Editor's Top Picks Following the Footsteps of Sins of Ambition: Cul...

Dir: Ivan Abramson

After becoming a Supreme Court justice, Peter Graham is visited by Olive Martin, a singer from New Orleans, Louisiana, with whom he had an affair in his youth. Although Peter has been sending money to maintain Olive's silence and to support their son, she now sees an opportunity to join high society, and demands that Peter divorce his wife to marry her. Meanwhile, in Boston, Massachusetts, Olive's son, Harold, becomes engaged to Peter's daughter, Anita, but the young lovers are soon devastated by the news that they were both sired by the same man. Olive's dissolute brother-in-law, Thomas Donald, finds Peter on the brink of suicide and reveals that he is Harold's father. Thomas goes on to explain that Olive adopted the boy as a means to blackmail Peter. Harold and Anita marry, while Peter confesses to his wife and Olive leaves town.

Dir: Ivan Abramson

Claire, a young Southern girl, marries wealthy plantation owner Paul but has always dreamed of moving to and living in New York City. She falls for Paul's New York lawyer Douglas, and when he goes back to "The Big Apple", she fibs to her husband that she had been having an affair with Douglas and wants a divorce. However, when she travels to New York to be with him, she finds that he's already married and is running for District Attorney. Complications ensue.

A visual fragment from the archive: The thematic resonance of The City of Illusion perfectly mirrors the editorial trajectory of our deep dive.

Dir: Ivan Abramson

A fascinating piece of cinema that shares thematic elements.

Dir: Ivan Abramson

Retired banker Daniel Morgan lives with his wife Paula and their daughter June, who is married to experimental scientist John Lansing. June gives birth to a daughter while Paula is on her deathbed; Paula's last wish is that her granddaughter be named for her and that Daniel present her $50,000 necklace to the girl on her wedding day. Morgan promises to carry out her wish. She dies. For five years, Morgan finds consolation in faithful devotion to the welfare of his daughter and her family. One day he takes them to Atlantic City for a rest. There, induced by June, Morgan visits Maxine, a clairvoyant, who predicts tor him a second marriage to a young woman "who will make his life an earthly paradise." Morgan succumbs to the clairvoyant's wiles, and the next day June finds her father in Maxine's company. Meanwhile, June's husband meets with an accident in New York and June returns to him; Morgan stays in Atlantic City, stating that he has an important "business engagement"--and marries Maxine. Two days later, he brings his wife home. June gives her a cool reception, and as time passes the women become bitter enemies. Later, Maxine persuades Morgan to give her the necklace bequeathed to June's daughter; when June sees it around Maxine's neck, her anger knows no bounds. Maddened with fury, June tears the jewel from the charlatan's throat. Morgan, entering the scene, heeds his wife's reproaches, and in frenzied rage orders June and her husband and daughter from his home. When the governess 30 years in Morgan's service rebukes him for his heartless conduct and warns him that "he is living in a fool's paradise," she too is ordered from the house. June, now living in a cheap boardinghouse with her family in poverty, is about to have another baby. Terrified at the thought of further responsibilities and the bitter recollection that the venom of Maxine's malice has transformed her kind father into a brute who forced this misery on her. June conceives a desperate plan to avoid the consequences of motherhood, but fortunately, her intentions are defeated in time by her husband. John now decides to see Morgan and tell him the facts. Morgan informed by John of their poverty and June's desperate notion, resolves to come to their aid, but, here too Maxine comes forward unexpectedly, orders John from the house, and tells Morgan "she doesn't want his pauper relatives around." One evening, Rufus Stone, Maxine's lawyer and friend takes her to a performance of "Faust." Morgan remains at home. In their absences, he compares "Faust's" with his own life. He sees himself as "Faust" giving the jewels to Maxine, as Marguerite; while Rufus, as Mephisto, laughs mockingly at his folly. Morgan, now awakened, realizes that the old governess was right when she accused him of living in "a fool's paradise." Late that night, Morgan finds Maxine in the arms of Rufus. His infatuation turns to hatred, he tells Rufus, "You love my wife? Take her." He tears the necklace from Maxine's neck and orders the pair from his home. He restores his daughter and family to his home. Maxine now proposes marriage to Rufus, but he tells her she is too late. A week later, while the family is celebrating their reunion, Maxine appears like an ugly shadow from the past. It is her last attempt to regain the old man's affections. He again starts to weaken before her poisonous charm, but his little grandchild rushes to his aid and with her magic power she overpowers the vampire's pretense. Morgan gives Maxine a liberal allowance and freedom and commands her to leave, and she goes forth into the night.

