Recommendations
Senior Film Conservator

If the unique vision of Paul Hurst's work in The Further Adventures of Stingaree left an impression, the juxtaposition of unique vision and narrative makes it a cult outlier. Experience the United States influence in these recommendations that echo The Further Adventures of Stingaree.
By merging unique vision with cult tropes, it to elevate cult to the level of high art.
Episode 1: "The Jackaroo" Maud Norman, the owner of the G Block Station, an Australian sheep run, points out to her manager, Glover, that her flocks have been seriously ravaged by the continued droughts of the past year. But her financial difficulties are somewhat lessened by the arrival of Jack Tabourdin, whose father sends Maud a check for one hundred pounds in payment for taking his son on as a "jackaroo" or apprentice on the sheep run. The following April when a payment of 500 pounds is due on the purchase of the sheep station, and Maud, foreseeing that, she will be unable to meet the payment, advertises for sale her favorite horse, Polly. Stingaree, the gentleman bushranger, and his partner, Howie, read this advertisement, and Stingaree decides that he must have Polly. Tabourdin, the jackaroo, overhears Maud and Glover discussing the sale of Polly. He remembers a handbill advertising 500 pounds reward for the capture of the bushranger, Stingaree. He wonders if he could spare Maud the loss of her favorite horse by capturing the outlaw. He receives an opportunity to do so, when, during the absence of Maud and Glover, Stingaree and Howie arrive at the station to get the horse. He fires at them as they are entering the stable. They run away, but by a subterfuge they make the jackaroo a prisoner. They take him to their camp, and are overjoyed to find that the jackaroo pursued them on the horse they had sought. In camp the jackaroo tells Stingaree the reason for his attempt to capture the bushranger. Stingaree, always too chivalrous to see a woman in trouble, proposes a plan to Howie and sends him away to the Kangaroo Hotel at Topanga. Then, feigning carelessness, he allows the jackaroo to make him a prisoner and take him to the troopers' quarters at Topanga, where Stingaree is locked up, and the jackaroo departs with his 500 pounds reward. Howie bursts into the Kangaroo Hotel at Topanga and holds up the bar. There is a trooper present, and Howie allows him to sneak away to give the alarm to the other troopers. The troopers rush away from the barracks, leaving only one man to guard Stingaree. Arriving at the hotel, they see what is apparently Howie riding away. They give pursuit and overtake the horse, only to find it is carrying only a dummy of straw, which Howie has rigged up for the occasion. Howie hurries to the barracks, where he overpowers the one trooper left in charge of Stingaree, and helps his partner to escape. Stingaree and Howie ride back to their old haunts, while the jackaroo returns to the G Block Station and persuades Maud to accept the 500 pounds as a loan to pay off the note on the sheep run.
The Further Adventures of Stingaree was a significant production in United States, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique unique vision of The Further Adventures of Stingaree, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Paul Hurst
Col. McCoy, the friend of the Indians who knows their sign language, goes to an Arapahoe village to visit some of the old chiefs. He sees a man who talks the Indian language, but who unquestionably belongs to the white race. Years ago a young boy and his sister sought shelter with the Indians after a runaway in which their wagon was smashed and their uncle killed. The girl was kidnapped by a half-breed and rescued by the boy and a young man of the girl's own race who loved her. She married her lover and the boy decided he'd be an Indian brave and remained all his life with the people he had chosen.
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Dir: Paul Hurst
Depury sheriff Ned Williams is sent to capture a cattle thief in the area. The thief turns out to be a young woman, Betty Howard, who steals to keep her young siblings form starving to death and their hardscrabble homestead after the father has died. Buck Kelly, an enemy of Ned's, frames him and abducts Betty.
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Dir: Paul Hurst
A Western Union messenger interrupts a burglary and tries to catch the thieves.
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Dir: Paul Hurst
A young man has a chance to become partners in an auto-repair business, but he doesn't have the money. In order to come up with some quick cash, he decides to temporarily become a professional boxer. The problem is that he isn't an athlete, knows nothing about boxing and stands a very good chance of getting the stuffing beaten out of him.
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Dir: Paul Hurst
Terry Baldwin inherits a ranch under the stipulation that he finds the ghost that haunts it.
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Dir: Paul Hurst
A fascinating piece of cinema that shares thematic elements.
