The Essential Watchlist that Capture the Essence of The Dwelling Place of Light: Cult Guide

Dir: Jack Conway

A secretary (Gloria Swanson) uses her boss to get money for her unfortunate sister (Ann Kroman) but eventually falls in love with him.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of You Can't Believe Everything perfectly mirrors the editorial trajectory of our deep dive.

Patricia Reynolds, the belle of the summer resort she is visiting with her friend, Amy Powellson, attracts the attention of Arthur Kirby, whom Amy loves. On an evening drive, Arthur tries to kiss Patricia , whereupon she leaps from the car and walks home. While Amy, disguised in Patricia 's clothing, accompanies Arthur to a roadhouse, Patricia , walking near the beach, sees her invalid friend, Jim Wheeler, jump into the ocean intending to kill himself. After rescuing him, Patricia persuades Jim to visit a specialist, but when she later is accused of spending the night with Arthur, she refuses to defend herself in order to conceal Jim's attempted suicide. Hastings Carson tries to save her reputation, but he subsequently attacks her, and she is forced to swim from his yacht to shore. Cured, Jim returns to remove Patricia from this social quagmire by marrying her.

Dir: Jack Conway

Aside from the fact that Polly had red hair in abundance, she was not otherwise an exceptional child, save for one thing. She was willing to work and slave, if need be, to keep her baby brother, affectionately termed "The Lump," from being sent to the poor house. So she did housework and prepared breakfasts for John Ruffin, an attorney, and Hon. Gedge-Tompkins. John Ruffin's sister, Lady Osterly, has separated from her husband, and he holds their child. When Lady Osterly calls on Ruffin she is struck with the remarkable resemblance Polly bears to her own child. Ruffin and Lady Osterly formulate a plan to come into possession of her daughter, by using Polly as a substitute. When they offer Polly twenty sovereigns to go to the Duke of Osterly's home and impersonate the other child, the amount of money fairly staggers Polly and she accepts. By changing the children when the child of the Osterly's is out riding with her nurse. Polly gains access to the Duke's home and the Osterly child comes to John Ruffin's apartments to stay until her mother can get her ticketed to the continent and travel away with her. Polly does the best she can under strange conditions, but despite her resemblance to the Osterly child, the servants are suspicious and the Duke falls to wondering what has happened. Young Lord Ronald, visiting the Duke, is above all suspicious of Polly. The Osterly girl is under similar suspicion at Ruffin's home. "The Lump" positively declines to have anything to do with her. There is a blunder in the preparations Lady Osterly and John Ruffin make for the European trip. Polly disregards positive instructions and leaves the Osterly mansion before plans can be worked out. The Duke follows Polly in his automobile, searching for her in a nearby park where she has liked to go with young Lord Ronald to play. Finding Polly where he thought he would the Duke carries her back to his home. Here John Ruffin directly arrives, to tell the Duke that his wife and child must, by that time, be well on their way across the Channel. Lady Osterly, through miscalculation, has become worried because Ruffin does not arrive with the tickets and telephones him at the Duke's (her husband's) home. The servants call the Duke in answer to the summons and thus husband and wife find themselves talking to each other, much to their mutual surprise, as well as secret delight. As a result of this accidental 'phone call, a reconciliation is effected and everything ends happily for everybody, including Polly Redhead, who has made a great conquest of young Lord Ronald's heart.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of Polly Redhead perfectly mirrors the editorial trajectory of our deep dive.

On the South Sea island of Somona, an American rough-and-ready hero, Sylvester Todd, punches a German prince for insulting Lady Diana Loring of England. Sylvester flees the island, and at the request of an English official, sails to another province to help quell a native uprising. The German foreman of an English platinum mine on the island plans to destroy it with the assistance of the natives. When Lady Diana arrives, Sylvester takes her and several other English friends to a chateau for safety, but the building is surrounded by the rebels. Sylvester escapes to a wireless station and sends off an appeal for help. The party is rescued by an American warship, after which Sylvester and Diana marry.

Dir: Jack Conway

In a seventeenth century New Mexico village, after Indians attack and kill everyone except two monks and a baby named Manuel, the neighboring Penitentes, a violent, fanatical Catholic sect, lay claim to all property, including the estate belonging to Manuel's family. Years later, during a regional fiesta, Father David, the local religious leader, notices the striking Manuel, now grown, and questions the Penitentes' chief about his background. Fearing exposure, the chief induces his followers to choose Manuel as their annual sacrificial victim, to be crucified on the upcoming Good Friday. Dolores, Manuel's sweetheart, attempts to sway him from the group, but he insists on participating in the ceremony. At the urging of Father David, Colonel Banca orders his troops to stop the ceremony, and Manuel narrowly escapes crucifixion. Later, the confession of one of the old monks reveals the true identity and heritage of Manuel.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of A Diplomatic Mission perfectly mirrors the editorial trajectory of our deep dive.

