Cinematic Discoveries Resonating with the Themes of The Devil's Pay Day: Cult Guide

Dir: William Worthington

A wild man and genius becomes a master painter's disciple, but loses his divine gift when he finds love.

Dir: William Worthington

Yano Masata, a struggling Japanese artist living in a mountainous area in America, refuses to tint counterfeit bonds for wealthy John Furthman. Yano's sister, O Haru San, comes from Japan to look for her husband who deserted her, and finds Yano with aid from a woman in the Japanese mission. When she recognizes Furthman as her husband, Furthman and Yano fight until Furthman's gun goes off, killing O Haru San, and Yano throws Furthman off a cliff. Later, Yano thanks the woman in the mission, they develop a friendship, and he agrees to paint her husband's portrait from a photograph. The husband is Furthman and his wife thinks that his fall was an accident. After Yano paints the portrait, he destroys it in a moment of wrath and confesses the killing to Mrs. Furthman's financial adviser. Later, Yano burns the evidence of Furthman's crimes so that Mrs. Furthman and her son will remain unaware of Furthman's treachery and not be disgraced. The police then arrest Yano.

A visual fragment from the archive: The thematic resonance of The Gray Horizon perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Worthington

Goro Mariyama uses the profits from his ethically run gambling house to help the poor. Gambler Blair Whitcomb accuses Goro of cheating, then shoots him after losing a $10,000 bet. Goro survives a punctured lung only through the efforts of nurse Gloria Manning, Blair's fiancée. When Goro confesses his love for Gloria, he is shocked to hear of her engagement. Following his recovery, Goro discovers that Blair has given him a bad check, and demands that the gambler pay his debt in person. Although Blair complies, Goro has him arrested for attempted murder. Gloria pleads for her fiancé's release, revealing that she can never love Goro because he is of a different race. The disappointed Goro enables Blair's escape as payment to Gloria for saving his life.

Dir: William Worthington

Only a seven-passenger motor and $100, to be spent exclusively for gasoline or repairs, was Arnold Baird's share of his father's property. Light-hearted by nature, Baird made the most of his legacy and started a "jitney bus" line. When James Bennett, general manager of the Consolidated Traction Co., learned Baird had been practically cut off in his father's will, he informed Baird that his daughter would never marry a pauper and to go out and make his fortune. Bennett's decision suited Mrs. Bennett, who was eager to shine in society and planned to gain her ends by marrying Ruth to Wm. Mott-Smith, who controlled the traction company. When Ruth got the chance to tell Mr. Mott-Smith what she thought of him, she left no room for doubt. Ruth met Baird secretly and she was first to know of Baird's jitney-bus plans. Israel Helmstone, leader of organized labor, decided that the employees of the Consolidated Traction Co. deserved an increase in pay. Bennett refused Helmstone's demands and the labor leader called Baird into consultation. Helmstone's daughter, Wanda, employed as stenographer by Mr. Mott-Smith, furnished inside information that showed the weakness of Bennett's defense. The car strike was called and traffic paralyzed. The next morning the "Social Rapid Transit Company" sprang into operation. Mott-Smith, Bennett and their associates were filled with consternation. Baird's pals in society entered their cars for public patronage and "jitney bused" the traction company to its knees. When strike-breakers were called in there was nobody to ride, for the public preferred the limousines. When Bennett cried for mercy, Baird was the intermediary. Fate decreed that Baird should be the one to rush to Mott-Smith's office to rescue Wanda Helmstone from the clutches of the drunken society leper. Settling with Bennett was no hard matter for Baird. His terms were $10,000 a year for becoming assistant general manager and six months' vacation to enjoy a honeymoon on which Ruth was to be the bride.

