The Recommended Vault Deeply Connected to So sind die Männer: Cult ...

Dir: Georg Jacoby

A fascinating piece of cinema that shares thematic elements.

Dir: Georg Jacoby

A visual fragment from the archive: The thematic resonance of In the Lion's Den perfectly mirrors the editorial trajectory of our deep dive.

Theodore Reibeth, a medical student, is introduced to Mlle. Aut Nissen in a moving picture studio where she is taking one of the leading roles. He is attracted to her by her unusual beauty and charm. Circumstances later make it possible for him to see her frequently at her home, and he falls in love with her. Mlle. Nissen is very fond of animals and has in her apartments a private collection of lions which she shows to him. Reibeth's graduation is at hand when he receives a letter from his brother telling him that through unfortunate investments their fortune has been lost. In this predicament Mlle. Nissen comes to his aid and lends him enough money to finish his studies, which he accepts and graduates with high honors. Later at a reception Reibeth sees Mlle. Nissen flirting with another man. He protests very strongly and the controversy causes a rupture which separates them. Years pass and he almost forgets the celebrated actress. His wedding announcement in one of the papers, however, comes to the attention of Mlle. Nissen who asks him to call. He does so and the old love returns. His faith in his former love is still so great that he allows himself to be blindfolded by her and led into one of the lower portions of the house. When he tears the blindfold from his eyes he discovers he is in the den of lions. With death in a terrible form almost upon him he manages to escape. Mlle. Nissen seeing him free makes her own life a penance for the tragic deed she had planned.

Dir: Georg Jacoby

A woman of the Latin Quarter, who has had numerous love affairs, flees from the wild life of Paris to bury her past in self-exile in South America.

Dir: Georg Jacoby

A visual fragment from the archive: The thematic resonance of The Last Payment perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of Unsühnbar perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Georg Jacoby

In Corsica, Marianna Paoli's brother is killed by an Englishman whose identity is unknown to her. She swears vengeance and tracks the killer to Monte Carlo. There she falls in love with a handsome young officer, only to discover that he is the murderer she has sworn to punish.