Visionary Picks In Alignment with the style of Sneakers: Cult Guide

Dir: Al Christie

A fascinating piece of cinema that shares thematic elements.

Dir: Al Christie

A visual fragment from the archive: The thematic resonance of Somebody's Baby perfectly mirrors the editorial trajectory of our deep dive.

A young widow accidentally leaves her baby on the back seat of Billy's car, causing trouble between Billy and his jealous fiancée.

Dir: Al Christie

A fascinating piece of cinema that shares thematic elements.

Dir: Al Christie

A visual fragment from the archive: The thematic resonance of A Flirt There Was perfectly mirrors the editorial trajectory of our deep dive.

Bobby had been instrumental in having Dorothy Invited to a weekend party that he might propose to her in ideal surroundings. There were other chaps in the competition, however, and Dorothy was a bit coy when Bobby tried to monopolize her society. In fact, she seemed more than willing to have the other fellows do the monopolizing. Sympathetic girl friends of Bobby told him that the slogan of the tanks, "Treat 'Em Rough," was the proper rule in love making - and so Bobby tried it. He kidnapped Dorothy in a motor, drove her to the mountains and forced her by wielding the "cave man's club" to don tiger skins as dress and submit to his commands. That Dorothy liked the idea was evident when the entire weekend delegation followed them forthwith to the mountain cave, bringing along a minister to tie the knot.

Dir: Al Christie

Bobby, a clerk, is sent on a hurry trip by his boss to deliver a $5,000 check to Mr. Brown. Bobby meets a girl while on the train. At the junction they miss another train, wait three hours, arrive at the home of Brown - and then the plot deepens when another plot in the making makes it appear that the girl is Brown's wife.

Dir: Al Christie

A visual fragment from the archive: The thematic resonance of Some Cave Man perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Al Christie

A fascinating piece of cinema that shares thematic elements.

Dir: Al Christie

A visual fragment from the archive: The thematic resonance of Three Hours Late perfectly mirrors the editorial trajectory of our deep dive.

Ann is one tough cowgirl. After she beats up Hank, her parents send her East to college, hoping she'll come back a lady.

Dir: Al Christie

A fascinating piece of cinema that shares thematic elements.

Dir: Al Christie

Edith and Neal have just been divorced and the judge ordered Neal to pay $300 a week alimony. Neal tried to slip out of the country on the first alimony day, but was caught in an airplane chase. Then next alimony day he got what he thought was a brilliant idea. He left his clothes on the beach and pretended to have killed himself. So Edith took possession of the house and the judge started courting her. Then Neal was informed by his lawyer that he was legally dead and his wife automatically inherited everything and in order to get his money back he would have to marry her again. So Neal disguised himself with whiskers and had a couple of thugs accost Edith so he could play the hero with her. But in the sham fight one of the thugs apologized to Edith for hitting her husband so hard and spilled the beans generally. So Edith took him in the house and nursed him back to health and he proposed. After telling him how like her poor, dear, dead husband he was, she consented, and he had to wear a suit of her supposed dead husband's to get married in. The "guests" were all detectives, the minister himself being a detective. Just as Edith was about to say "I do," she said "I don't " instead and disclosed Neal's identity. The lawyer arrived just then and said in reading over the old will he found a clause saying that quarrels in the family would have to be patched up or the money would go to charity. So they were married all over again - by the judge of the divorce court. Motion Picture News, November 1, 1919