
Sylvia Maynard is a stenographer for a theatrical producer and tries to prove to her boss, that she can act by posing as a society woman at a lavish house party. Don Meredith, the struggling playwright who wrote the work in which Sylvia wishes to star, also masquerades as a famous writer at the party in order to prove that the central thesis of his play is valid: that one can pose in any role in high society and get away with it.
Florence Bolles
United States

Stepping back into the hallowed halls of early cinema, one often encounters films that, despite their age, resonate with an astonishing contemporary relevance. The Fair Pretender, a 1918 offering, is precisely such a gem. It’s a narrative woven with threads of ambition, deception, and the eternal quest fo...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles Miller

Charles Miller
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" Stepping back into the hallowed halls of early cinema, one often encounters films that, despite their age, resonate with an astonishing contemporary relevance. The Fair Pretender, a 1918 offering, is precisely such a gem. It’s a narrative woven with threads of ambition, deception, and the eternal quest for self-realization, all set against a backdrop of societal artifice. Directed with a nimble touch and penned by Florence Bolles, this film masterfully navigates the intricate dance..."


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