
Learning he has six months to live, the wealthy Simon De Gex decides to tell no one of his impending death and to spend his fortune madly. He breaks off his engagement to Eleanor Faversham, then is approached in a park by a dwarf and enlisted in a plot to kill the deserting husband of the beautiful Lola, a cat trainer at the London Hippodrome.

William J. Locke, George B. Seitz
United States

p,li{line-height:1.7;margin:0 0 1rem 0} a{color:#0E7490;text-decoration:none;border-bottom:1px dotted #0E7490} a:hover{color:#EAB308;border-color:#EAB308} blockquote{border-left:4px solid #C2410C;padding-left:1rem;margin:1.5rem 0;font-style:italic;color:#EAB308} em{color:#EAB308} William J. Locke’s fin-de...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edward José

Edward José
Community
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" p,li{line-height:1.7;margin:0 0 1rem 0} a{color:#0E7490;text-decoration:none;border-bottom:1px dotted #0E7490} a:hover{color:#EAB308;border-color:#EAB308} blockquote{border-left:4px solid #C2410C;padding-left:1rem;margin:1.5rem 0;font-style:italic;color:#EAB308} em{color:#EAB308} William J. Locke’s fin-de-siècle novella always read like a fever dream soaked in absinthe; George B. Seitz transmutes that hallucination into celluloid moonshine, tinting each reel with bruised violets, b..."

