Underground Favorites Parallel to the Artistry of Spurs and Saddles...

Dir: Clifford Smith

Driven to desperation by the cattle rustlers who have nearly ruined him, ranch owner Jim Carson appeals to the Texas Rangers for help, and soon afterward he hires a cowpuncher named Bob Gordon. The handsome young rider quickly develops an attachment to Jim's pretty daughter Jean, which incurs the enmity of ranch foreman Dave Merrill, who is also in love with the girl. Shortly after Bob's arrival, he catches Dave branding a calf and hints to Jean and her father that the foreman may be one of the cattle rustlers. To save himself, Dave tries to cast suspicion on Bob, but the plan backfires. Cornered, Dave abducts Jean into the hills, but Bob, who is actually a Texas Ranger, locates the hideout, kicks in the door and kills the outlaw.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Fly God perfectly mirrors the editorial trajectory of our deep dive.

Bob Allers, an unfortunate consumptive, and his wife are traveling to Arizona for medicinal purposes. On the way, a highwayman robs them of horse and money. Destitute, they are befriended by William "Red" Saunders, whose sympathy and innate love for his fellow man lands Allers a job in the local saloon. Soon after, when the same highwayman attempts to rob the saloon, Allers kills him with a hammer thrown in self-defense, unaware that the outlaw is the brother of the sheriff. Convicted for murder by the vengeful sheriff, Allers is defended by "Red." The corrupt jury makes its final decision based on whether a crawling fly reaches the top of a window pane. Allers is acquitted, then reunited with his happy wife and newborn child, and they all leave together.

Dir: Clifford Smith

After Bob Baldwin is fired for playing too many jokes on the tenderfoot owner of the Diamond K Ranch, he sets out for the nearby town of Freloe Beanos and meets Percival Longstreet on the way. Percival has been seriously injured in an accident and is therefore unable to assume his duties as the town's new schoolmaster. Distressed, Percival confesses that he and his sister Dolly, who is en route to the town, are doomed to starve, which so moves Bob that he agrees to serve as the schoolmaster during Percival's convalescence. Although the uneducated cowboy suffers great discomfort in the classroom, he pleases the town authorities and charms Dolly, who soon falls in love with her supposed brother. Actor Otheloe Actwell becomes jealous of Dolly's affections for Bob, and upon discovering that the cowboy is an impostor, he has Bob fired. Soon afterwards, Bob prevents Actwell from robbing the box office, whereupon the townspeople elect him the new sheriff.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Pretender perfectly mirrors the editorial trajectory of our deep dive.

Unhappy with William "Red" Saunders, the foreman of the Chanta Seechee Ranch in Oklahoma, its Eastern owners send a Boston tenderfoot named Albert Jones to manage the ranch with "Eastern business methods." Red prevents the angry cowboys from quitting, but they insist on making Jones the butt of their jokes and tricks. Upon learning that Jones's niece, Loys Andres, is planning a visit, the boys plan a rowdy reception for the woman, whom they expect will be an old maid. Loys's beauty, however, surprises them all, and Red's bunk-mate, Kyle Lambert, falls in love with her, and he soon proposes. When Jones tries to break up the romance, Red arranges for an elopement, but as the lovers reach the ford, a rustler called "Squint-Eye" Lucas fires at them, slightly wounding Kyle. Loys returns to the ranch for help, Red shoots Lucas, and Kyle is rescued, after which Loys and Kyle marry. Beaten, Jones gives the couple his blessing.

Dir: Clifford Smith

"One Shot" Ross, who has brought law and order to the town of Painted Gulch, decides to hang up his six-shooters when he sees the daughter of one of his victims sobbing over her dead father's body. While traveling East, Ross's stagecoach is held up and Ross, knocked unconscious, is taken to a nearby cabin owned by the Sheridans. After Mr. Sheridan is killed when he inadvertently stumbles upon Jim Butler and his gang dividing up the spoils from the stage robbery, Ross takes pity on Nan, the old man's daughter, and decides to bring the outlaws to justice. Feigning feeble-mindedness, Ross obtains a job on Butler's ranch and uncovers evidence which proves that Butler is the leader of the outlaws. Heading the posse, Ross captures Butler's gang and then rides off to the Sheridan cabin where, in a shootout, he rescues Nan from Butler.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Red-Haired Cupid perfectly mirrors the editorial trajectory of our deep dive.

Old-fashioned rancher Joe Warner is suspicious of the modern methods employed by his new neighbor, George Merritt, but when Joe's villainous foreman, Pete Wright, suggests that George is a thief, Joe's dislike turns to hostility. Furious over pretty Ruth Warner's love for George, the jealous Pete joins forces with a bandit named José Mardones to run cattle off of Joe's ranch while blaming George for the thefts. Finally, Pete and José stage a major raid on Joe's ranch, and Joe's cowboys, imagining that they are fighting George's men, are losing the battle until George arrives to help drive off the real bandits. During the shootout, Pete kidnaps Ruth, but George pursues them and rescues her. Joe then happily accepts George as a son-in-law and as his new partner.

Dir: Clifford Smith

After a serious argument with his father, Calumet Marston drifts around the west for several years. He returns to his home, the Lazy Y Ranch, after his parents are killed by a pair of vicious brothers, Tom and Neal Taggart. Before his death Marston's father had appointed pretty young Betty Clayton as ranch manager, and now the Taggart brothers are determined to take over the ranch, no matter who they have to kill to get it.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of One Shot Ross perfectly mirrors the editorial trajectory of our deep dive.

A ranch owner hires a young woman as foreman over a rambunctious group of cowboys.

Dir: Clifford Smith

"Cactus" Bob Crandall wakes up to find his cattle and his ranch foreman gone, he journeys across the Mexican border to investigate. There he discovers that an American girl, Helen Ware, and her father are being held prisoner by Mendoza, leader of a group of bandits. Cactus and his friend Carter rescue Helen and her father and ride back to the Crandall ranch with the bandits in close pursuit. While the cowboys and bandits are fighting, Mendoza enters the house and carries Helen off, but Cactus overtakes them and kills Mendoza. Soon after, the foreman and missing cattle, who had been delayed on the road by a stampede, arrive.

Dir: Clifford Smith

Bosom friends Jeff Flagg and Jim Lee launch a cattle-raising business, but their prospects are so seriously threatened by Ed Crane and his nearby copper mining operations that Jim moves to another town. Crane tries to assault Jeff's sweetheart, Helen Dryer, and in the attempt is shot and killed by her brother Vic. Jeff, accused of the murder, leaves town closely pursued by Sheriff Sol Durkee, who hopes to identify Jeff by the scar on his left arm. In a faraway town, Jeff meets up with his old friend Jim, who, in a poker game brawl, shoots the scar away from Jeff's arm. The two return home, and when Vic finally confesses that he killed Crane to preserve his sister's honor, Jeff is exonerated. Jeff and Jim discover rich copper deposits on their ranch, and Jeff, now a wealthy man, proposes to Helen.