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Dir: Paul Hurst
Returning from a conference with the White Men in Washington, the Medicine Man of the Arapahoe brings with him two hats, the hat worn by the white men in war and a top hat, which he and the Indians believe to have wonderful powers. While the Medicine Man is displaying his possessions, his daughter accidentally shoots an arrow through the top hat, and he promises her to the first man who asks for her. The Weasel speaks first and in spite of her protest, she is given to him. But her lover threatens the Weasel and he agrees to give her up. Her father refuses to take back his word, but the girl proves that the Weasel is a thief and the lover mends the top hat, so he takes back his word and the girl and her lover are united.
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Dir: Paul Hurst
A ranch foreman captures a notorious gang of gold thieves. He ties them up and leaves them for a pursuing posse while he goes out to find the gold they stole. When the posse arrives, the gang's leader convinces them that the foreman is actually the gold thief, and the posse sets out in pursuit of him.
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Dir: Paul Hurst
Episode 1: "The Lumber Pirates" "Dollar" Holmes, so called because of his greed for money and power, is a small timberland owner in a region where both the trust and a tribe of Klamath Indians hold similar lands. He is under contract to the combine to deliver to it 10,000,000 feet of timber by a specified date. It is a rich deal. His wife is about to become a mother, and Holmes has set his heart fiercely on a boy to inherit the fortune he means to pile up. A forest fire sweeps away half of Holmes' standing timber. Greer, president of the trust, learning of this, writes a sneering letter hinting at Holmes' ruin unless he fulfills his contract on time. This he cannot do unless he obtains possession of the Indian lands adjoining his. Sleepy Dog, chief of the tribe, refuses to sell. Holmes' wife gives birth to a daughter, and he in a wild rage of double disappointment curses her and the babe, and rushes out of the cabin into the deep woods. He comes upon Dill, a bootlegger, surreptitiously selling whiskey to his loggers. Holmes promises to forebear punishing him if he will go into the Indian camp, from which Sleepy Dog is absent on a trip, and sell his stuff to the savages. The Klamaths are made drunk, and when they demand more whiskey Holmes offers them $100 apiece if they will deed their timber lands to him. They do so, and Holmes wires Greer that he will fulfill his contract; also that with acquisition of the Indian lands he has obtained exclusive right to use of the region's one river for log-floating purposes, thus cutting off the trust's lands from the market. The trust capitulates and accepts Holmes' terms, by which he is given a heavy interest in the combine and made a director. Sleepy Dog returns. Holmes quarrels with him, murders him and throws his body over a cliff. The crime is witnessed by Holmes' wife, a fact which he discovers. In terror of her life, the woman flees the cabin, carrying her infant in her arms. In trying to reach the farther bank of the river over a jam of logs she is hurled into the stream when a blast of dynamite blows up the king-log, and is whirled away in the current, clinging to a log and holding the babe in her arms.
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Dir: Paul Hurst
Addicted to heavy gambling and strong alcohol, Bert Granger owns a saloon in which his children, Benny and pretty Alice, entertain the patrons. One night, The Stranger interferes in a drunken quarrel and becomes involved in a bitter fight, from which he emerges victorious. He is strongly attracted to Alice, and he strikes up a conversation while, at the gambling table, her father is being cheated in a crooked card game and loses the deed to the saloon. When a reward is posted for Wolf Maclean, The Stranger, who resembles the description given of the notorious bandit, is arrested. The gamblers arrange for a quick hanging, but Parson Dan Williams saves The Stranger by announcing that he himself is Wolf Maclean and that the gamblers are his confederates in crime. Before the astonished populace can arrest the gamblers, the parson is killed by one of their vengeful number. The Stranger is cleared and wins Alice; Bert Granger reforms and opens a general store, with Benny as his partner.
View DetailsAnalysis relative to The Further Adventures of Stingaree
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The White Man Who Turned Indian | Gothic | Dense | 94% Match |
| Rangeland | Ethereal | Layered | 92% Match |
| The Midnight Message | Gritty | Abstract | 90% Match |
| Battling Bunyan | Gritty | Abstract | 89% Match |
| Haunted Range | Ethereal | Abstract | 87% Match |
This guide was algorithmically generated using the cinematic metadata of Paul Hurst's archive. Last updated: 6/23/2026.
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