Underground Favorites Mirroring the Impact of The Cricket on the He...

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Lorimer Johnston

Mary Archer, a manicurist in a big city, becomes infatuated with Western rancher Devil McCare. He also falls for her, to the dismay of the wealthy society girls who try to tempt him. Mary, won over by Devil's description of life on the range, follows him to Sour Lake, where she becomes the manicurist in the hotel and the idol of Sour Lake, outshining Devil's ward Vera. After some adventures, including a fight between Devil and Parson Brown over Mary, Devil and Mary find happiness together.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of Devil McCare perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of An Amateur Devil perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Lorimer Johnston

The Countess of Northstone, wife of the Prime Minister of a great power, gives a lawn party at her country home. Among her guests is an ambassador whose government is suspected of plotting a war against the country to which he is accredited. The prime Minister asks his wife to obtain as much information as she can from the ambassador, who is in love with her. She plays with him and, as he is fully convinced that he has conquered her, his secretary brings him a note. Lady Sibil plays with him pretending the note is from a woman. To vindicate himself he shows her the letter: "Meet me at the Carlton Club tonight. Important information," the note is signed, von Hatzfeldt. The Countess knows this man as the leader of a party called "The Brotherhood," which was formed for anarchistic purposes. Leaving the Ambassador she at once seeks Captain Balfour, secretary to the Prime Minister and asks him to play the spy, "In the interests of your country." He goes to the club and obtains positive proof that the Ambassador has been bought with the crime money of the "Brotherhood" represented by Baron von Hatzfeldt. The Foreign Ambassadors are received by the Prime Minister that evening at his official residence. While the reception is in progress a note arrives from the continent: "Declaration of war is imminent unless strategic diplomacy is used. Send special envoy with full power to act at once." Salston, who is the representative on the continent of the Great Power, is in fact its Ambassador. That night at the reception Baron von Hatzfeldt is confronted with the proofs of his treachery and the Countess exposes him to the people and tells what he was ten years before. We see him as a leader of a detachment of soldiers invading a peaceful country and shooting down unarmed and defenseless peasants, and also see him murdering the brother of the countess as he lies asleep in his bed. At the end of the story the wife of the Baron enters, and sorrow for her makes the Prime Minister relax his decision of punishment and he permits them to go with the understanding that they leave the country at once. This they agree to do. Balfour is to be sent as an Envoy Extraordinary to the foreign power and is to use his best efforts to avert the threatened declaration of war. As he is leaving his apartments he is attacked by the Baron and the Ambassador, assisted by their hirelings. They think he has information about him as to the purport of his mission and attempt to rob him. Fortunately his instructions are verbal, so they accomplish nothing. In revenge they place him on a steamer and put to sea. intending to rid themselves of him at the first chance. He is disabled but gradually his reason and his strength return and when attacked by the crew he gives a good account of himself. He is overpowered at last and made to walk the plank into the sea. Thinking Balfour is dead they return to port, but blindfolded and with hands and feet tied, he manages to reach the shore and is revived by some fishermen. He again starts on his mission. A wonderful scene in the palace of the Emperor is shown; the Emperor is surrounded by his chief officers and civilian advisers and announces amid great enthusiasm that war against the world is declared. Fighting his way to the Emperor the Envoy Extraordinary reaches the council room as the Emperor is signing the document. Seizing it he tears it to pieces and in the scene which ensues he convinces the Emperor and his advisers that it is better not to fight. To this they readily agree when shown the reason. Balfour returns to his own country and, as both the Baron and the Ambassador demand "satisfaction," they get it, but in a way that can hardly be called pleasing to them. The Baron is beaten at the game he himself invites. In the duel with the Ambassador, it is very evident that the Ambassador will hardly serve his country again. Balfour receives the thanks of his country and all ends as wars should end, with satisfaction and peace on all sides.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.