A visual fragment from the archive: The thematic resonance of Her Husband's Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Ivan Abramson

Wealthy Richard Covington, although aging and lonely, distresses his children, Waverly and Beatrice, by marrying a heartless seductress named Fay Hope. Because Fay's extravagant spending threatens to ruin Richard, Beatrice confronts her, which prompts Richard, who is hopelessly in love with the beautiful vampire, to order his daughter from the house. Fay introduces her lover, "Lucky" Travers, into the Covington household as her brother, but Waverly catches them in each other's arms and, in a fit of insanity, shoots at Lucky. The bullet strikes and kills Fay, and Waverly is locked in an asylum, leaving Richard broken, penniless and completely alone. In New York, he finds work carrying sandwich boards that advertise a cabaret, where he sees Beatrice warmly conversing with Lucky. Beatrice consoles her distraught father by admitting that she now works for the Secret Service. After securing Lucky's arrest, Beatrice returns to her fiance, Rodman Daniels, who has arranged Waverly's release from the asylum, and the entire family is reunited.

Dir: Ivan Abramson

Elga Pulaski and her brother Ossip live in Warsaw. They belong to a secret society whose goal is to liberate Poland and Russia from the Romanoffs. Elga is loved by Baron Jan Slozek. But Slozek is a spy who has Ossip and other members of the society arrested. When Slozek is slain, Ossip is the key suspect. He escapes to America with his sister. There, Elga meets Norman Hutchinson, and marries him without telling him her past. When Hutchinson learns the truth, he leaves Elga. Eventually, when Elga appeals to him, he sees the light.

A visual fragment from the archive: The thematic resonance of A Fool's Paradise perfectly mirrors the editorial trajectory of our deep dive.

Dir: Ivan Abramson

In order to provide for her widowed mother, Louise Mordyke, Ethel marries Arthur Woodridge, a wealthy philanthropist who is considerably older than she. Although she respects her husband, Ethel resumes an affair with Howard Rosedale, the husband of her cousin Helen. Helen hires a detective, who discovers the lovers at a roadhouse. Rushing from the inn, Ethel is caught in a thunderstorm, after which she contracts pneumonia and dies, repentant but unconfessed. Arthur grieves so deeply that Louise and Helen fear for his sanity, and when Louise learns that he is contemplating suicide, she reveals the truth about Ethel's infidelity. Arthur, incredulous, denounces her. Following Howard's sudden death, however, Helen confirms the story. Louise and Arthur marry, and Helen weds an old friend.

