, heartbroken, also leaves, but after several adventures in which he helps Sylvia retrieve papers stolen during the party by a German spy, the two lovers are reunited in their true identities, and the play debuts successfully.

Dir: Charles Miller

A visual fragment from the archive: The thematic resonance of The Fair Pretender perfectly mirrors the editorial trajectory of our deep dive.

Jerry Ross, the daughter of an East Side homemaker, decides to sell newspapers to earn money. She disguises herself as a boy, goes to one of the busiest street corners in the city, and soon captures the bulk of the business.

Dir: Charles Miller

Widow Catherine Winship treasures the memory of her late husband so greatly that she has given up her life to the adoration of his memory, spending her days strewing flowers on his grave. Catherine's idealism is rudely shattered, however, when she discovers a package of love letters in a secret drawer in Winship's desk. Deciding to throw aside her widow's weeds, Catherine's next hurdle is to choose a spouse from the many male admirers who are pursuing her. Among her suitors are the sentimental bore Archibald Herndon and Morley Morgan, a determined young man. After many misadventures, Morley finally beats out Herndon and marries Catherine in an impromptu ceremony at a hunting lodge.

Dir: Charles Miller

A visual fragment from the archive: The thematic resonance of The Little Brother perfectly mirrors the editorial trajectory of our deep dive.

When a distant Irish relative dies, a young American travels to Ireland to obtain his inheritance. He gets far more than he bargained for when a beautiful Irish colleen catches his eye.

Dir: Charles Miller

Jim Morrison, an English army officer who comes from a very old and prominent family, marries the ravishingly beautiful but unscrupulous Cleo, who has no qualms about using her sexual allure to get the luxuries she wants but that her husband can't provide. When Jim is sent off to war, Cleo embarks on a series of affairs, one of which results in her becoming the love slave of a German spy--the very spy that her husband has been assigned to track down.

Dir: Charles Miller

A visual fragment from the archive: The thematic resonance of Wild Winship's Widow perfectly mirrors the editorial trajectory of our deep dive.

Young Polly-Ann works in a small town inn as a maidservant. A troupe of actors comes to town and the innocent girl falls in love with one of its members. Howard Straightlane is sent to the small town by his father, to work as a schoolteacher in hopes of smartening up the young man from his wild ways. Howard soon meets Polly-Ann and saves her from the unscrupulous actor, meanwhile Howard's father has discovered Polly-Ann is his niece and sends for her. Another niece, greedily tries to force Polly to give her, all of her share of the family fortune. Upon hearing this the father insists that Polly return and since she and Howard have fallen in love, his son is now forgiven.

Dir: Charles Miller

Young Samson Oakley III is the only son of Samson Oakley II, the distinguished head of a prominent Wall Street firm. When he is expelled from college--although for an offense he didn't commit--his angry father puts him on a small allowance and basically exiles him. However, when he marries a chorus girl, his father disinherits him altogether. Desperately trying to make some money, the young man discovers he has an innate talent as a safecracker. His newfound skill is put to the test, though, when he discovers that several of his father's crooked colleagues are plotting to take over his father's firm by spreading false rumors about his death and stealing some valuable securities.

Dir: Charles Miller

Just before mountain girl Barbara "Bawbs" Colby's aunt dies, she reveals that Bawbs' deceased father had left her $5000, but to watch out for men because they would only be interested in her for her money. Her aunt's warning is tested when Bawbs falls for a new arrival in the mountains named Ralph Gunther, who says he is an author who's there for the peace and quiet he needs to write.