Hidden Genre Gems In Alignment with the style of The Dark Angel: Cu...

Dir: George Fitzmaurice

After old Trowbridge is mysteriously murdered, his nephew, Kane Langdon, is accused of the crime. Trowbridge's adopted daughter Alice makes every effort to prove Kane's innocence, but to no avail. When Kane escapes from the clutches of the law, Alice works with him to investigate the crime. They soon discover that Judge Hoyt, a great friend of Trowbridge and an ardent admirer of Alice, killed Trowbridge after forging the old man's will to read that Alice would only inherit his fortune if she married the judge. The judge, confronted with the accusation, becomes so unnerved that he confesses to the crime, and all ends happily with Alice in Kane's arms.

Dir: George Fitzmaurice

A visual fragment from the archive: The thematic resonance of Who's Who in Society perfectly mirrors the editorial trajectory of our deep dive.

Mrs. O'Brien, newly rich, vainly aspires to social prominence, an ambition in which her common, chess-loving husband does not sympathize. Pretty Mary Ellen, the daughter, and a Japanese butler constitute the household. One day Mrs. O'Brien sends out invitations to a party which the Van Dusens and Van Astorbilts refuse to attend. While she is mourning this loss, an automobile breaks down in front of the house, and a slender young man who introduces himself as Lord Algernon Ste. Clair seeks refuge, while his car awaits the repairman. Mrs. O'Brien, scenting a noble match, promptly invites him to stay for the party. Meanwhile a rough-looking character alights from an automobile, and after a careful inspection of the house, rejoins his friends and disappears. An hour later, immaculately groomed, he enters the club of which O'Brien is a member, and finding the solitary old Irishman playing a lonesome game of chess, offers himself for partner. In this way he obtains an invitation to attend Mary Ellen's party, in due time the guests arrive, consisting of the good-hearted but illiterate Flanagans, their two children and the stranger. There immediately commences a vigorous suit for the hand of pretty Mary Ellen on the part of Lord Algy and the stranger. Mary Ellen shows her preference for the stranger. That night weird things happen. The stranger who has been invited to spend the night, slips into the library in time to see O'Brien much excited over the appearance of a white hand that has deftly poked through the portieres in search of the electric switch. In another instant the stranger throws O'Brien to the floor, and Lord Algy in hand, stands over them. There is a scuffle and the stranger disappears, gun in hand, through the French window. An hour later Lord Algy, in his room, cautiously draws a string of pearls from his pocket, only to turn and face the gun of the stranger, who raises his head from back of Lord Algy's bed. There follows explanations and the stranger shows his badge as a government secret service agent, long in search of the crook known as Lord Algy. O'Brien rejoices and Mary Ellen slips her hand into that of the "stranger's," while Mrs. O'Brien, thoroughly disgusted, hurls a volume of "Who's Who in Society" into the waste basket.

Dir: George Fitzmaurice

Marsh, a draughtsman in the gun factory of John Durant, is swindled by Edward Pinkney, Durant's general manager, out of the huge royalty to be paid should a gun of Marsh's invention prove a success. Pinkney loves Maisie, but is far outrivaled by Lieut. Somers, U.S.N. Somers also has invented a gun which he gives to be cast by the Durant Iron Works, and which, if successful, will do Pinkney out of his expected graft on the Marsh invention. Pinkney takes good care that the Somers gun is "killed" in the making. He then misrepresents Somers to Maisie and her father, and though Maisie loves the Lieutenant, she feels she must give him up. Accompanied by her mother and Pinkney, she goes in the Durant yacht for a cruise in Turkish waters, formally engaging herself to Pinkney. The Durant yacht hits a mine, and in the rush to leave her, Maisie is trapped in the wireless room. With the water surging up about her shoulders, and every means of escape barred she sends out the S.O.S. signal taught her by Lieut. Somers. The lieutenant, aboard a U.S. cruiser, protecting American interests in Turkey, gets the signal, and arrives at the side of the doomed ship just in time to make a sensational rescue. Here follow a mass of complications as the plot gradually resolves itself to its end.

Dir: George Fitzmaurice

A visual fragment from the archive: The thematic resonance of Via Wireless perfectly mirrors the editorial trajectory of our deep dive.

District Attorney Graham starts a crusade against the city's gambling houses. Judson Flagg, a lawyer, owns a notorious joint and knows that nothing can stop Graham once he gets his hand in. He then enters the fight armed with every weapon an unscrupulous man can employ. Through Mrs. Cuyler Hastings, a society woman who owes him a gambling debt, Flagg introduces Joe Hunter, his aide, to Aline Graham, daughter of the District Attorney. Hunter, polished, dashing and handsome, is seemingly devoted to Aline, and manages to marry her secretly. Later, in a raid on Flagg's place, Hunter shoots Graham and runs to Aline with the plea that unless she gives him money he will divulge the whole affair, saying that the marriage was a fake to aid some political enemies of her father. He leaves with her necklace, but she writes to him at Flagg's office begging him not to desert her. The gambler gets the letter and arranges an interview before a cunningly concealed camera, with the hope of getting her in a compromising position. How she is finally rescued and her fair name saved makes a charming ending to this drama.

Dir: George Fitzmaurice

A young Japanese woman named Yuki runs away and becomes a geisha girl in order to escape marriage to the lecherous Baron Nekko. Her brother's American friend, John Bigelow, falls in love with Yuki and marries her, but Ido, the marriage broker, who will lose a large commission if the wedding of Yuki and the baron is canceled, breaks into the American consulate, murders the consul, and steals the marriage certificate. When Yuki's brother arrives home from America, he is informed that she and John are living together unlawfully. To save her husband from her brother's vengeance, Yuki resolves to marry Baron Nekko, but Ido, having been mistreated by the baron, finally admits his guilt and returns the marriage certificate.

