The Global Archive For Devotees of The Further Adventures of Stingaree: Cult Guide

Dir: Paul Hurst

The Tribe of the Mandans was practically obliterated through smallpox and the survivors swore eternal vengeance on the white men, whom they believed to be the cause of the plague. This picture deals with the last of the Mandans who planned his revenge but was thwarted.

Dir: Paul Hurst

A visual fragment from the archive: The thematic resonance of The Crow's Nest perfectly mirrors the editorial trajectory of our deep dive.

Esteban, a white boy, is reared by an Indian squaw, whom he believes to be his mother and from whom Beaugard steals the papers documenting Esteban's birth and his right to inherit a ranch. When he is grown, Esteban falls in love with Patricia Benton, Beaugard "exposes" Esteban to Patricia, and the villain taunts the lad that he has no right to a white woman. After a series of adventures in which Esteban recovers Patricia from Beaugard's grasp, the couple happily learn the truth from Esteban's "mother."

Dir: Paul Hurst

Episode 1: "The Lumber Pirates" "Dollar" Holmes, so called because of his greed for money and power, is a small timberland owner in a region where both the trust and a tribe of Klamath Indians hold similar lands. He is under contract to the combine to deliver to it 10,000,000 feet of timber by a specified date. It is a rich deal. His wife is about to become a mother, and Holmes has set his heart fiercely on a boy to inherit the fortune he means to pile up. A forest fire sweeps away half of Holmes' standing timber. Greer, president of the trust, learning of this, writes a sneering letter hinting at Holmes' ruin unless he fulfills his contract on time. This he cannot do unless he obtains possession of the Indian lands adjoining his. Sleepy Dog, chief of the tribe, refuses to sell. Holmes' wife gives birth to a daughter, and he in a wild rage of double disappointment curses her and the babe, and rushes out of the cabin into the deep woods. He comes upon Dill, a bootlegger, surreptitiously selling whiskey to his loggers. Holmes promises to forebear punishing him if he will go into the Indian camp, from which Sleepy Dog is absent on a trip, and sell his stuff to the savages. The Klamaths are made drunk, and when they demand more whiskey Holmes offers them $100 apiece if they will deed their timber lands to him. They do so, and Holmes wires Greer that he will fulfill his contract; also that with acquisition of the Indian lands he has obtained exclusive right to use of the region's one river for log-floating purposes, thus cutting off the trust's lands from the market. The trust capitulates and accepts Holmes' terms, by which he is given a heavy interest in the combine and made a director. Sleepy Dog returns. Holmes quarrels with him, murders him and throws his body over a cliff. The crime is witnessed by Holmes' wife, a fact which he discovers. In terror of her life, the woman flees the cabin, carrying her infant in her arms. In trying to reach the farther bank of the river over a jam of logs she is hurled into the stream when a blast of dynamite blows up the king-log, and is whirled away in the current, clinging to a log and holding the babe in her arms.

Dir: Paul Hurst

A visual fragment from the archive: The thematic resonance of A Lass of the Lumberlands perfectly mirrors the editorial trajectory of our deep dive.

A ranch foreman captures a notorious gang of gold thieves. He ties them up and leaves them for a pursuing posse while he goes out to find the gold they stole. When the posse arrives, the gang's leader convinces them that the foreman is actually the gold thief, and the posse sets out in pursuit of him.

Dir: Paul Hurst

Returning from a conference with the White Men in Washington, the Medicine Man of the Arapahoe brings with him two hats, the hat worn by the white men in war and a top hat, which he and the Indians believe to have wonderful powers. While the Medicine Man is displaying his possessions, his daughter accidentally shoots an arrow through the top hat, and he promises her to the first man who asks for her. The Weasel speaks first and in spite of her protest, she is given to him. But her lover threatens the Weasel and he agrees to give her up. Her father refuses to take back his word, but the girl proves that the Weasel is a thief and the lover mends the top hat, so he takes back his word and the girl and her lover are united.

Dir: Paul Hurst

A visual fragment from the archive: The thematic resonance of The Demon Rider perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Paul Hurst

California cowpuncher Jim Kern and his pal enlist in the war against Germany and soon meet Frank Akuri, who has pledged to colonize the United States for his homeland, Japan. While Jim and other white males are fighting in France, Akuri forces Jim's sweetheart Mary to sell her ranch, as she is not able to run it because the only men left, the Japanese, have pledged not to work for the whites. With the ranch, Akuri begins his colony. Mary counters by organizing her society-lady friends to appeal to Congress against the "yellow menace." When it seems that his plans will be thwarted, Akuri issues orders for the deaths of Mary and her friends, but Jim and his pal return and rescue them. Akuri kidnaps Mary and takes her to his apartment, but with the help of Akuri's wronged Japanese lover, Jim learns her whereabouts. He organizes a posse of American Legion locals and rescues Mary just as Akuri is about to murder her. Akuri's group is routed out.

Dir: Paul Hurst

A visual fragment from the archive: The thematic resonance of The Medicine Hat perfectly mirrors the editorial trajectory of our deep dive.

An Indian woman relates the story of her son who was a half-breed. He is beaten and tormented by everyone but a white girl who loves a trader. She is betrayed by the trader, and when her small brother discovers her trouble he tells the half-breed. The girl kills herself, but the trader accuses the half-breed. With everyone attacking him, he makes his way to the trader, avenges the girl and dies.

Dir: Paul Hurst

An old chief of the peaceful tribe of Arapahoes tells a tale of a friend of his youth who was a scout with the famous Seventh Cavalry in Wyoming. A pioneer bound for California with his daughter was attacked by a white renegade and his Indian allies. The "Man Who Smiled" used the strategy of his race and helped to rescue the travelers. He was shot but still smiled and did not give up until the girl was restored to her lover, the First Lieutenant of the Seventh. An interesting story of friendship between Indian and white man in the early days of the West.

Dir: Paul Hurst

Two prospectors, one the father of Skye "Lightning" Bryce and the other the father of Kate Arnold, find a large gold deposit belonging to an Indian tribe. They head for home but each sends a note to their respective off-springs advising them of their good fortune. One of the fathers conceives a plan of taking a dagger and wrapping a piece of string around the blade, after which he prints on the string with a lead pencil, the exact location of their find. If something happens to them, the string goes to the son and the knife to the daughter. That night an Indian approaches their camp and blows some mysterious wolf powder which causes a man to see wolves in place of human beings. Lightning's father see his partner as a wolf and stabs him to death; later he is brought into town in a dying condition but before dying, hands the knife and the string over to the sheriff with instructions to deliver to Lightning and Kate. The sheriff also informs Kate that Lightning's father killed her father, and she immediately turns against Lightning. "Powder" Solvang also knows the story behind the knife and the string, and is determined to gain possession of both, even to the extent of making Kate his prisoner in an opium den in Chinatown.