Summary
In the opulent yet suffocating confines of Perryville, the scion of industrial wealth, Paul Perry, enters a seemingly idyllic union with Evelyn, the younger daughter of the town's Reverend Matthew Barker. This marital bliss, however, casts a shadow over Evelyn's sister, June, whose nascent affection for Paul remains unspoken, further complicated by her quiet defiance of her father's severe theological pronouncements on affliction as divine will. The fragile tapestry of their lives unravels catastrophically when Evelyn succumbs during childbirth, plunging Paul into a maelstrom of grief that borders on madness. His anguished interrogations regarding God's hand in his wife's demise shatter Reverend Barker's own doctrinal certainties, prompting a profound spiritual re-evaluation that reorients his sermons toward a gospel of divine love. This radical shift, however, alienates his affluent congregation, culminating in his dismissal. Simultaneously, Paul embarks on a desolate odyssey through Chicago's urban labyrinth, seeking existential answers, only to descend into a state of destitution. June, ever the silent protector, retrieves Paul's infant son, Bob, bringing him to Chicago, but circumstances force her return after an unwelcome advance from her employer. Back in Perryville, Paul's autocratic father, Hamilton, faces a violent uprising from his exploited ironworks employees over denied wage increases. Miraculously, the six-year-old Bob, arriving with a litter of puppies, disarms the enraged workers with his innocent charm and philosophy of love, softening even the obdurate Hamilton into conceding their demands. Paul's eventual return coincides with this transformative moment, and recognizing his own son in the boy whose pure spirit has wrought such profound change, he finds his shattered world miraculously reassembled, culminating in a poignant rediscovery of happiness.
Synopsis
Paul Perry, the son of Perryville's wealthiest citizen, marries Reverend Matthew Barker's younger daughter Evelyn, while her sister June, who disputes her father's sermons preaching that it is God's will that sends affliction, hides her own love for Paul. When Evelyn dies in childbirth, Paul nearly goes insane. His questions to Reverend Barker about God's role in Evelyn's death shake Barker's faith. Barker's new sermons, focusing on God's love, arouse his wealthy congregation to dismiss him. Meanwhile, Paul searches for God's truth but becomes a derelict in Chicago. June takes Paul's child Bob to Chicago, but returns after being fired for refusing her employer's advances. Paul's father Hamilton, who denies wage increases at his iron works, is about to be shot by his employees, when Bob, now six, visits with his six puppies. His lovable nature subdues the workers, and Hamilton, also softened, complies with their requests. After Paul returns and learns that Bob, whose philosophy of love has touched him, is his own son, his happiness returns.
Review Excerpt
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Ah, the silent era! A canvas of raw human emotion, painted with broad strokes and subtle gestures, where the absence of spoken dialogue only amplifies the power of visual storytelling. And then there's King Vidor, a director whose career spanned decades, evolving with the medium yet always retaining a distinctive voice. To delve into his early work, such as the 1919 drama 'The Turn in the Road', is to witness the nascent stirrings of a master grappling with profound themes that would ech..."
