Cinematic Discoveries Resonating with the Themes of The Dazzling Mi...

Dir: Frank Powell

James Wadsworth sets his sights on lovely society girl Anna Dalton and determines to marry her. To achieve that goal, he follows her everywhere she goes, including on a ship to South America. He comes up with a plan to make her love him: he throws her overboard, follows her over the side, and swims with her to a deserted island. His somewhat unorthodox method works and he wins over Anna, but problems arise when Richard Towne, Anna's fiancé who has been searching for her, finds the island and discovers the two.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of The Witch perfectly mirrors the editorial trajectory of our deep dive.

Dr. Fernandez is believed by Mendoza, the military governor of Mexico, to possess hypnotic powers. Mendoza is in love with Dr. Fernandez's daughter Zora. When Zora displays no love for him, Mendoza assumes that the father is responsible for the failure of his suit. So great becomes the hatred between the two that when a faction of insurrectionists arises, the doctor places himself at its head and leads it against the Government. Dr. Fernandez is killed in battle. Meanwhile, the Governor's daughter Dolores suffers from somnambulism. While she is anxious to be cure, she dislikes to inform her father or her lover that she is so afflicted. Finally her old nurse makes the fact known to Zora, who possesses the hypnotic power that was her father's. Dolores submits to treatment at Zora's hands and is cured, Zora unaware that Dolores is engaged to Riques--Zora's sweetheart. When she does learn that the wedding day is set, she goes into a rage and contrives to get into the palace by night and hypnotizes Dolores. Shortly thereafter, Zora is denounced as a witch and carried away by an angry mob to be burned at the stake. Just before the torch is applied, the old nurse makes known to the Governor that his daughter has the habit of sleepwalking and is in a trance from which she cannot be roused. She also informs him that only person who can cure Dolores is Zora. At the last instant, the Governor stays the burning of Zora and promises her freedom if she will bring Dolores from her lethargic state. Zora, believing that the Governor is acting in good faith, goes to the palace and awakens Dolores. When she is found to be safe, the Governor goes back on his word and commits Zora to prison. She escapes, however, and Riques, who realizes that he loves Zora more than Dolores, runs away with her. The two are captured after a fight, and in the end Zora is put to death.

Dir: Frank Powell

A reception given by the Count to celebrate his daughter Ann's engagement to Baron Moreno is disrupted by the news that a mine in which the whole village has invested is worthless. When the Count, who persuaded the townspeople to invest their savings in the venture, commits suicide, the baron jilts the now-destitute Ann. She marries Slater, an American promoter, and they move to the United States, hoping to earn enough to pay off her father's debts, but the baron follows Ann and forces his attentions on her. This provides Slater's mother, who is insanely jealous of her son's love for his wife, with the opportunity to break up their marriage. Slater orders his wife from the house and the baron offers her sanctuary. Ann's baby's incessant crying for her mother forces Slater to attempt a reconciliation, and when he looks for her, he finds her with the baron. In the ensuing fight, both men are mortally wounded. Ann returns to her child; she finds her mother-in-law repentant, and the three return to France to repay the debt.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of The Debt perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Frank Powell

Princess Fedora Romanoff, a wealthy, beautiful St. Petersburg widow, is betrothed to Vladimir Boroff, a young man of high social position in the Russian capital. On the eve of their wedding, Vladimir is murdered and Princess Fedora, transformed by the tragedy from a gentle, loving woman into a tigress, vows to devote her life to finding and punishing the slayer of her beloved. Her quest takes her to New York City.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of Charity perfectly mirrors the editorial trajectory of our deep dive.

The husband and wife of a typical American family read the story of Albert and Louise, European peasants. Albert, called to war, is able to come home but once during the conflict. The captain of the enemy takes up his headquarters in Albert's house and forces his attention upon Louise. War over, Albert returns home rejoicing in the news of the birth of a son. He is told Louise has never looked at or touched the baby. Demanding an explanation Louise tells of the visit of the captain. Albert would kill the child, but Louise's motherhood asserts itself and she saves its life. The American family rejoice on completing the story that America is at peace.

Dir: Frank Powell

When her lover deserts her, Gioconda Dianti seeks revenge by wrecking the lives of other men. When famous sculptor Lucio Settala meets her and asks her to pose for him, she sets out to ruin him. She captivates the artist with her charms, and he soon forgets his wife Silvia, their daughter Little Beata, and even his work. After Gioconda defies Silvia to take her husband back, Lucio shoots himself in a fit of desperation. Although Silvia nurses him back to health, Lucio soon returns to the enticing Gioconda. When Silvia's subsequent quarrel with Gioconda becomes a fight, Gioconda attempts to destroy Lucio's statue, but it falls on Silvia and is saved. Silvia, however, is crippled for life. Because of this, Lucio's sanity is affected and he becomes a raving maniac. Later, cast aside by her "man of the world," Gioconda also descends into madness.

Dir: Frank Powell

A visual fragment from the archive: The thematic resonance of Princess Romanoff perfectly mirrors the editorial trajectory of our deep dive.

