The Cult Collection Inspired by the Vision of The Big Game Hunter: ...

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Malcolm St. Clair

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

A dancing instructor gets involved with a newly rich family.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of The Land of Opportunity perfectly mirrors the editorial trajectory of our deep dive.

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Homer Comes Home perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Robert P. Kerr

A couple of auto enthusiasts advertise their desire to own a car in the newspaper. A lawyer of dubious standing persuades them to purchase his vehicle. He then orders his henchman to lie underneath their car and sustain not too serious injuries when the nuts drive over him. The lawyer convincingly disguises himself as a police officer with a mustache, but the husband uncovers the plot by ripping off the hair piece. The lawyer kidnaps the wife, but after a car chase, the husband rescues her.

Dir: Vernon Stallings

A visual fragment from the archive: The thematic resonance of Down the Mississippi perfectly mirrors the editorial trajectory of our deep dive.

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.