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Archivist John
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The cinematic DNA of Sunny Jane (1917) is truly one of a kind, the search for similar titles reveals the deep impact of Sherwood MacDonald's direction. Our cinematic experts have identified several titles that reflect the spirit of 1917.
As a pivotal work in United States cinema, Sunny Jane to capture the existential zeitgeist of 1917.
Jane Dwight possesses an overactive imagination and spins romantic tales in which she is the heroine. When oil is discovered on her father's farm, young millionaire James Thornton comes to purchase the land, is attracted to the tomboyish Jane, and offers to send the girl to boarding school. A year later, Jane returns home from school posing as a grand dame, hoping to please Thornton. But Jane's airs have the reverse effect because Thornton is disappointed in the change that has come over the tomboy he once knew. Consequently, Jane dons her calico dress and hides in Thornton's car. Upon discovering his tomboy once again, Thornton orders his chauffeur to drive to the nearest justice of the peace.
The influence of Sherwood MacDonald in Sunny Jane can be felt in the way modern cult films handle cult status. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique cult status of Sunny Jane, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Sherwood MacDonald
The Red Circle is a birthmark, on the hand of the heroine, noticeable only in times of stress and excitement, which forces her to steal, leading to no end of complications and intrigue.
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Dir: Sherwood MacDonald
Little Nan Griffing whiles away the hours on her parents' farm with Simple Simon Magee, an adult with the mind of a child. While rummaging through the attic one day, Nan discovers a costume that was worn by her mother Ethel when she was on the stage and begs to be taught to dance. Ethel complies, but the lessons are soon interrupted by several horrified members of the local church society. Next, Nan, accompanied by Simple Simon, visits her grandmother Anna and Aunt Grace in the city. Hidden in the orchard, Simon frightens the servants, who mistake him for a ghost. Nan becomes infatuated with Grace's fiancé, Morgan Thornton, and proposes, but when she steals away to his house intending to elope, Morgan summons her aunt and grandmother. Nan demands that he choose between her and Grace, and when he picks the latter, she decides to forsake city life and return to her parents.
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Dir: Sherwood MacDonald
Country girl Claire Marley goes to the city to pursue a life of excitement, while her twin sister Ida remains home to care for their aging parents. Immersing herself in life with the fast set, Claire becomes the mistress of wealthy bachelor Roy Vangrift who promises to marry her. After Roy tires of Claire and casts her off, she leaves him to earn a respectable living, but failing at this, returns home. Shortly afterward, Roy goes fishing and makes his camp near the Marley home where he meets Claire's sister Ida with whom he falls in love. Discovering that Roy plans to elope with her sister, Claire - with the aid of the minister - takes Ida's place and the two are married. She then reveals her true identity and Roy, realizing that he really loves his bride, forgives Claire.
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Dir: Sherwood MacDonald
A rich man's son is forced to find a job, and he finds one at a night club after getting his predecessor sacked. He makes mistakes and causes accidents. When a valuable garter is lost by the star of the floor show, he scams customers with some fakes, leading to a chase that spills out onto the streets.
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Dir: Sherwood MacDonald
Rich young playboy Gregory Kirkland reads a newspaper story about a daring robbery, and bets his friends that he can steal a famous diamond tiara, The Sultana, from its designer and then secretly return it without being caught. Robert Sautrelle, who designed the tiara, visits Kirkland's home, and Gregory does indeed steal it. However, he gets cold feet before he returns it and convinces a woman he knows, Virginia Lowndes, to return it. Unfortunately, things don't work out exactly as Gregory had planned.
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Dir: Sherwood MacDonald
Little Dot Jarvis is tolerated, but not loved, by her ambitious parents, who send her to boarding school so they can move into a fashionable apartment building that does not allow children. At school, Dot is treated so cruelly that she runs away, but a kind farmer takes her to the police station and she is returned to her parents. When Dot's father becomes involved in a scheme to smuggle arms into Mexico, Dot's photograph prevents newspaper owner Robert Chase from exposing him. Repentant, Dot's parents finally give her the love she had so sorely missed.
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Dir: Sherwood MacDonald
Joyce Tolliver, whose nickname is Muggsy, plays baseball, fights and swears with boys, and is severely punished by her elders. When she grows up, she is disguised as a boy, and sent to live with a wealthy old uncle, Leslie Bolton, who hates women. Her ruse works perfectly until she falls in love. When Bolton e discovers that his supposed nephew is really his niece, he orders her out, but after he realizes that he cannot get along without her, he sends for her to return.
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Dir: Sherwood MacDonald
Little Sallie O'Brien, who sells newspapers on the city streets, is adopted by Bridget Cassidy, the landlady, when her mother dies. Mrs. Cassidy treats the child cruelly, but soon the wealthy James Wilson befriends Sallie and takes her into his home. Sallie is befriended by Wilson's son Richard, but his daughter Marjorie dislikes the impish little girl. Although Frederick Mason is in love with Marjorie, she refuses to marry him because she finds him too lacking in boldness and chivalry to suit her romantic temperament. Having overheard Frederick's proposal, Sallie induces Bridget's son Patrick to visit the house in the guise of "the Duke of Galway." Marjorie becomes infatuated with the "duke" and promises to marry him, but Mrs. Cassidy appears and exposes her prodigal son. Richard saves Sallie from a whipping, while Marjorie finally accepts Frederick.
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Dir: Sherwood MacDonald
Betty, the pretty daughter of Jonathan Brownlee, a retired capitalist, is impulsive and mischievous, delighting in pranks that keep her father and the servants of the household in perpetual apprehension. Brownlee's stock phrase is "Betty Be Good," constant, though rather futile, appeal on his part to the high-spirited girl, who tells her friends she is weary of being lectured on her tomboy achievements. Peter Madison, mayor of the city, is at enmity with Millionaire Brownlee over political matters. He has a son, Jimmy Madison, who is masquerading as a uniformed policeman in order to detect grafters on the force. Brownlee secures what he believes to be evidence of political crookedness on the part of the mayor. The documents are lost when Betty, in one of her escapades, drives off with the car in which her father has left them. Jimmy arrests Betty for stealing the car and papers, being unaware of her identity. Betty and Jimmy fall in love, and the denouement does not come until Millionaire Brownlee's suspicions against Mayor Madison are proved unfounded and the two men shake hands. Jimmy reveals himself to Betty in his true character and the drama ends happily.
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Dir: Sherwood MacDonald
Alice, a little newsgirl known as "Sticks", spends her time fighting for her territory against a lot of tough kids. When Sticks witnesses an attack upon her favorite customer, the wealthy young James Morgan, she tries to defend him and, as a result, they are both knocked unconscious by the thugs and thrown on a baggage car. Awakening in a small town, they decide to stay. Morgan finds a job with the railroad and they take up house in a small cottage until Morgan's father and his sweetheart Ruth Borden discover his hiding place. Overhearing their conversation, Sticks thinks that Morgan is staying just for her and so she leaves him and later is adopted by a wealthy man. Morgan loses all sight of his little pal until years later when he chances to visit her adoptive father's house on business and finds her. Discovering that their strong attachment has endured through the years, the two decide to marry.
View DetailsAnalysis relative to Sunny Jane
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Red Circle | Gothic | Layered | 94% Match |
| Little Miss Grown-Up | Ethereal | Dense | 85% Match |
| The Checkmate | Surreal | High | 97% Match |
| Moonlight Nights | Tense | Abstract | 95% Match |
| The Sultana | Gothic | Abstract | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Sherwood MacDonald's archive. Last updated: 5/13/2026.
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