Dir: Ivan Abramson

Rhoda Cortlandt, daughter of Theodore Cortlandt, a millionaire who is interested in charity, is beloved by Webster, son of Madeline Stuyvesant, a philanthropist who is Cortlandt's competitor. Burton Woodrow, employed by Cortlandt in order to send his consumptive mother to Colorado, steals $250 from his employer. He is detected and sent to prison for a year. Clarice Lee, a thief, is beloved by Chicago Jim, a gang leader. Mrs. Stuyvesant and Rhoda are visiting a poor family residing in the apartment adjacent to Clarice's. Chicago Jim discovers Clarice in the arms of Pugsy, a member of his gang, and beats her. Her cries reach Rhoda and Mrs. Stuyvesant, who go to her rescue. Jim escapes. Clarice, to work upon the sympathies of Mrs. Stuyvesant, declares that Jim beat her because she would not steal for him. Mrs. Stuyvesant takes Clarice to her home. Cortlandt, believing that Mrs. Stuyvesant has procured a million dollar contract through bribery, calls her a trickster in Webster's presence; he defends his mother. A quarrel ensues. Cortlandt orders Webster from his home. Clarice while in the home becomes infatuated with Webster, who ignores her. Hearing of his love for Rhoda, she persuades Pugsy, her admirer, to lure Rhoda to his room for the purpose of degrading her. Pugsy entices and attempts to assault her there. Rhoda, defending herself, is severely wounded and suffers great loss of blood. At the hospital to which she is taken the doctors declare that only a transfusion of blood will save her life. Webster, hearing of Rhoda's condition, offers his blood. The offer is refused by the stubborn and angry Cortlandt, who orders the doctors to advertise and offer $500 for the necessary blood. Burton, released from prison, unable to secure employment, reads the advertisement and applies at the hospital, where after a rest he is accepted and a quantity of his blood is transfused to Rhoda's veins. Before his discharge from the hospital Burton learns that the recipient of his blood is the daughter of the man who sent him to prison. Cortlandt and the Stuyvesants become reconciled. Burton in the presence of Rhoda offers to return to Cortlandt the money he stole. Rhoda prevents her father from accepting it, and insists that he re-employ Burton. Cortlandt grants Rhoda's wish. Mrs. Stuyvesant gives a reception in celebration of Rhoda's recovery, during which the engagement of Webster and Rhoda is announced. Rhoda is horrified by constantly recurring visions of Burton. Wherever she goes Burton appears before her, whatever she does recalls him to her mind. His vision constantly calls to her. She struggles against the thought, but realizes that with the blood given her by Burton has come love. Unable to restrain the call of his blood she surrenders herself to it and telephones asking him to visit her. He does so, and she confesses her love for him. Burton tells her that he loved her long before he was sent to prison, but that his past is a shadow that will darken her future. Rhoda pleads with Burton and declares that his shadow will fade in the warmth of her love. That evening Webster finds Rhoda in Burton's arms, and is horrified. Rhoda returns the engagement ring to Webster, telling him, "Condemn me if you will, Burton gave me blood, and with it came love." Webster, realizing the power of true love, sacrifices his own love for Rhoda's sake and takes back the returned engagement ring. Cortlandt enters the scene, learns the truth. He is shocked and in great excitement denounces and orders Burton from his house. Webster tells Cortlandt that his stubbornness of not permitting him to give his blood caused it all. He pleads and moves Cortlandt to consent to the marriage of his daughter to the man he sent to prison.

A visual fragment from the archive: The thematic resonance of Moral Suicide perfectly mirrors the editorial trajectory of our deep dive.

Dir: Ivan Abramson

Ada Forbes loves Eugene Cory, but she marries Stapleton, a political boss who promises Ada's father a Senate seat in return for his daughter. After several years of an unhappy marriage, Ada leaves Stapleton and returns to Cory, now married to Alice Wood, to be his mistress. Alice finds out about the affair and confronts Ada, who promises never to see Eugene again. Then, Ada learns that her mother is dying. The double shock of losing Eugene and her mother brings on a breakdown, and Ada is put under a doctor's care. Her round-the-clock nurse falls asleep, however, and a half-insane Ada wanders away, falls into a river and drowns.

Dir: Ivan Abramson

A story of the difference in fate of two young girls caused by the difference in their home lives and training. This shows vividly the criminal folly of allowing a girl to reach womanhood without knowledge of certain facts essential to her welfare and happiness. A worse-than-foolish mother keeps her daughter in ignorance. In her efforts to avoid the consequences which follow, she places the girl in the hands of an unscrupulous doctor with whom she is in partnership.