The Definitive Watchlist Seeking the Same Brilliance as The Dying S...

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Bud Fisher

Mutt and Jeff go on strike and make their own film.

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lasse Ring

Mr and Mrs Stockholm visit the Paul U. Bergström (PUB) department store to buy a new wardrobe for a journey. They visit different departments, where the future Greta Garbo (Gustafson at the time) is one the models showing outfits for Mrs Stockholm.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

A visual fragment from the archive: The thematic resonance of On Strike perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Mason N. Litson

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

A visual fragment from the archive: The thematic resonance of How Not to Dress perfectly mirrors the editorial trajectory of our deep dive.

Dir: Claude Friese-Greene

A fascinating piece of cinema that shares thematic elements.

Dir: Victor Heerman

The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.