
Little Nan Griffing whiles away the hours on her parents' farm with Simple Simon Magee, an adult with the mind of a child. While rummaging through the attic one day, Nan discovers a costume that was worn by her mother Ethel when she was on the stage and begs to be taught to dance.
United States

In the pantheon of silent-era cinema, few tropes are as fascinatingly ambiguous as the 'child-woman'—a figure of liminality who oscillates between the innocence of the nursery and the sophisticated posturing of the salon. Little Miss Grown-Up (1918) serves as a quintessential, if somewhat forgotten, exploration...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Sherwood MacDonald

Sherwood MacDonald
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" In the pantheon of silent-era cinema, few tropes are as fascinatingly ambiguous as the 'child-woman'—a figure of liminality who oscillates between the innocence of the nursery and the sophisticated posturing of the salon. Little Miss Grown-Up (1918) serves as a quintessential, if somewhat forgotten, exploration of this psychological territory. Starring the effervescent Gloria Joy, the film operates as a dual-natured narrative: part bucolic idyll, part urban cautionary tale. It challenges..."


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