Essential Cult Cinema Mirroring the Impact of The Big Parade: Cult ...

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: King Vidor

A visual fragment from the archive: The thematic resonance of Poor Relations perfectly mirrors the editorial trajectory of our deep dive.

Dorothy Perkins, the eldest daughter of a simple, wholesome country family, leaves for the big city to study architecture. After winning a competition, she is a success, and meets Monty Rhodes, the son of aristocratic parents. Despite his parents' objections, Monty and Dorothy marry, but Mrs. Rhodes continually humiliates Dorothy for her lack of breeding. When she finally succeeds in driving the heartbroken Dorothy back to her own family, Monty realizes his mistake, and follows her to the country, where he finds happiness with his wife and their poor relations.

Dir: King Vidor

Paul Perry, the son of Perryville's wealthiest citizen, marries Reverend Matthew Barker's younger daughter Evelyn, while her sister June, who disputes her father's sermons preaching that it is God's will that sends affliction, hides her own love for Paul. When Evelyn dies in childbirth, Paul nearly goes insane. His questions to Reverend Barker about God's role in Evelyn's death shake Barker's faith. Barker's new sermons, focusing on God's love, arouse his wealthy congregation to dismiss him. Meanwhile, Paul searches for God's truth but becomes a derelict in Chicago. June takes Paul's child Bob to Chicago, but returns after being fired for refusing her employer's advances. Paul's father Hamilton, who denies wage increases at his iron works, is about to be shot by his employees, when Bob, now six, visits with his six puppies. His lovable nature subdues the workers, and Hamilton, also softened, complies with their requests. After Paul returns and learns that Bob, whose philosophy of love has touched him, is his own son, his happiness returns.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Turn in the Road perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: King Vidor

Donald Trent, the son of an iron-works owner, loses his belief in class distinction and recognizes his debt to others while fighting in the trenches. At home he tells his father, who abhors sentiment in business, that he wants to start at the bottom and becomes a mill hand, working near his Army buddy Colonel Jimmy, a machinist. While Donald and his sweetheart Katherine Boone are helping Jimmy care for his sick girlfriend Jennie Jones, known as "The Jazz Kid," Donald learns that his father has died and that he must take over the business. Donald's attitude soon changes, and when Jimmy, now foreman, demands repairs be made to protect lives, Donald refuses. When a wall collapses on Jimmy and he goes temporarily blind, the men strike. Katherine refuses to marry Donald, and works for an uplifting newspaper popular among the poor. After an article by Katherine changes Donald, he orders reforms and they marry. Jimmy's sight returns and he marries Jennie.