Dir: George Fitzmaurice

A visual fragment from the archive: The thematic resonance of At Bay perfectly mirrors the editorial trajectory of our deep dive.

Rozika is a Hungarian girl who can sing quite nice. She goes to the place known as the United States with her brother whose name happens to be Young Carl. Rozika marries a chap named Trevor and a predicament ensued after the Great War comes knocking at the door.

Dir: George Fitzmaurice

"Chick" Hewes, a street urchin of the East Side, and his pal, Benny, following their early teachings, become crook gangsters. The police pursue them during a bold robbery; Benny is caught and Chick takes refuge in Molly Carey's flat above the crooks' quarters. Finally trapped, "Chick" is "sent up" and Molly's promise to wait for him is the one ray of sunshine in his gloomy existence. Given freedom and a chance, Chick happily married to Molly, leads the straight and narrow path. Back to his old tricks, Benny, wounded in a necklace robbery, eludes the police with his loot and makes his way to his former pal's flat. Although realizing the danger to his home, Chick, for the sake of his boyhood pal, conceals Benny in the attic, but without a doctor's care the wound proves fatal. With the help of his old pals, the body is disposed of, but the police suspect and watch Chick's flat constantly. Later, to his surprise, Chick discovers that Molly's brother, a drug victim, had, unobserved, taken the stolen necklace from the wounded Benny. They decide to tell the authorities, but before they have an opportunity, Molly's brother is arrested. Trying to square things, Chick is double crossed by a detective, who tries to arrest him for the robbery, but is prevented by Molly's quick action. While on their way to make a clean breast of everything a police official, disguised as a chauffeur, ensnares and takes them to police headquarters. Faced with the seriousness of the penalty, Chick asks for leniency for Molly, about to become a mother. The chief, having the necklace and realizing what conviction means, is softened by the news that he himself is the father of a baby boy and for the sake of the young couple's happiness, he releases them.

Dir: George Fitzmaurice

A visual fragment from the archive: The thematic resonance of A Japanese Nightingale perfectly mirrors the editorial trajectory of our deep dive.

Peter, a social lion, suffering from ennui, visits a mysterious antique shop conducted by Ratoor, an east Indian, who has. through hypnotism, enslaved Cynthia, a beautiful young girl. Peter notices something wrong in the shop keeper's conduct and decides to investigate. Broadhurst, a millionaire, is in love with Cynthia through whom Ratoor plots to get his millions. Peter makes a nocturnal visit to the shop and discovering Cynthia imprisoned, tries unsuccessfully to liberate her. Ratoor, dominating Cynthia, compels her to accept Broadhurst's proposal and a weeding day is set. After the ceremony, she warns him against Ratoor and begs him to leave for his own safety. Broadhurst refuses, and keeping Ratoor, who has discovered their abode, under surveillance, arrives too late to save Broadhurst. And he, himself, narrowly escapes from being thrown into the river by Ratoor's henchman. Cynthia, falling by a ruse, to outwit her former master, is again in his clutches. Peter, still dubious, visits the shop of Ratoor, who, suspecting that he is watched, decides to make an end of Cynthia, who has transferred her husband's property to him. Concealed, Peter sees Ratoor and his gang disappear with Cynthia in the direction of the cemetery. The scoundrels, frightened by uncanny noises, forsake the half-swooning Cynthia who is rescued by Peter following in the darkness.

Dir: George Fitzmaurice

Steaming across the Atlantic, loaded with passengers of every description, came one of those mammoth ocean liners headed for New York. On board was supposed to be the Hawk, a notorious international thief. Diana Curran, secretary for a wealthy society woman, received a proposal of marriage from Desselway, an unknown on board. She loved him, but the memory of the past interfered. Diana's father labored unsuccessfully to sell his engravings. His work was not in demand, until one day to him came a stranger who, posing as a member of the Treasury Department, gave him a commission to make duplicate plates of government notes. While her father was working on the plates, Wrenshaw, the supposed treasury man, made love to Diana, and they were married, but on the morning of the marriage the secret service raided the rooms of Pinna's father, and in the ensuing fight her father was killed and she believed that she had killed a man herself. Arriving at the country estate, she found that Wrenshaw, whom she had left the day after her marriage, was employed as secretary to her mistress' husband. Also Desselway was invited for the house party. Then things began to happen around a necklace. Wrenshaw's gang were among the servants. Desselway secured the necklace by force. An escaped counterfeiter, one whom Wrenshaw double crossed years back, in the neighborhood. In the chase Wrenshaw was killed by a shot through the window, Desselway's real character was revealed, and Diana saw the man whom she thought she had killed.

Dir: George Fitzmaurice

Possessed of an iron heart and a desire for power, Stephen Martin rules his iron works with a hand of steel. Even his son Tom, who marries against his father's wishes, is forced to leave home. At the death of his brother, who owned an even larger manufacturing plant, Martin inherits his brother's property, and Mrs. Martin, unable to improve socially with her husband, is forced out of the house to make way for adventuress Anne Parnell. When the workers in the plant demand more pay, Martin refuses, and a strike is called. Tom tries to pacify the strikers, but to no avail. During the strike, the plant is burned to the ground, and Martin finds himself financially ruined. His heart then softens, and he returns to his wife and begs forgiveness of his son.