Must-Watch List in the Vein of Simon, the Jester: Cult Guide

Dir: Edward José

Frank Clamart, abandoned illegitimate son of a wealthy merchant, flees to Paris and joins a gang of "society crooks" led by Chu-Chu and Leontine Petrovsky, his sometime-lover. To prove his prowess to the gang and to Leontine, with whom he has fallen in love, Frank attempts to rob the house of a well-to-do family but is shot by the owner. As Leontine escapes unharmed, Frank is inspected by the owner's wife, who, recognizing a birthmark on Frank's wrist, identifies him as her husband's missing half-brother. Nursed back to health by his sister-in-law, Frank agrees to renounce his life of crime, but when a jealous Chu-Chu breaks into the house and steals the family jewels, Frank is suspected. To exonerate himself, Frank tricks Chu-Chu and retrieves the gems. Determined to have revenge, Chu-Chu tries once more to rob the house and, when caught by Frank, shoots him in the shoulder. Frank pursues Chu-Chu in a taxicab, forces him over a cliff, then leaves with his new love, the cab driver, who fires a shot that kills Chu-Chu.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of Fedora perfectly mirrors the editorial trajectory of our deep dive.

Fedora, a beautiful and elegant woman of Russian society, travels to Paris in search of her fiance's murderer.

Dir: Edward José

In the French town of Savenay live Arlette and her grandfather Chaupin, the proprietor of the inn. Richard Vale, an impoverished young American artist, comes to Savenay to sketch and lodges at the inn where he meets Arlette and induces her to pose for him. During this period, Arlette falls deeply in love with Richard, who is on the brink of starvation. When wealthy libertine and art connoisseur Prince Boissard arrives in Savenay and lusts after Arlette, he proposes to help Richard in return for the girl's consent to become his mistress. Arlette agrees, and Boissard, feigning an interest in Richard's work, sends the young artist to Italy to continue his education. A year passes and Richard returns, now a celebrated artist. Boissard then demands payment of Arlette, who reluctantly agrees to honor her debt. Before she can be dishonored, however, Boissard's servant Sarthe, who is devoted to Arlette, stabs his master, thus freeing the girl to marry her artist.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of Her Silent Sacrifice perfectly mirrors the editorial trajectory of our deep dive.

Brilliant young architect Gaston De Nerac returns to London from France to marry his cousin Joanna Rushworth. To prevent Joanna's father from losing his business, Gaston borrows money from a rival suitor with the stipulation that he postpone the marriage and refrain from communication with Joanna for two years. After the suitor convinces Joanna that Gaston bartered her love for money, she marries the suitor. When Gaston learns of this, he begins a reckless, cynical life as a traveling musician known as Paragot. In the London slums, he makes the acquaintance of Asticot, a ragamuffin. They wander through France and Paragot adopts Blanquette, an itinerant singer, after her aged partner dies. Years later, when the happy threesome perform at a peasant wedding, Paragot encounters Joanna, who has learned the truth. After Joanna's husband is killed in the street, she and Paragot plan to marry, but because he is unable to adjust to societal conventions, Paragot marries Blanquette instead.

Dir: Edward José

After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house, to care for his young daughter.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of The Beloved Vagabond perfectly mirrors the editorial trajectory of our deep dive.

In the blossom time in spring, in the sunny southland, Anabel Lee returned home from the young ladies' finishing academy. Warner Richmond, the favorite of society and beloved by all the maids for miles around, received notice to come to his grandfather's home to stay with him during his last days. Warner did so and on his arrival was warned by his grandfather to forego the society of the fair sex, but Warner one day passed by where Anabel sat reading and to her he was her prince charming. Forced to marry Anabel, Warner insisted on keeping the marriage a secret on account of his grandfather's wishes. Just after the grandfather died, leaving Warner a large fortune, he became enamored with an opera singer of fame. Destroying all records of his marriage to Anabel, he then married the opera singer, but love in this case lasted until she secured all his money. Soon believing her husband dead. Anabel married the sweetheart of her childhood days. No cloud darkened the sky of their happiness until Warner came wandering in his drunken travels to the old countryside again. Attended in his delirium by Anabel's doctor husband, he gives out the story of his life. The doctor returns to find Anabel gone with her child. He follows. Warner in his delirium overturns a lamp and the house burns to the ground with all evidence to clear Anabel's name. But love finds the way.

