Masterpiece Selection that Capture the Essence of The Crime of Dr. ...

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Harry Southwell

A visual fragment from the archive: The thematic resonance of The Kelly Gang perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: George Marshall

When Dad Petzel is swindled out of the Busy Bee mine, his partner, Duke Farley, ventures East to capture the crooks. Meanwhile, Summers, one of the grafters, learns that Farley's other mine, the Worm, has struck gold and determines to take control of it, too. Using Meta Cooper, an innocent girl to whom Farley is attracted, Summers frames the cowboy for the Mann Act, hoping to force him into selling the mine, but Farley thwarts Summer's plan when he marries Meta instead. Undaunted, Summers hires a sea captain to shanghai Farley. At sea, Farley discovers that Petzel and the rest of the cowboys on their ranch had come East looking for him and were shanghaied by the same captain. Together, they take over the ship and return to land in time to save Meta and arrest Summers.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of The Man from Montana perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: George Marshall

Ruth Robin is the daughter of a millionaire, and is attending a seminary for girls at the time the story opens. Her father, Daniel Robin, is a recluse and lives in perpetual fear of death at the hands of a criminal band known as the "Terrible Thirteen." He has been forced Into membership of this band against his will. Daniel Robin is shot from behind by LaFarge, the leader of the "Terrible Thirteen," who is known as the Hound. While on his death bed Mr. Robin has his daughter summoned. He tells her in the presence of his trusted butler, Wayman, that she must recover a Peacock Fan stolen by the band, as it contains a secret affecting her. She must also accept thirteen separate keys as they are handed to her by an unknown hand, and follow the Instructions in each instance. Ruth agrees to these terms, and after her father's death starts out on the first mission. It takes her to the home of the Countess Zitka, where she finds the Peacock Fan. Later, she is forced to invade the headquarters of the "Terrible Thirteen," and still later another key takes her into the heart of Chinatown.