New York playboy Carter Richmond inherits the family fortune, but it doesn't take him long to blow it. All that's left is an abandoned mine in California, so he travels west to see if he can get anything for it. He finds that a miner, Big Him Helton, and his pretty young daughter Mary have been "squatters" at the site for years, and a neighboring miner, Placer Murray, has been trying to run them off so he can take it over himself. Mary accidentally shoots Carter, thinking him to be one of Murray's men. As she nurses him back to health, they begin to fall in love. Complications ensue.

Dir: Jack Conway

Upon learning that the parents of "Little Red" have died, the cowboys of Colonel Ferdinand Aliso's ranch adopt the boy. Parson Jones and his church committee protest that the child should be brought up in more refined surroundings, but the cowboys, particularly Duck Sing, Aliso's Chinese cook, are so enamored of Little Red that they donate their poker money to the church in order to placate the congregation. After Little Red catches pneumonia and nearly dies, however, Dr. Kirk insists that the boy either live with the minister or acquire a mother through the marriage of one of the cowboys. While Little Red is recuperating at the parson's home, ranch hand Tom Gilroy courts the only marriageable women in town -- a widow and two spinsters -- but much to his relief, they all turn him down. In the end, Duck Sing, whom the child much prefers to the parson, kidnaps Little Red, after which the colonel legally adopts him.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Penitentes perfectly mirrors the editorial trajectory of our deep dive.

Inheriting his father's alcoholism, Lawyer Tom Gallatin goes into the woods to rehabilitate himself. Once there, he loses his way and then meets Jane Loring, who is also lost. They are attracted to each other, but when Jane offers him a drink from a flask, Tom takes more than just a few sips, and then tries to rape her. A search party rescues Jane, after which, sobered by the seriousness of his attempted crime, Tom cures himself of his drinking problem. Later, in the city, Jane and Tom meet again and she forgives him. However, Coleman Van Duyn, who loves Jane, and Nina Jaffray, who wants to marry Tom, decide to make sure that no romance develops. They convince Jane that Tom is already engaged to Nina, but then, guilt-ridden, the alleged fiancee confesses everything to Jane, who quickly goes to Tom and tells him that she loves him.

Dir: Jack Conway

From a Montana mining camp, a young man progresses to the society heights of New York, making his mark publicly as a dancer, but secretly as a gentleman burglar.

Dir: Jack Conway

Great financier Jesse Craven is ill, but so closely guarded that the public can obtain no details. Lawrence Ashmore, a young reporter, is detailed by his paper to obtain an interview. Larry Craven, Jesse's son, is expected one morning, and the chauffeur mistakes Ashmore for him. But when Jesse's niece Edith and friend Richard Creelman see Ashmore, they realize that he is not Larry and take him prisoner, fearing that he's a reporter. Larry has been kidnapped by the orders of Shackleton, who is the confidential man, also the former secretary to Craven, to Farnum and Sharp, two brokers who are bent upon the ruin of Craven and the thousands of stockholders who have entrusted their investments to him. Creelman and Ramsdale, Craven's broker, offer Ashmore a large sum of money if he will pose as Larry, and he agrees. He and Edith become friends. Farnum and Sharp, thinking they have Larry safe, manipulate the stock market, and things are looking rather serious for the Craven interests. In order to carry out their bluff further, it is planned that it shall be reported that Larry, in reality Ashmore, and a party will take a yachting cruise. Ashmore and the party leave on the trip, and Shackleton, who has secured the services of a chauffeur of the Craven's, kidnaps Ashmore, having enticed him from his own yacht by a ruse, and takes them on board their vessel. A storm comes up and the boat springs a leak. All are forced to jump overboard. Ashmore reaches the shore more dead than alive; Edith and the others think that Ashmore has deserted them at the crisis. Ramsdale and Creelman decide to give their entire fortunes to trying to save Craven interests. Craven is better, but Larry has control of his account, and he is helpless. Ashmore hails a passing car to take him back to the Craven place. He rushes to the Stock Exchange and turns the tide against the conspirators. The Craven fortune is saved. Farnum threatens to have Ashmore arrested for impersonating a member of the Stock Exchange. Ashmore defies him and tells him that he is the son of the man whom Farnum ruined, and that he possesses evidence which will send his enemy to jail. Farnum sees himself defeated at every turn. In the meantime Larry has caught Bernice trying to drug him and has managed to escape from her apartment. He hurries to the Cravens and is recognized at once as the real Larry Craven. He arrives just in time to prevent the shooting of Ashmore by Farnum. Ashmore is presented to Larry as the man who saved the Craven fortune. Larry sees that Edith and he are in love and offers him the position of manager of the Craven interests, which Ashmore accepts. Soon after, Edith accepts him as her life partner.