Dir: Edward José

The elderly Italian sculptor Donata di Marchesi has his beautiful daughter Diana pose for his last masterpiece, "The Island Goddess." When Donata's profligate nephew Count Gabrielle realizes the sculpture's value, he courts Diana and she falls in love with him. Prince Marko visits to view the statue and he falls in love with Diana. Because he earlier had discovered that Gabrielle forged his name on checks, when Marko learns that Gabrielle and Diana are about to elope, he agrees not to denounce Gabrielle and to tear up the checks if he leaves. After Diana's father dies, she marries Marko. Later, in Rome, Gabrielle comes to extort money from Marko. Diana overhears them and learns about their deal. Thinking that Marko only wanted the statue, she breaks it and returns to the island. Marko and Gabrielle follow and fight on a cliff, then, after Gabrielle knifes Marko, Marko pushes him to his death. Marko lies critically ill for days with his brain affected, until Diana, enwrapped in silk, poses as the statue. Marko revives and embraces her.

Dir: Edward José

A visual fragment from the archive: The thematic resonance of Woman and Wife perfectly mirrors the editorial trajectory of our deep dive.

When two love-sick young people run off to be married, and aren't caught, they usually get married. It was different with Grace Vernon and Hugh Ridgway, though. Worn out by the social affairs given in honor of their approaching marriage, they elope in the wee small hours of a certain summer morning, and being mistaken for housebreakers by the gardener and other members of the household, are pursued. A couple of cops as added starters make the chase even more interesting, and they don't breathe easily until, a couple of hours after climbing a rope ladder up the side of an ocean liner, they come out from their hiding place and find themselves at sea. Not nearly so much "at sea" then, however, as later, when Hugh finds that Grace is much smitten with Henry Veath, an old-time friend of his. Hugh cares nothing about the fact that Lady Tenny, another passenger, seems to care more for his society than for anyone else. Comes a typhoon, the ship is dashed on the rocks, and in the ensuing darkness and panic Hugh makes a brave attempt to save one who clings closely to him, one he thinks to be Grace. Then blackness, and with returning consciousness and the light, the realization that he is cast away on a strange tropical isle, the isle of Nedra, with Lady Tenny. Add to this that they are found and worshiped as two gods by the savage natives of the isle; that their enforced wedding is interrupted by the landing of a U.S. ship; that Hugh goes home only to find Grace married to Veath; that he finds that he doesn't care a particle; that he rushes back to Lady Tenny, and you have just a bare conception of this romantic love story.

Dir: Edward José

After many years, Dick Hedlar, a staff artist, stationed in the Soudan, returns to England to find his pictures have made him famous. He has always cherished memories of his childhood sweetheart, Maizie, and at an exhibition of his pictures he meets her again and the old romance is revived. She, still struggling to make a name for herself in the world of Art, refuses his offer of marriage, fearing that her acceptance would mean a hindrance to their careers. Dick tries to comfort himself with his painting. Bessie, a model, comes into his life and makes love to him. In the meanwhile love overcomes Maizie's decision and in a sudden resolve she goes to Dick's studio to tell him that she will marry him. She finds Dick repulsing the advances of Bessie and mistakes the situation as being Dick's overtures to the demi-monde. She leaves in disgust and refuses to hear his explanations the next day. An accident affects his eyesight, and gradually going blind, he completes his master picture. His bosom friend, Torpenhow, brings some of his friends to Dick's studio to admire the picture, only to find that Bessie has ruined the masterpiece. They keep the fact from the now totally blind Dick, and he as a last gift to Maizie sends the picture to her unknowing what has happened to it. Torpenhow, horrified at what has happened, goes to see Maizie, and she learns of the injustice she has done Dick. She and Torpenhow make haste to Dick's studio only to find him gone. Cursed with the blindness and with a deep ache in his heart, Dick has heard the call of the East. They follow the trail of the "mad Englishman," as he is called, for many hundreds of miles and reach him just as a horde of Dervishes are about to make an attack, in the skirmish both Maizie and Dick are wounded and die in each other's arms. In Dick's clenched hand Torpenhow finds the verse of their childhood dreams, cherished through all the years.

Dir: Edward José

An orphan in Africa unwittingly marries an abusive man, falls in love with and gets pregnant by an amnesiac, runs away and becomes a novelist.