The Auteur's Selection In the Shadow of The Charming Deceiver: Cult...

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George L. Sargent

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: George L. Sargent

A visual fragment from the archive: The thematic resonance of Faro Nell, Lookout perfectly mirrors the editorial trajectory of our deep dive.

William H. Langdon has been elected senator from Mississippi, and reaches the national capital with the experience in big politics that might be expected of a man who has lived his life on a plantation forty miles from a railroad. With him are his two fair daughters, Carolina and Hope. He has scarcely reached his hotel when he hires "Bud" Haines, a newspaper man, as his secretary. Charles Norton, representative from Mississippi, James Stevens, senior Senator, and Horatio Peabody, senator from Pennsylvania, are interested in a scheme to have a naval station located at Altacola, Miss., and they need the assistance of the new senator. They have purchased all the land in the neighborhood and plan to dispose of it to the government at their own price after the bill is put through. In order to insure his support Norton induces Langdon's son to invest $30,000 in Altacola and also puts in the fortune left the Senator's daughter by her mother. He is the girl's accepted suitor, by the way. Haines, in the meantime, has been a thorn in the side of the crooks, but by reporting to each that the other has played false and invested money in the land project, they bring about an estrangement between him and Langdon, which is set right by Hope Langdon telling Haines, with whom she is in love, of the plot. Langdon and Haines find they have been duped and the man from Mississippi decides to balk the thieves, even if it ruins his family. The story comes to a right ending by Langdon stepping into the Senate to make his maiden speech, denouncing the intended fraud, and declaring that he and the conspirators bought up the land to save the national treasury from being looted after having discovered a conspiracy in another quarter to commit the holdup. Before this important event he has compelled the two rascally senators to come to his way of thinking through fear of exposure. Congressman Norton is sent on his way in disgrace. Haines, again secretary, is engaged to wed Hope.

Dir: George L. Sargent

John Slocum has always been a worthy young man. When a boy of twelve his Uncle Henry introduced him to little Bess De Voe, telling them that when they grew up they should marry. John's uncle sends him to the New York manager of a publishing house with instructions to "give him a job at what he is worth, and keep him on until he makes good." John thanks him, but stipulates that he does not intend to marry Bess. As the story opens, John is living in a New York boarding house. There is a waitress and general slavey there, called Little Mary, with whom John is in love. He tells her the "sad" story of his life, makes himself out good for nothing, and then proposes to her. They agree to start a joint bank account and save up to get married. For months they pinch and save. As time goes on Uncle Henry pays a visit to the city. John insists that his uncle shall take lunch with him. John takes Uncle Henry to his room, and the "old boy" is amazed to find that John has pictures of motion picture actresses plastered all over his walls, and that his own favorite and ward, Bess, is the bright particular star of the exhibit. John, however, is unaware of the real identity of the actress, and is still in love with Mary. After lunch Mary is introduced, but the uncle only frowns and carries John away to Bess. Uncle Henry declares that they must marry or he is through with them. Mary finds two tickets for a Belgian Relief Fund raffle, and with John she goes down to see what the ticket has won. To their great surprise he wins a sable overcoat. John puts it on. It feels fine, but he declares they will pawn it next day. John swells up in the coat. Everybody laughs at the contrast between it and his suit and shoes. Finally he gets a suit and shoes to match the coat in elegance, taking the money out of the "hope chest." By this time the joint bank account of John and Mary has ebbed away until the original balance of $381.20 has shrunk to $103.06. At this dark moment John overhears his boss and a friend discussing stocks and predicting that American Airoplanes stock will jump a mile before night, and that a hundred dollars will make a young fortune. John takes the cue and buys American Airoplanes. He watches the market closely, pyramiding his stock, and while Uncle Henry is demanding of Bess that she marry John instantly John is piling up a fortune. The broker hands him his check. Bundles and packages commence to arrive for him at the boarding house. Mary surveys the pile in dismay as she wonders where the joint account has gone. When John comes, Mary tells him to go marry Bess with all her fine clothes. John hands her a fat roll of bills, and tells her to go and buy clothes. John leaves the boarding house and Mary becomes despondent. She determines to dress up and win him back. John has gone to visit Bess in obedience to a request from her. He meets Bess at the tavern, and she takes a large amount of money from him. Mary, finely dressed, appears at the tavern. Crow, the boss of the publishing house, sees her and likes her appearance. It so happens that Bess has prevailed upon John to take her to the Tavern also, and they occupy a booth near to the one in which Crow is trying to ply Mary with wine. Crow contrives to let Mary see John and Bess in their booth. Crow drags Mary away, but John has seen her and dashes after. He locates Crow and Mary in a booth to which Crow has forcibly taken her, and John casts Crow violently aside and embraces Mary. Crow recovers sufficiently to beg Mary's pardon, while Bess departs. Late as is the hour, John finds a minister and marries Mary.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.