Cinematic Discoveries Resonating with the Themes of The Big Killing: Cult Guide

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: F. Richard Jones

A visual fragment from the archive: The thematic resonance of Trying to Get Along perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: F. Richard Jones

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

The comic difficulties encountered by the proprietor of a small hotel when he tries to run a "speakeasy" in the cellar.

Dir: F. Richard Jones

This short was a promo piece for Mack Sennett's Yankee Doodle in Berlin (1919), with many of the same characters in addition to the Mack Sennett Bathing Beauties.

Dir: F. Richard Jones

A visual fragment from the archive: The thematic resonance of The Speakeasy perfectly mirrors the editorial trajectory of our deep dive.

There is a rivalry for the fair Louise's hand, rivalry that becomes riotous when she inherits a fortune.

Dir: F. Richard Jones

Charles Murray gets caught by his wife flirting with a dancer.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of Why Beaches Are Popular perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: F. Richard Jones

Charlie, as the proprietor of a delicatessen, finds it impossible to resist the attractions of a pretty little manicurist next door and equally impossible to carry on his flirtation without getting into trouble with his wife.

Dir: F. Richard Jones

A fascinating piece of cinema that shares thematic elements.