A visual fragment from the archive: The thematic resonance of His Debt perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Worthington

Japanese-American law student Suki Iota falls in love with his guardian's niece Rei Oaki, who has just arrived from Japan to cultivate her singing voice. After Suki goes East to law school, Rei, thinking Suki wants an American girl, gets Tom Kirby, the son of the Chinatown boss, to teach her American ways of dress and behavior. On his return, Suki is displeased with Rei's change and believes her to be Tom's girl when he sees them celebrating the Chinese New Year. Suki is appointed assistant district attorney and, with the whole city watching because of anonymous death threats sent to him, he steadfastly prosecutes a murder case until Tom confesses to him. To protect Rei, Suki removes himself from the case. Labeled a coward and a traitor to justice, Suki remains silent until Tom publicly confesses. Now regarded as a hero, Suki defends Tom. Rei confesses she never loved Tom, and her romance with Suki begins anew.

Dir: William Worthington

Peter Drake meets and falls in love with Jackie Swazey, the daughter of a feisty suffragette and incipient politician. In order to impress her, he agrees to help Mrs Swazey in her campaign to become elected. His first task is a difficult one - Mrs Swazey's ticket is Prohibition, and her husband, Jackie's Pa, is little more than a drunk. Instead of reforming him, Peter gets on with Pa Swazey like a house on fire, and they end up drunk and in jail! Fortunately the are helped out by a man named Mike Clancey. Unfortunately, he is Mrs Swazey's main opponent in the election - and the price he demands for his help is her elimination from the race. Peter comes up with the perfect solution: he spikes her drink at a Prohibition rally and gets her drunk! Before she sobers up and the sparks fly, Jackie and Peter elope.

A visual fragment from the archive: The thematic resonance of The Car of Chance perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Worthington

A fascinating piece of cinema that shares thematic elements.

Dir: William Worthington

The Japanese Prince Maiyo is in London to avenge the death of his father who years earlier committed hara-kiri because he had been financially ruined by an English swindler. The Prince warns his friend, the Duke of Devenham, that the Count de la Mar is attempting to seduce the Duke's bored American wife, and then is told by his servant Soto that the Count is the man who killed his father. During a foggy night, the Count, planning to elope with the Duchess, is killed in a taxi with the sword that the Prince's father used to kill himself. Although the American sister of the Duke, Penelope Morse, who loves the Prince, pleads with him to leave before being arrested, he will not perform such a cowardly act. After Soto confesses murdering the Count because he wronged his daughter years ago, the Prince is freed, but because of the racial barrier, he bids a sad farewell to Penelope and leaves.

A visual fragment from the archive: The thematic resonance of The Courageous Coward perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Worthington

The renown Hindu scientist, Dr. Chindi Ashutor, who has conquered plague in India, visits Scotland and falls in love with Kate Erskine, whose sister Mary is engaged to Ashutor's college friend, James Bassett. Although Kate loves Ashutor, she says marriage would make them social outcasts. Several months later, Bassett comes to Ashutor in India for help in eluding members of the Black Hand. Bassett became involved with them out of curiosity, and now they demand that he commit a murder. On a boat bound for Italy, Ashutor gives Bassett an injection to make him appear dead. In view of the Black Hand agents, François and Countess Petite Florence, a dummy is then buried at sea. In Scotland, after the agents overhear Ashutor tell the Erskines that Bassett is all right, Ashutor bribes François, who is then murdered by the countess. For his silence, Ashutor demands that Bassett be left alone. He then bids another farewell to Kate saying he will always love her.

Dir: William Worthington

Wanting her sweetheart, Judd Minot, a Maine fisherman, to develop his sculpting talents, Mary Garland encourages him to accompany art connoisseur Henry Bliss to New York City. Once there, Judd forgets Mary and becomes smitten with Bliss's attractive daughter Myrna. Although he wins fame as an artist, the party society life he leads with Myrna causes his work to suffer. When Mary learns of Judd's stagnation and fast style of living, she rushes to New York to rescue him. When he sees her, Judd realizes that Mary is the prime inspiration for all his statues and renews his love for her.