Editor's Top Picks Following the Footsteps of Symphony in Black: A ...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Land of Opportunity perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Unknown Director

The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

A visual fragment from the archive: The thematic resonance of New Ralgia perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bud Fisher

Mutt and Jeff go on strike and make their own film.

Dir: Lasse Ring

Mr and Mrs Stockholm visit the Paul U. Bergström (PUB) department store to buy a new wardrobe for a journey. They visit different departments, where the future Greta Garbo (Gustafson at the time) is one the models showing outfits for Mrs Stockholm.

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Victor Heerman

The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.