Wealthy Wall Street broker Thomas Maughm finally decides to divorce his spendthrift and reckless wife, and dictates a letter to that affect to his stenographer, Mary Moreland. While dictating the letter, he realizes that he is actually in love with Mary; when he tells her this, she confesses that she loves him, also, The pair make plans to meet in Boston later that night, but before Mary leaves, Maughm's wife confronts her and tells Mary that she still loves her husband. Ashamed, Mary convinces Maughm to go back to his wife. Complications ensue.

Dir: Frank Powell

Blanche Merrill, the handsome wife of a young artist who is seeking his way to fame, is surprised when her husband Bob, seeing her standing before a mirror, insists upon painting her portrait. The painting is exhibited and attracts the attention of Boyd, a theatrical manager and playboy who seeks Blanche out and entices her to leave her husband with promises of a theatrical career. Blanche leads a life of indulgence with Boyd until, feeling the pangs of dissolution, she awakens in her husband's arms to discover that it was all a dream.

Dir: Frank Powell

Driven from Russia by the persecution of the police, who had caused the death of his wife, was Ivan Pavloff, a Nihilist, accompanied by his two infant twin daughters Olga and Nina, en route to America in search of freedom. During the voyage Pavloff becomes acquainted with Mr. and Mrs. Victor Karenin, wealthy Russians returning from a tour of the Continent, and who had lost their only child while abroad. Mrs. Karenin becomes devoted to Pavloff's little daughter, Nina, and offers to help Pavloff when they arrive in America if he is unable to secure work. After becoming located in America, Pavloff finds that he cannot obtain employment, and goes to the Karenins to seek their aid. He consents to their proposition that they adopt Nina as their own child. Twenty years pass. Pavloff, now an American leader of the Nihilists, has won fame as a writer on Nihilism. His daughter, Olga, now educated, assists him in his work. Olga, through a newspaper discovers that her sister, Nina, is soon to marry John Huntington, connected with the State Department at Washington. As time passes Olga's father is induced to return to Russia and assist in the destruction of Savaroff, Chief of Police. The following day Olga and her father take solemn oath to revenge the death of her mother, and in order that they may not be discovered, or in case of arrest, that one or the other may reach Russia, and thus escape to fulfill their oath, they travel over different routes. They meet in Russia at the appointed time and place and become affiliated with the Nihilists. Back in America John Huntington has received an appointment to the diplomatic post in Warsaw. He pleads with Mr. Karenin to permit the marriage of his adopted daughter, Nina, to himself before he departs for Warsaw. Karenin objects, saying that he has arranged for Mrs. Karenin to tour Europe for the sake of her health, and he wishes Nina to accompany her. But upon their return he will consent to their marriage. A few weeks after Mrs. Karenin has sailed, Huntington receives final notice of his appointment and sails for Warsaw. At a meeting of the Nihilists, held at their headquarters in the Lamond Chateau, final arrangements are made for the killing of the chief. One of Savaroff's spies learns of the meeting and notifies him. The soldiers make a raid on the chateau. Pavloff and Olga are captured. Savaroff tries to secure the secrets of the Nihilists by torturing Pavloff with the horrible death rays. Pavloff refuses to reveal the secrets. Savaroff attracted by Olga's beauty agrees to save her father if she will give herself to him for the night. She finally consents and Pavloff is rewarded. Olga goes to Savaroff's home and awaits his arrival. While there she overhears a conversation between Savaroff's secretary and the Assistant Prefect of Police, and learns that her father has died. Savaroff enters, and she asks him what has become of her father. He tells her that he has recovered. During a struggle in which she pretends to appreciate his embrace, she slabs him to death with a knife. Savaroff having previously given instruction to the guards to permit Olga to leave the palace unmolested, she escapes easily. She goes to the Bristol restaurant, the rendezvous of the Nihilists, to meet Gaganov, a comrade. The same evening, John Huntington, having arrived in Warsaw to undertake his duties at the American Consulate, goes forth on pleasure bent, and drops in at the Bristol restaurant for refreshments. He is recognized by Olga as her sister's fiancé. It immediately occurs to her that if she can convince him of her peril he will aid her to escape to America. Huntington sees her, and knowing that Nina is in Europe, mistakes her for his sweetheart and rushes over to greet her. Instantly she conceives of a scheme to get out of the country without trouble, and permits Huntington to believe that she is Nina. Through this misidentification they escape to America. Meanwhile in Paris, Nina and her mother having failed to locate Huntington, decide to return to America before the holidays. In Warsaw the police are making every effort to locate Olga and send detectives, one to Hamburg and one to Paris. Petrovitch, the spy of the Russian police, on arrival in Paris, mistakes Nina for Olga. He determines to follow her to America and avenge the death of his cousin Savaroff. Amazov, the Hamburg detective, having lost the trail, proceeds to America in the hope of doing his duty after locating Olga. As the story ends the real destroyer of Savaroff pays the penalty, while Nina and her sweetheart are reunited in eternal happiness.